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"He has probably been the most consistent player in this series and has hurt us in a variety of ways, and we have to figure a way to slow him," Sixers coach Maurice Cheeks said.

"他大概是这个系列赛里最协调的球员,用各种各样的方法击败我们,我们一定要找到一个方法去阻止他。"76人主教练莫里斯·奇克斯说道。

THE cinema, as he remembered it, was off Trafalgar Square.

在那儿,1962年初的40多个小时里,莫里斯?

But an unaccounted-for period in Moli re's life – just like that mystery hiatus in Agatha Christie's that gave us Agatha – means moviemakers cannot resist stepping in with their size-12 artistic wellies.

但是,莫里哀生命中那段未加说明的时期——就像阿加莎·克里斯蒂生命中神秘的空白时期——意味着,电影导演无法拒绝穿着他们12号艺术般的长统雨靴,走入其中。

Mr. and Mrs. Leivers, Agatha, Edgar, Geoffrey, Maurice - The family who live at Willey Farm.

先生和夫人Leivers ,阿加莎,埃德加,杰弗里,莫里斯-家庭谁住在威利农场。

Work by the likes of Philippe Starck, Jasper Morrison, Ron Arad, Marcel Wanders, the Campana brothers, Karim Rashid, Ross Lovegrove, Tom Dixon, Michele de Lucchi, Erwan and Ronan Bouroullec, and Constantin Boym is featured, and there are revealing interviews with 30 top designers.

工作由菲利普斯塔克,贾斯珀莫里森,阿拉德,马塞尔万德斯的坎帕纳兄弟,卡里姆拉希德,罗斯洛夫格罗夫,汤姆迪克森,米歇尔日Lucchi,二湾和Ronan Bouroullec喜欢,和康斯坦丁弥格的特色,并且有揭示面试30顶级设计师。

Behind him Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell, with stickumbrelladustcoat dangling, shunned the lamp before Mr Law Smith's house and, crossing, walked along Merrion square.

跟在他后面的是卡什尔。博伊尔。奥康内尔。菲茨莫里斯。蒂斯代尔。法雷尔,夹在腑下的防尘罩衣、拐杖和雨伞晃荡着。他避开劳。史密斯先生家门前的路灯,穿过街道,沿着梅里恩方场走去。

Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell walked as far as Mr Lewis Werner's cheerful windows, then turned and strode back along Merrion square, his stickumbrelladustcoat dangling.

525卡什尔。博伊尔。奥康内尔。菲茨莫里斯。蒂斯代尔。法雷尔一直走到刘易斯。沃纳先生那快乐的窗下,随后掉转身,跨大步沿着梅里恩方场折回来。一路上晃荡着风衣、拐杖和雨伞。

In Lemurian,"Namaste" is an ancient word that was utilized to trigger the deep awareness between two or more souls of their underlying truth.

在利莫里亚语里, Namaste 是一个古老的词语,被用来激活两个或更多灵魂间潜在真相的深刻察觉。

The frequency countless of the respond to a curtain call in his lifetime, but most let a person hard of dismiss from one's mind " respond to a curtain call " not be stagewise however.

莫里斯·巴里穆尔(1847-1905年)出生于英国,1875年移居美国,并走上舞台,成为很受观众欣赏的演员。他一生中谢幕的次数不可胜数,可最让人难以忘怀的&谢幕&却不是在舞台上。

In these two novels, Morrison created two different protagonists living in a white and male-dominated society: Pecola and Sula.

在这两部作品中,莫里森塑造了两位生活在一个白人和男人支配一切的社会里的黑人女性:佩克拉和秀拉。

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This one mode pays close attention to network credence foundation of the businessman very much.

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