莱纳斯

Carolinas in the United States. Each plant has a long, thin

维纳斯捕蝇草生长在美国卡罗莱纳洲的湿地。

No, something top notch, an all star Irish caste, the Tweedy-Flower grand opera company with his own legal consort as leading lady as a sort of counterblast to the Elster Grimes and Moody-Manners, perfectly simple matter and he was quite sanguine of success, providing puffs in the local papers could be managed by some fellow with a bit of bounce who could pull the indispensable wires and thus combine business with pleasure.

才不是呢，而是最高级的，是爱尔兰首屈一指的名角会演，由特威迪-弗罗尔大型歌剧团团长的正式夫人担任主角，足以和埃尔斯特。格莱姆斯与穆迪-曼纳斯一比高低。这是十分简单的事，他对此举的成功充满自信。关键在于得有个能够在背后操持料理的家伙，能让当地的报纸给大吹大擂一番。这样，就既可盈利又能饱览风光了。

And Rorer and Rice, you stay in the car with Reinecke to the north.

罗勒、莱斯和莱纳克待在大街北边的车里

When did the Golden Lion last serve populist fare such as the George Clooney thriller Michael Clayton (murder, skulduggery and Tilda Swinton glammed up as an evil corporate lawyer), the army-base thriller In the Valley of Elah (a bread-and-jam whodunit in spite of Haggis's thick spreading of Iraq war allusions) or Branagh's loop-the-loopy attempt to refashion Sleuth with a Pinter script and Michael Caine and Jude Law playing hide-and-seek amid the arty camera angles.

金狮奖上次专门为民粹主义作品设立是什么时候来着？比如乔治？克鲁尼令人毛骨悚然的影片《迈克尔？克莱顿》（谋杀、使诈，还有蒂尔达？斯文顿扮演的衣着光鲜的企业律师），根据军队拍摄的令人毛骨悚然的影片《决战以拉谷》（尽管哈吉斯散布了大量伊拉克战争的暗示，它还是一部像"面包加果酱"一样平常的推理影片），还有布莱纳兜着圈子地努力翻拍《足迹》，用平特的剧本与迈克尔？凯恩和裘德？洛，在富有艺术家气派的各种拍摄视角中玩捉迷藏的游戏。

He's got more of an eye for goal than Hleb and while the Belarussian might be better at ball retention there were too many times when you wanted him to retent the fucking thing in the goal. Nasri can provide more from an attacking and end product point of view.

他比赫莱布更有进球欲望但赫莱布在控球方面可能更出色一些，你经常会希望他把那破玩意推进球网，纳斯里在每次进攻中可以提供更多威胁并收获更多。

Think of Richard Dreyfuss flinging plants through the window in "Close Encounters of the Third Kind", Frances O'Connor abandoning her adopted robot son by the roadside in "A.I." or the defeated, self-deluding Christopher Walken in "Catch Me If You Can".

比如《第三类接触》中，将植物扔出窗外的理查德·德莱弗斯；再比如《人工智能》中，纳将收养的机器人孩子抛弃在路边的弗朗西斯·奥康；甚至在《猫鼠游戏》中自暴自弃的克里斯托弗·沃肯。

Think of Richard Dreyfuss flinging plants through the window in "Close Encounters of the Third Kind", Frances O'Connor abandoning her adopted robot son by the roadside in "A.I." or the defeated, self-deluding Christopher Walken in "Catch Me If You Can".

德莱弗斯将花草从窗户中抛出的场景；《人工智能》一片中弗朗西斯奥康纳将她收养的机器人儿子遗弃到路边的画面；《逍遥法外》一片中克里斯托弗沃尔肯德自我欺骗的情节。

Think of Richard Dreyfuss flinging plants through the window in "Close Encounters of the Third Kind", Frances O'Connor abandoning her adopted robot son by the roadside in "A.I." or the defeated, self-deluding Christopher Walken in "Catch Me If You Can".

想想在影片《第三类接触》中理查德·德莱弗斯将花草从窗户中抛出的场景；《人工智能》一片中弗朗西斯奥康纳将她收养的机器人儿子遗弃到路边的画面；《逍遥法外》一片中克里斯托弗沃尔肯德自我欺骗的情节。

Prinz Arthas Menethil was born 4 years before the first war. King Terenas II and Queen Llane were overjoyed and the whole of Lordaeron celebrated Arthas' birth.

第一次战争爆发之前4年，阿萨斯米奈希尔王子降生，泰瑞纳斯二世国王和莱妮王后非常高兴，整个罗德隆都在庆祝阿萨斯的诞生。

In recent years, as Kyd, Bilupusi, Laxide Hualaishi, Alinasi, Gu Misen, O'Neil, take the sea-voyage eastward big shop sign swims on the west too more far, and eastwards person in the new height that made professional career mostly, perhaps harvest total champion.

近年来，随着基德、比卢普斯、拉希德·华莱士、阿里纳斯、贾米森、奥尼尔、刘易斯、加内特、兰多夫等人的转会，东渡大牌远远多过西游，而且向东者中大多打出了职业生涯的新高度，或者收获总冠军。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。