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Have performed the traditional program not waning long in decades, there is artistic performance of the modern advance guard too.

伦敦西区的几十家剧院,常年吸引着国内外游客,既有《歌剧院的幽灵》、《悲惨世界》和莎士比亚戏剧等几十年长演不衰的传统节目,也有现代前卫的艺术表演。

Freudian allegorization of Shakespeare is as unsatisfactory as current Foucaultian, Marxist and Feminist allegorizations or past Christian and moral views of the plays through ideological lenses.

弗洛伊德式的莎士比亚解读就跟当前福柯式的新历史主义、马克思主义和女权主义的解读,或站在意识形态角度的老基督徒的道德观点一样,难以令人满意。

Shakespeare: The cloth interweaving like the silk thread of a good and evil in life, our benefaction must accept the spur of our fault, but our crime is of relying us the benefaction is covered up.

莎士比亚:「人生有如一匹善恶丝线交织的布,我们的善行必须接受我们过失的鞭策,我们的罪恶却又赖我们的善行加以饰。

Remember that you are a human being with a soul and the divine gift of articulate speech: that your native language is the language of Shakespeare and Milton and The Bible; don't sit there crooning like a bilious pigeon.

也没有生存的权利。记住你是个有灵魂的人类?老天给予你说话的天赋?你的母语是莎士比亚、弥尔顿和圣经用的语言?不要?个脾气粗暴的鸽子一样坐在那儿哼哼叽叽。

"Writers like Petrarch and Giovanni Boccaccio in Italy, Franois Rabelais in France, and William Shakespeare in England produced works that emphasized the intricacies of human character."

意大利的佩脱拉克和薄伽丘、法国的拉伯雷以及英国的莎士比亚等一批作家写出的作品强调人性的复杂性。

"Writers like Petrarch and Giovanni Boccaccio in Italy, Franois Rabelais in France, and William Shakespeare in England produced works that emphasize d the intricacies of human character."

意大利的佩脱拉克和薄伽丘、法国的拉伯雷以及英国的莎士比亚等一批作家写出的作品强调人性的复杂性。

The wreck of a reinforcement expedition in Bermuda inspired Shakespeare's magic play, The Tempest (1611), complete with Caliban, a savage aboriginal; a passage in one of John Smith's many promotional tracts inspired a verse in Peggy Lee's song Fever (1958)--"Captain Smith and Pocahontas had a very mad affair."

在百慕大失事的后援远征队激发了莎士比亚创造魔幻剧作《暴风雨(1611)》的灵感,剧中有个叫卡利班的野蛮土著;印在约翰。史密斯宣传册子里的一篇文章则激发了佩吉。李,他在歌曲《狂热(1958)》里写了这样一句话:"史密斯船长和印地安公主的疯狂地坠入爱河"。

With the inspiration of the great writter Shakespeare,Verdi composed the comic opera "falstaff" in 80 years old,also it's the Verdi last opera work.

晚年的威尔第借助莎士比亚作品的灵感,以轻快的笔触写下喜歌剧《法斯塔夫》,它是威尔第在80高龄时的杰作,也是威尔第的最后一部歌剧作品。

With the total number of works published amounting to almost 190 million, Diogenes has so far released more than 5,800 titles, out of which more than 2,000 are still available. These include classics such as Montaigne, Shakespeare, Moliere, Flaubert, Stendhal, Balzac, Dickens, Tolstoy, Chekhov; modern classics such as Georges Simenon, William Faulkner, F. Scott Fitzgerald, George Orwell, Carson McCullers, Patricia Highsmith; bestselling authors such as John Irving, Paulo Coelho, Donna Leon; and equally successful German-speaking writers such as Alfred Andersch, Friedrich D rrenmatt, Urs Widmer, Hugo Loetscher, Ingrid Noll, Jakob Arjouni, Erich Hackl, Bernhard Schlink, Doris D rrie, Martin Suter and Patrick S skind.

他们的作者名单包括了经典作家蒙田、莎士比亚、莫里哀、福楼拜、司汤达、巴尔扎克、狄更斯、托尔斯泰、契诃夫,现代经典作家乔治·西默农、威廉·福克纳、司各特·菲茨杰拉德、乔治·奥威尔、卡森·麦卡勒斯,派翠西亚·海史密斯,畅销书作家约翰·欧文、保罗·科埃略、唐娜·莱昂,还有同样出色的德语作家们,如艾尔弗雷德·安德森、弗里德里克·迪伦马特、乌尔斯·维特默尔,胡戈·罗彻尔,英格丽特·诺尔,雅各布·阿约尼,埃里希·海克尔,本哈德·施林克,桃丽丝·多利,马丁·苏特和帕特里克·聚斯金德。

The early plays were influenced by the works of other Elizabethan dramatists, especially Thomas Kyd and Christopher Marlowe, by the traditions of medieval drama, and by the plays of Seneca.

莎士比亚早期戏剧受到其他伊丽莎白时期剧作家作品的影响,特别是托马斯·基德和克里斯托夫·马洛,还受到中世纪传统戏剧和塞内卡的作品的影响。

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The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应,而且减少跟风的可能性。

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