莫里森

1St Week: A general introduction to the nature and contents of the course; an investigation of students' acquired knowledge of literature in general; a brief introduction to African-American literature 2nd and 3rd Weeks: Rediscovering an Invisible Culture (Why Black culture had been unknown and unobserved for several decades; how it came to be rediscovered ) 4th to 6th Weeks: Double Consciousness (the marginal perspective in Language, Oral Culture, Folklore and Religion); Reading representative works by three Black writers of racial consciousness: Douglass, Washington and Bu Bois 7th to 9th Weeks: Minstrelsy (Imitation, Parody and Travesty in Black-White interaction rituals 1830--1920); Reading the novel about the Black life: Uncle Tom's Cabin 10th to 12th Weeks: Social Mobility and Cultural Stigma: The case of Chicago Jazz 1920--1930; Reading poems by Hughes and novels by Wright 13th to 15th Weeks: Oral Tradition and the Quest for Literacy: The crisis of Black writers from Philips Wheatley to Ralph Ellison; Reading the masterpiece of Ellison 16th to 18th Weeks: Contemporary Afro-American Culture: the sixties and seventies (efforts on reconstructing the Black identiy and Black history); Reading novels by Morrison

第1周：介绍课程性质、内容，了解学生相关文学背景，简要概括黑人文学历史第2-3周：再现黑人文化（黑人文化长期被掩盖的事实和原因，重新被发现的原因和过程）第4-6周：双重意识（语言、吟唱文学、民俗民谣、宗教的边缘化），阅读黑人种族意识三代伟大启蒙家道格拉斯、华盛顿、杜波伊斯的代表作第7-9周：吟游文学（黑人与白人的文化互动过程中的模仿、戏仿、曲仿），阅读第一部反映黑人生活的小说《汤姆叔叔的小屋》第10-12周：社会动荡与文化耻辱（芝加哥爵士乐的兴起、流行和影响），阅读休斯和赖特的代表作第13-15周：口头文学传统与争取教育权利的斗争（从惠特利到埃里森的黑人作家危机），阅读拉尔夫·埃里森的代表作第16-18周：六、七十年代以来的美国黑人文化（重建身份和重建历史的努力），阅读莫里森的代表作每位参加该课程学习的学生均须严格出勤，按时完成学读任务，每学期主持两次小型（10分钟）学术报告，第一次针对老师推荐的作家作品做一个专题报告，第二次针对自己的学期研究计划做一个选题前瞻性和可行性报告。

Chapter one gives a brief introduction to Morrison's literary career, black women in history, womanism, and Morrison's womanist ideas.

第一章引言简要介绍了莫里森的创作生涯、历史上的黑人女性形象、女性主义、妇女主义和莫里森的妇女主义思想。

This dissertation attempts to map out African American dreams for personal fulfillment, for equal opportunity, for recognition in the society, and for a place to start all over again respectively in four major novels written by African American writers in the twentieth century: Their Eyes Were Watching God (1937) by Zora Neale Hurston, Native Son (1940) by Richard Wright, Invisible Man (1952) by Ralph Ellison, and Paradise (1998) by Toni Morrison.

本文以非洲裔美国作家于二十世纪创作的四部作品（佐拉·尼尔·赫斯顿于1937年发表的《他们眼望上苍》、里查德·赖特于1940年发表的《土生子》、拉尔夫·艾里森于1952年发表的《无形人》和托妮·莫里森于1998年发表的《乐园》）为对象，从文化研究的角度分别考察了非洲裔美国人追寻自我价值的实现、平等寻梦的机会、主流社会的认可和获得新生的机会等梦想。

But the trend has gone too far, suggested David Morrison, an astronomer at the NBSB Bmes Research Denter in Moffett Field, Dalif., who made the YouTube video and is one of the agency's point people on the issue of Mayan prophecies of doom.

