莎士比亚的

At age seven, Wilson began appearing in plays, among them "Cradle of Fire,""Supporting Cast,""Becoming Memories," and "The Roar of the Greasepaint...," as well as in a number of Shakespearean productions on both coasts.

在七岁，威尔逊开始出现在戏剧，其中包括"从摇篮消防"，"支持投下"，"成为回忆，"和"的轰鸣声的greasepaint 。。。，"以及在一些莎士比亚的制作上双方海岸。

He often quotes Shakespeare or Japanese poems and haiku.

而且他喜欢引用莎士比亚的诗歌与日本的俳句。

Has not let the violence hierarch the lackey, found attacks Shakespeare's excuse.

没有让暴力掌权者的爪牙，找到攻击莎士比亚的借口。

If that requirement seems demanding, Shakespeare's sonnets are also written in iambic pentameter.

如果说这种文体的要求似乎近于苛刻，那么莎士比亚的十四行诗也有以抑扬格写成的五步格诗。

It would be reasonable to estimate that Homer Iliad has been read by at least 25,000,000 people in the last 3000 years.

It或莎士比亚的戏剧是合理的荷马史诗估计，已至少有25，000，000，在过去3000年的人阅读。

As a result, critics of the time mostly rated Shakespeare below John Fletcher and Ben Jonson.

因此，当时大部分的评论家认为莎士比亚的成就低于约翰·弗莱彻和本·琼斯。

At the time of Shakespeare's death,-literary luminaries such as Ben Jonson hailed his works as timeless.

当时莎士比亚的死亡，文学名人，如本琼森称赞他的作品是永恒的。

So we have Shakespeare's Doll Tearsheet and Ben Jonson's Doll Common.

主妇。，所以我们就有莎士比亚的Doll Tearsheet和班·琼生的Doll Common。

Ben Jonson (1572-1637), another contemporary playwright, wrote that Shakespeare's "wit was in his own power; would the rule of it had been so too".

本琼森（ 1572年至1637年），另一个当代剧作家写道，莎士比亚的"智慧是在他自己的权力；将它的规则也已"。

Molds in Shakespeares tragedy to the female figure has lost reality, either is the frailty, either is the lasciviousness, either is the male gender woman image.

在莎士比亚的悲剧中对妇女形象的塑造有失真实，要么是脆弱者，要么是淫荡者，要么是雄性化的女人形象。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。