莎士比亚的

The order factor is important connotation of realistic solicitude significance in Shakespeare chronicle play.

秩序因素是莎士比亚悲剧精神中的一个具有现实关怀意义的重要内涵。

After a final performance of a gripping production of "Coriolanus" on March 31st, the RST will close until 2010, and the theatre will be extensively remodelled before it reopens.

在3月31日激动人心的戏剧《科里奥兰纳斯》的最后演出之后，皇家莎士比亚剧院将一直关闭到2010年，在重新开张之前剧院将会大幅改建。

And there's an historical dimension for Shakespeare, which we might easily miss--especially since, as in his comedies, he'll go back and forth between a plausibly distant setting and a more contemporary one (think about the craftspeople in the "ancient" Athens of A Midsummer Night's Dream ).

对莎士比亚来说，更有其历史的层面，只是我们容易忽略这点—就像是他的喜剧一样，因为他总往返于仿古场景与当代场景（不妨想想《仲夏夜之梦》里的"古"雅典工匠）。

Hamlet, Horatio, Marcellus, and the Ghost of Hamlet's Father. Henry Fuseli, 1780–5. Kunsthaus Zürich. In the early 1600s, Shakespeare wrote the so-called "problem plays" Measure for Measure, Troilus and Cressida, and All's Well That Ends Well and a number of his best known tragedies.

亨利西·菲斯利描绘的哈姆雷特、霍拉旭、马塞勒斯、以及哈姆雷特父亲的亡魂，大约创作于1780-1785年间，现呈列于苏黎世美术馆。1600年代早期，莎士比亚创作了一系列所谓"问题剧"，如《一报还一报》、《特洛伊罗斯与克瑞希达》和《终成眷属》等，还有一些非常出名的悲剧。

In his final period, Shakespeare turned to romance or tragicomedy and completed three more major plays: Cymbeline, The Winter's Tale and The Tempest, as well as the collaboration, Pericles, Prince of Tyre.

在他最后的创作时期，莎士比亚转向传奇剧，或者称为悲喜剧，又完成了另外三部主要戏剧《辛白林》、《冬天的故事》和《暴风雨》，以及和他人合著的作品《泰尔亲王佩利科尔斯》。

I read Shakespeare and the Bible, and I can shoot dice.

当我读莎士比亚和圣经的时候我会之筛子，这就是我的艺术文化课

We can still read Shakespeare's First Folios, the original Gutenberg Bible, the Domesday Book, and even the Dead Sea Scrolls and the Rosetta Stone though we may have trouble with the language!

今天，我们依然能阅读1623年印刷的莎士比亚作品、原始的古登堡圣经、英国土地志、甚至死海古卷和埃及罗塞塔碑（虽然我们也许不清楚它用的语言！

Margaret Drabble, author of 17 novels, was the only author to name Shakespeare's Antony and Cleopatra .

致力于女性小说写作的英国著名女作家玛格丽特·德拉布尔是唯一提名莎士比亚《安东尼与克莉奥佩拉》的作家。

To be or not to be, to live or not to live, to live richly and abundantly and eagerly, or to live dully and meanly and scarcely.

这也是莎士比亚作品中最著名的一段话，因为哈姆雷特不仅仅为他自己也为所有正在思考的男人跟女人说的。

It would simply have been one more proof of the irreligious, earthbound nature of Shakespeare and his admirers.

而这恰恰相反恰恰相反再一次证明了莎士比亚和他的崇拜者们不信宗教，入世的本性。

What would he tell Judith and the children?

他将怎样告诉朱迪丝和孩子们呢？

I this is at that time, the opinion with peacockish true girl is full of in a heart.

这就是当时的我，一个心中布满虚荣的女孩子真实的想法。