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In his historical plays, Shakespeare has created many vivid characters through the methods of embossment, consistence, typification or individuation, and foil.

莎士比亚在历史剧中运用"浮雕式"、连贯性、类型与个性以及情境中的动态映衬等多种方法,塑造了众多鲜活生动的人物形象,构建了一座历史剧的艺术大厦。

Apart from Hawthorne, whose black vision regarding the evil of human beings had in some way changed Melville's outlook on life and the world and whose allegorical way of exposition had affected his writing technique, Shakespearean tragic vision and Emersonian Transcendentalism also produced some positive effects on his writing.

除了霍桑,黑色的邪恶人类视觉对于已经在某种程度上改变梅尔维尔的人生观和世界博览会的影响,他以寓言方式写作技巧莎士比亚悲剧和emersonian超视觉上也产生了一些积极影响写作。

Chapter Ⅲ discusses the extraordinary imagination Empson showed in interpreting the verses of Shakespeare play.

第三章讨论了燕卜荪在莎士比亚诗句解读上显示的与众不同的想象力。

Shakespeare also used enjambment increasingly often in his verse, and in his last plays was given to using feminine endings (in which the last syllable of the line is unstressed, for instance lines 3 and 6 of the following example); all of this made his later blank verse extremely rich and varied.

莎士比亚也越来越多地使用enjambment经常在他的诗,在他最后一次扮演了利用女性的结局(其中最后音节线是轻声,例如线3条和第6下面的例子);所有这一切,他后来韵诗极为丰富多样。

The University of Nottingham traces its origins to the founding of an adult education school in 1798. The foundation stone of the original University College Nottingham on Shakespeare Street was laid in 1877, with a speech by former UK prime minister, William Ewart Gladstone.

诺丁汉大学的起源要追溯到建于1798年的一所成人学校。1877年诺丁汉大学学院在莎士比亚路破土动工,英国前首相格莱斯顿曾在奠基典礼上发表讲话。

Fiedler and others point out, it simply reinforces the lessons of the aphrodisiac of power taught in Shakespeare.

正如费德勒教授和无数其他人指出的一样,这些故事只不过是在不断重复、印证莎士比亚剧中有关权力的经典主题。

In 1623, a play longer by a thousand lines appeared in Shakespeare's First Folio under the title, The Third Part of Henry the Sixth.

在1623年,一个发挥不再由1000行出现在莎士比亚第一对开本的标题,第三部分的亨利第六。

It takes the period frou-frou out of Shakespeare's Scottish play by setting it in present-day Melbourne gangland.

它选取了莎士比亚苏格兰戏剧中的时期,把它放在今天——墨尔本黑社会的日子。

For the last three centuries many actors and actresses have established their reputations by taking Shakespearian parts; e. g. Garrick in the 18th century and Kean and Irving in the 19th.

过去三个世纪以来许多男女演员由于扮演莎士比亚戏剧中的角色而誉满剧坛:例如,18世纪的加里克,19世纪的基恩和欧文。

There is rarity, in the world --- Shakespeare's talent, Napoleon's generalship and Newton's gift.

象莎士比亚那样的文才,拿破仑那样将略和牛顿那样的天赋是世界所罕见的。

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