莎士比亚的

And it was Empson who revealed Shakespeare's specific art and rich meanings of his language, improving people's understanding of Shakespeare as a poet and his works as poems.

而燕卜荪揭示了莎士比亚在语言运用上独特的匠心，以及其中包含的丰富诗意，增进了人们对莎士比亚作为诗人，莎剧作为诗的认识。

Though both Wilkins and Shakespeare use iambic pentameter, Wilkins uses more rhyming couplets ending with the end of the line, while Shakespeare relies on his characteristic use of enjambment, where a phrase or idea doesn't end at the end of a line, but carries over to the next.

虽然这两个威尔金斯和莎士比亚使用抑扬格五音，威尔金斯使用更押韵对联结束行末，而莎士比亚依靠他特有的使用enjambment ，其中一个短语或想法并不终止于一月底，但携带到明年。

It is all deliciously ironic when you consider that Shakespeare, who earns their living, was himself an actor and did his share of noisemaking.

译文」他们是靠莎士比亚过日子，而莎士比亚自己就是一位演员，当初也是吵吵嚷嚷的，想到这些不无讽刺的意味。

Chapter One introduces Shakespeare and King Lear from three aspects: a short account of the dramatist, a brief history of translation in China, and an introduction of King Lear and its textural characteristics.

第一章是莎士比亚和《李尔王》的简介，涵盖了莎士比亚简介，莎剧在中国的翻译简史、《李尔王》及其文本特色。

C. On the stage modern or Shakespearean: exemplars, Charles Wyndham, high comedian Osmond Tearle (died 1901), exponent of Shakespeare.

伊塞克斯。剧坛，现代剧或莎士比亚戏剧。典范为：高雅的喜剧演员查理。温德姆，演莎士比亚戏剧的奥斯蒙。蒂尔利（卒于1901年）。

August Wilhelm Schlegel calls Henry Ⅷ the epilogue to Shakespeare's ten-play historical rhapsodies, in which the dramatist both upholds and subverts the "Tudor myth" by an artful transposing of historical chronology and juxtaposing of the conflicting Catholic and Protestant perspectives.

莎学学者席雷格尔称《亨利八世》为莎士比亚10部英国歷史狂想曲之收场曲，在其中莎士比亚藉由巧妙的歷史时间移位以及並置新教与旧教的衝突观点，同时支持又颠覆了「都鐸神话」。

The theory applied in this thesis relies on aesthetics developing in three parts, namely, the origin of jester, ugliness presented in Shakespearean drama and function of ugly jesters in Shakespearean drama, in order to illustrate the significance of jesters in Shakespearean drama: the spokesman of the author.Key Words: Shakespeare; drama; jester; ugly; Aesthetics value

本文将在美学的基础上，通过小丑的起源、莎剧中小丑的丑态呈现以及丑陋的小丑在莎士比亚戏剧中的作用这3个方面的研究，来阐述小丑在莎士比亚戏剧中的重要意义：在莎剧中，他们是作者的代言人，在戏剧里，作者借小丑的语言评价讽刺其他角色，从而体现出当时社会的现实。

The theory applied in this thesis relies on aesthetics developing in three parts, namely, the origin of jester, ugliness presented in Shakespearean drama and function of ugly jesters in Shakespearean drama, in order to illustrate the significance of jesters in Shakespearean drama: the spokesman of the author.Key Words: Shakespeare; drama; jester; ugly; Aesthetics value

本文将在美学的基础上，通过小丑的起源、莎剧中小丑的丑态呈现以及丑陋的小丑在莎士比亚戏剧中的作用这三个方面的研究，来阐述小丑在莎士比亚戏剧中的重要意义：在莎剧中，他们是作者的代言人，在戏剧里，作者借小丑的语言评价讽刺其他角色，从而体现出当时社会的现实。

"Even the smallest sherd of broken pottery has the potential for giving us tantalising glimpses into the life of Shakespeare such as what he liked to eat and drink."

这处地产的所有者&莎士比亚出生地基金会&主席戴安娜·欧文博士说：我们不知道莎士比亚是否使用过'花结园'，可能只是他的仆人们使用过。

Scholars believe that Shakespeare wrote Antony and Cleopatra in 1606 , immediately after Macbeth, and it is one of the last great tragedies that Shakespeare produced.

学者认为，莎士比亚写安东尼与克莉奥佩特拉在1606年结束后，麦克白，这是最后一位伟大的悲剧，莎士比亚生产。

What would he tell Judith and the children?

他将怎样告诉朱迪丝和孩子们呢？

I this is at that time, the opinion with peacockish true girl is full of in a heart.

这就是当时的我，一个心中布满虚荣的女孩子真实的想法。