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The battle once begun, its very various changes,--the resistance of Hougomont; the tenacity of La Haie-Sainte; the killing of Bauduin; the disabling of Foy; the unexpected wall against which Soye's brigade was shattered; Guilleminot's fatal heedlessness when he had neither petard nor powder sacks; the miring of the batteries; the fifteen unescorted pieces overwhelmed in a hollow way by Uxbridge; the small effect of the bombs falling in the English lines, and there embedding themselves in the rain-soaked soil, and only succeeding in producing volcanoes of mud, so that the canister was turned into a splash; the uselessness of Pire's demonstration on Braine-l'Alleud; all that cavalry, fifteen squadrons, almost exterminated; the right wing of the English badly alarmed, the left wing badly cut into; Ney's strange mistake in massing, instead of echelonning the four divisions of the first corps; men delivered over to grape-shot, arranged in ranks twenty-seven deep and with a frontage of two hundred; the frightful holes made in these masses by the cannon-balls; attacking columns disorganized; the side-battery suddenly unmasked on their flank; Bourgeois, Donzelot, and Durutte compromised; Quiot repulsed; Lieutenant Vieux, that Hercules graduated at the Polytechnic School, wounded at the moment when he was beating in with an axe the door of La Haie-Sainte under the downright fire of the English barricade which barred the angle of the road from Genappe to Brussels; Marcognet's division caught between the infantry and the cavalry, shot down at the very muzzle of the guns amid the grain by Best and Pack, put to the sword by Ponsonby; his battery of seven pieces spiked; the Prince of Saxe-Weimar holding and guarding, in spite of the Comte d'Erlon, both Frischemont and Smohain; the flag of the 105th taken, the flag of the 45th captured; that black Prussian hussar stopped by runners of the flying column of three hundred light cavalry on the scout between Wavre and Plancenoit; the alarming things that had been said by prisoners; Grouchy's delay; fifteen hundred men killed in the orchard of Hougomont in less than an hour; eighteen hundred men overthrown in a still shorter time about La Haie-Sainte,--all these stormy incidents passing like the clouds of battle before Napoleon, had hardly troubled his gaze and had not overshadowed that face of imperial certainty.

交锋以后,战争的非常复杂惊险的变化,乌古蒙的阻力,圣拉埃的顽抗,博丹的阵亡,富瓦战斗能力的丧失,使索亚旅部受到创伤的那道意外的墙,无弹无药的吉埃米诺的那种见死不退的顽强,炮队的陷入泥淖,被阿克斯布里吉击溃在一条凹路里的那十五尊无人护卫的炮,炸弹落入英军防线效果不大,土被雨水浸透了,炸弹陷入,只能喷出一些泥土,以致开花弹全变成了烂泥泡,比雷在布兰拉勒出击无功,十五营骑兵几乎全部覆没,英军右翼应战的镇静,左翼防守的周密,内伊不把第一军的四师人散开,反把他们聚拢的那种奇怪的误会,每排二百人,前后连接二十七排,许多那样的队形齐头并进去和开花弹对抗,炮弹对那些密集队伍的骇人的射击,失去连络的先锋队,从侧面进攻的炮队突然受到拦腰的袭击,布尔热瓦、东泽洛和迪吕特被围困,吉奥被击退,来自综合工科学校的大力士维安中尉,冒着英军防守热纳普到布鲁塞尔那条路转角处的炮火,在抡起板斧去砍圣拉埃大门时受了伤,马科涅师被困在步兵和骑兵的夹击中,在麦田里受到了贝司特和派克的劈面射击和庞森比的砍斫,他炮队的七尊炮的火眼全被钉塞,戴尔隆伯爵夺不下萨克森-魏玛亲王防守的弗里谢蒙和斯莫安,第一○五联队的军旗被夺,第四十五联队的军旗被夺,那个普鲁士黑轻骑军士被三百名在瓦弗和普朗尚努瓦一带策应的狙击队所获,那俘虏所说的种种悚听的危言,格鲁希的迟迟不来,一下便倒在圣拉埃周围的那一千八百人,比在乌古蒙果园中不到一个钟头便被杀尽的那一千五百人死得更快,凡此种种迅雷疾风似的意外,有如阵阵战云,在拿破仑的眼前掠过,几乎不曾扰乱他的视线,他那副极度自信的龙颜,绝不因这些变幻而稍露忧色。

Gibson's first "semi-acoustic" the ES-335, which was neither totally solid nor fully acoustic, is the guitar of choice used by many famous guitarists such as Andy Summers, Elvin Bishop, Lee Ritenour, Jay Graydon, Robben Ford, Freddie King, John McLaughin, Jimmy Page, Chuck Berry, Tony Mottola, Johnny Rivers, Jack Wilkins, Bono, Grant Green, Eric Clapton, Stevie Ray Vaughan, Alvin Lee, BB King, Emily Remler, Otis Rush, Pete Townshend, John Lee Hooker, and Larry Carlton.

