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莫里哀

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There is a wellknown incident in one of Moliere's plays,where the author makes the hero expre u ounded delight on being told that he had been talking proseduring the whole of his life.

莫里哀的一个剧本中有这样一个著名的插曲:作者让主人公得知他在整个一生中一直在说散文后,表现出无限的喜悦。

"They made beneath the table A noise, a clatter of the feet that was abominable," says Moliere

"他们用脚在桌子下面搞得乒零乓郎一团糟,"莫里哀说过。

At that moment, he was thinking that the Manuel du Baccalaureat was a stupid book, and that it must have been drawn up by rare idiots, to allow of three tragedies of Racine and only one comedy of Moliere being analyzed therein as masterpieces of the human mind.

这时,他心里正在想:"《学士手册》确是一本荒谬的书,一定是出自一伙稀有蠢材的手笔,才会在谈到人类思想代表作时去对拉辛的三个悲剧作分析,而莫里哀的喜剧反而只分析一个。"

There is a wellknown incident in one of moliere's plays,where the author makes the hero express unbounded delight on being told that he had been talking proseduring the whole of his life.in the same way,i trust that you will take comfort,and be delighted with yourselves,on the discovery that you have been acting on the principles of inductive and deductive philosophy during the same period.

莫里哀的一个剧本中有这样一个著名的插曲:作者让主人公得知他在整个一生中一直在说散文后,表现出无限的喜悦。同样,我认为,当你一旦发现你在一生中一直在按归纳法和演绎法的哲理办事时,你也会感到欣慰和陶醉。

Rather than be surprised that Shakespeare, like Moliere, was an actor and yet wrote plays which were masterpieces, we might well ask if it would have been possible for him to write them in any other walk of life.

莎士比亚正如莫里哀一样,身为演员而写出戏剧杰作,这是不奇怪的。相反,我们倒不妨请问,假如是在别的行业。他有可能写出那些作品吗?

Moliere is named:the learned men talk of aclassical and romantic school of remote antiquity:there is rejoicing and shouting for the names of heroes,poets,and men of science,whom our time does not know,but who will be born after our time in Paris,the crater of Europe.

人们提起了莫里哀这个名字。学者们讲起了远古时代的古典派和浪漫派;大家兴高采烈地谈论着英雄、诗人和科学家;我们还不知道这些人,但他们将会在欧洲的中心--巴黎--产生。

The Misanthrope, London A pre-Christmas treat if you're not inclined to panto or seasonal offerings is a new production of Molière's The Misanthrope.

恨世者》,伦敦圣诞节前的盛宴,如果你们不倾向于舞剧或者seasonal offerings的话,就去看看这个根据莫里哀作品改编的《恨世者》吧。

Of all the French writers that I have read, I like Molière and Racine best.

在我所拜读过的法国作家中,我最喜欢莫里哀和拉辛。

And in the hallucinatory Molière-period costume orgy at the end, Knightley rises from the ashes of her wrecked name not so much like a phoenix as like an incorrigibly shameless languorous lizard who can suborn anyone with her manipulative sexiness.

在最后的引起幻觉的回到莫里哀年代的服装设计,KK像个随时都有可能用她的性感勾引任何人的小妖精。

Perhaps discouraged by the 1666 banning of Tartuffe, a play many found offensive because of its assault on church hypocrisy, Molière embarked on a more serious study of human relationships with The Misanthrope.

可能是由1666年禁止 Tartuffe ,一个发挥许多发现的进攻,因为它攻击教会虚伪,莫里哀开始更严重的研究人类的关系,愤世嫉俗。

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