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With the development of radar technology and the complication of target background, more and more information which is not only angle but also range need be known to target in order to track and orientate accurately.

随着雷达技术的发展及探测目标背景的复杂性，对目标要求了解的信息也越来越多，不仅要获得目标的距离信息，而且还要获得目标的角度信息，以便进行准确的跟踪和定位。

There are, however, no wide-accepted molecular parameters taken as a reference and no precise γ and A_D obtained simultaneously so far.

本论文报道我们获得的自然丰度下N~(16)O的中红外LMR光谱，并采用最新的联系各同位素分子参数的标度函数将所有已发表的光谱数据和我们测量的实验数据实现统一的标识分析，通过对所有数据的完整一体的最小二乘拟合，得到了迄今为止最完备、最精确的~mN~nO(m=14，15；n=16，17，18)系列分子的结构参数，这些参数的精度与文献结果相比提高了1-2个量级，其中许多参数都是首次获得的。

Many studies have been accomplished byvarious kinds of spectroscopic techniques with some important molecularparameters determined. There are, however, no wide-accepted molecular parameterstaken as a reference and no precise 〓 and 〓 obtained simultaneously so far.

人们运用各种光谱技术对NO在各波段的光谱进行了大量的研究，获得了一些重要的分子结构参数，但却没有一组公认准确统一的分子参数可供使用，也不能同时获得分子参数〓和〓。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

Q: (Balazs Vajta – Autosport Es Formula) Heikki, as we all know, Spa is a race where it can rain, and my question is actually a double question: first of all, do you expect your car to be better in the rain than in the dry, and my second question is, do you expect any difference from the short wheel base car in the rain compared to the dry?

HK： 也许有一些，但依然很高兴能从第二起步，这是本赛季的最佳成绩，而且这只是获得升级后的第2场比赛。本来能获得杆位。我想在比赛中，要不是选错论坛，我想成绩会更好的，所以实际上对成绩很满意，斯帕是我最喜欢的赛道之一。

The same holds true for a family finally able to access clean water at a well-tended pump in its village because of a government sponsored sanitation project; or a person with HIV/AIDS who gets antiretroviral medicine, nutritional counselling and regular check-ups at an affordable clinic.

对于因政府赞助的卫生项目而最终能从其村里精心照管的水泵获得洁净水的家庭或在可负担得起的诊所获得抗逆转录病毒药物、营养咨询和定期检查的艾滋病毒/艾滋病患者同样如此。

It was related to the pleasure I still get from watching a well-played baseball game, or my wife gets from watching reruns of The Dick Van Dyke Show.

当然这与我看篮球的时获得的乐趣，我的妻子看 The Dick Van Dyke Show 重播时获得的乐趣也是有关的。

A kind of quadriatic programming is used in the second phrase in order to get high and well-distributed dose distribution.

第一阶段利用线性规划法缩小解空间；第二阶段采用复形调优法以获得肿瘤区均匀且高的剂量分布；第三阶段采用有约束模拟退火法以获得符合临床实际的治疗效果。

The adding of anatase nano-crystalline TiO_2 to the deposition solution accelerates the depositing of TiO_2 articles from the deposition solution on the silica glass fiber. A well-combined and durable TiO_2 thin film on silica glass fibers surface obtained by controlling the deposition temperature, deposition time, deposition cycles, concentration of the deposition solution, relative concentration of the deposition materials, pH value of the deposition solution. The effect of the deposition conditions, the drying conditions and the annealing treatment conditions on the surface morphology, section morphology, growth patterns, thickness of the deposited TiO_2 thin films were investigated. Growth rate and particle size of the thin films were controlled by the deposition conditions.

实验结果表明加入微量的锐钛矿型纳米TiO_2诱导晶可以使沉积液中析出的TiO_2粒子更大程度的以锐钛矿型纳米TiO_2粒子的形式析出；通过对沉积温度、沉积液中组分浓度及相对浓度、沉积溶液的pH值的调节与控制，从而控制沉积溶液中化学反应平衡的移动，研究了以上条件对沉积速率、沉积溶液中[Ti6]2–与—OH、[Ti6]2–之间的脱水聚合反应速率的影响，总结出了获得均匀致密质量较好的TiO_2薄膜的一系列实验参数，并对薄膜的生长模式进行了系统的分析研究；通过对沉积时间及沉积次数的分析，可以有效的控制TiO_2薄膜的厚度及质量；通过对薄膜的干燥条件及热处理条件的控制，可以使利用液相沉积法获得的TiO_2薄膜进一步晶化；并分析了对薄膜引起缺陷的主要原因。

About the Author/作者介绍: Robert Ward is the author of seven previous novels,including the NEA Grant Award-winning Shedding Skin,and Red Baker,which won the Pen West Award for Best Novel of 1985.That book led producers Drvid Milch and Jeff Lewis to bring him to Hollywood to write and produce the award-winning show Hill Street Blues.Mr Ward also served as co-executive producerof Miami vice,with Michael Mann,and New York Undercover,with Dick Wolf.Mr Ward now spends his full time writing fiction.He is the father of four boys and lives with his wife ,Celeste Wesson,and son Robbie in Los Angeles.

罗伯特 沃德曾经写过七部小说，其中包含了获得美国教育协会奖的作品《隐蔽的皮肤》以及获得1985年西部执笔最佳小说奖的《穿红衣的面包师》，正是由于《穿红衣的面包师》使制片人戴尔维麦旭夫和杰夫路易斯的注意并将他介绍进了获奖影片《小山街道贵族》的剧组从事写作和制片工作，与此同时，他和米歇尔麦那共同制作了影片《迈阿密阴谋》，与迪克沃尔夫共同制作了影片《纽约风暴》，现在的罗勃特沃德专心致志的从事小说写作，他和他的妻子以及四个孩子现在居住在洛杉矶。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。