吉布森的第一个"半声"的ES - 335,这既不是完全稳固的,也不可能完全声,是由诸如安迪萨默,埃尔文主教,李莱特诺,杰伊格雷顿,罗本福特,弗雷德金许多著名吉他手使用的选择吉他约翰McLaughin,吉米佩奇,查贝里,托尼莫托拉,约翰尼河流,杰克威尔金斯,波诺,格兰特绿色,埃里克克莱普顿,史蒂维雷沃恩,阿尔文李,比比金,埃米莉Remler,奥的斯拉什,皮特汤森,约翰李胡克,和拉里卡尔顿。

This dissertation attempts to map out African American dreams for personal fulfillment, for equal opportunity, for recognition in the society, and for a place to start all over again respectively in four major novels written by African American writers in the twentieth century: Their Eyes Were Watching God (1937) by Zora Neale Hurston, Native Son (1940) by Richard Wright, Invisible Man (1952) by Ralph Ellison, and Paradise (1998) by Toni Morrison.

本文以非洲裔美国作家于二十世纪创作的四部作品(佐拉·尼尔·赫斯顿于1937年发表的《他们眼望上苍》、里查德·赖特于1940年发表的《土生子》、拉尔夫·艾里森于1952年发表的《无形人》和托妮·莫里森于1998年发表的《乐园》)为对象,从文化研究的角度分别考察了非洲裔美国人追寻自我价值的实现、平等寻梦的机会、主流社会的认可和获得新生的机会等梦想。

Work by the likes of Philippe Starck, Jasper Morrison, Ron Arad, Marcel Wanders, the Campana brothers, Karim Rashid, Ross Lovegrove, Tom Dixon, Michele de Lucchi, Erwan and Ronan Bouroullec, and Constantin Boym is featured, and there are revealing interviews with 30 top designers.

工作由菲利普斯塔克,贾斯珀莫里森,阿拉德,马塞尔万德斯的坎帕纳兄弟,卡里姆拉希德,罗斯洛夫格罗夫,汤姆迪克森,米歇尔日Lucchi,二湾和Ronan Bouroullec喜欢,和康斯坦丁弥格的特色,并且有揭示面试30顶级设计师。

While at Morrison Knudsen, he worked in China, Columbia, Thailand and Saudi Arabia.

在莫里森·努森公司就职期间,他曾在中国、哥伦比亚、泰国和沙特阿拉伯工作过。

You're not Vincent Price, you're Vincent Malloy

你不是文森特·普赖斯,你是文森特·莫利

Jay McInerney's "Bright Lights, Big City"(1984) was the downtown edition; Dave Eggers' "A Heartbreaking Work of Staggering Genius"(2000) is the MTV one.

西尔维亚·普拉斯的《钟形罩》(1963年)便是一部为女孩作的翻版;亨特·汤普森为那些否认尼克松是总统,不相信吉姆·莫里森已死的人创作了《恐惧拉斯维加斯》(1971年);杰·麦克伦尼的《灯红酒绿》(1984年)算是现代都市版的;戴夫·艾格斯的《怪才的荒诞与忧伤》(2000年)则是MTV版的。

Niemller spoke out, and for his trouble was incarcerated in the Sachsenhausen and Dachau concentration camps from 1937 to 1945, and very nearly executed.

尼莫拉大声疾呼,也因此在1937到1945年间一直被囚禁在萨克森豪森和达豪的集中营里,还差一点被处决了。

Other rallies will take place at Blytheswood Square, Glasgow; Bedford Square, Exeter; Princes Street, Edinburgh; Bristol city centre; Bold Street, Liverpool; Norwich Forum; Portsmouth's Guildhall Square; Queen Victoria Square, Hull; Tunbridge Wells town centre; Leeds Art Gallery; All Saints Park, Manchester; Grey's Monument, Newcastle; Castle Square, Swansea; St Sampson's Square, York; Morrisons, Caernarfon; Bradford city centre; and Sheffield town hall.

其他集会将在Blytheswood广场,格拉斯哥;贝德福德广场,埃克塞特;王子街,爱丁堡,布里斯托尔城中心;大胆街,利物浦;诺威奇论坛;朴次茅斯的市政厅广场,维多利亚女王广场,赫尔;滕布里奇韦尔斯镇中心;利兹美术馆;诸圣公园,曼彻斯特;灰色的纪念碑,纽卡斯尔;城堡广场,斯旺西;圣桑普森广场,纽约;莫里森,卡纳芬;布拉德福德市中心;和谢菲尔德大会堂。

Arthur Molella heads the Lemelson Center for the Study of Invention and Innovation at America's Smithsonian Institution.

亚瑟。莫尔拉是美国史密森协会的莱缪尔森发明和革新研究中心的负责人。

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This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

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