但戴维·莫里森认为，这种趋势太过火了，莫里森是英国国家航空航天局位于加利福尼亚莫非特基地埃姆斯研究中心的一位天文学家，他是航天局里有关玛雅人世界末日预言问题的出头人之一。就是他代表航天局在YouTube上发布相关视频的。

But the trend has gone too far, suggested David Morrison, an astronomer at the NBSB Bmes Research Denter in Moffett Field, Dalif., who made the YouTube video and is one of the agency's point people on the issue of Mayan prophecies of doom.

但戴维 only女装中文官网·莫里森认为，这种趋势太过火了，莫里森是英国国家航空航天局位于加利福尼亚莫非特基地埃姆斯研究中心的一位天文学家，他是航天局里有关玛雅人间界末日预言问题的出头人之一。就是他代表航天局在YouTube上发布相关视频的。

They exerts great influence on Sulas determination to search for self and live an experimental life. The analysis of their influence, the relationship between Sula and the community and the friendship between Sula and Nel is the focus of this chapter.

在这部小说中莫里森把所有人物都放在一个叫&伯特姆&的黑人社区中，通过描述社区中人们之间的相互关系、秀拉与他人特别是秀拉与社区的关系，来强调莫里森自己的观点：任何个人要实现自我都离不开自己的社区。

A number of Irish-American activists agreed, including my friend Bruce Morrison, who had organized our outreach to the Irish-American community in 1992, and our ambassador to Ireland, Jean Kennedy Smith.

爱尔兰裔美国人中的许多激进分子都同意休姆的观点，包括我的朋友布鲁斯。莫里森、我国驻爱尔兰大使琼。肯尼迪。史密斯。莫里森1992年曾策划了我们与爱尔兰裔美国人建立联系。

Chapter Two takes on the deconstructive perspective. In this chapter, the author emphasizes how Morrison deconstructs the grand narrative through the exposure of the relations between power and truth. Also included in this chapter are Morrison's employment of self-reflexive narrative in "writerly texts" and the deconstructive effects of myths and allusions.

第二章从解构理论出发，讨论莫里森对宏大历史叙述的解构，主要涉及莫里森对话语权力和真理的关系的揭露，叙述者的内省在&可写性文本&中的运用，以及神话和典故的解构作用。

Through this perspective, this thesis analyzes Morrison's early four works: the Bluest Eye, Sula, Song of Solomon and Tar Baby. Firstly, it analyzes the plight of African-American culture. Then, it discusses how Morrison, though her writing, ponders the construction of African-American culture, and tries to make the culture full of vitality.

本文通过这个视角分析莫里森的早期四部作品：《最蓝的眼睛》、《秀拉》、《所罗门之歌》和《柏油娃》，首先分析黑人文化的艰难处境，接着探讨莫里森如何通过她的创作思考美国黑人民族文化的构建、使民族文化具有生命力的。

Other rallies will take place at Blytheswood Square, Glasgow; Bedford Square, Exeter; Princes Street, Edinburgh; Bristol city centre; Bold Street, Liverpool; Norwich Forum; Portsmouth's Guildhall Square; Queen Victoria Square, Hull; Tunbridge Wells town centre; Leeds Art Gallery; All Saints Park, Manchester; Grey's Monument, Newcastle; Castle Square, Swansea; St Sampson's Square, York; Morrisons, Caernarfon; Bradford city centre; and Sheffield town hall.

其他集会将在Blytheswood广场，格拉斯哥；贝德福德广场，埃克塞特；王子街，爱丁堡，布里斯托尔城中心；大胆街，利物浦；诺威奇论坛；朴次茅斯的市政厅广场，维多利亚女王广场，赫尔；滕布里奇韦尔斯镇中心；利兹美术馆；诸圣公园，曼彻斯特；灰色的纪念碑，纽卡斯尔；城堡广场，斯旺西；圣桑普森广场，纽约；莫里森，卡纳芬；布拉德福德市中心；和谢菲尔德大会堂。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。