莎士比亚

Because the choice of the Buddhist nun of Bassa is essential, he chooses the wrong casket , they will separate forever, and Anthony will be blamed ; He chooses the correct casket , they will treasure each other, and Anthony will be saved smoothly Xia LuoKe (A ¤ handkerchief's west promise) One of the most dramatic and tragic classical images in Shakespeare's works, Xia LuoKe has reflected the extensive characteristic of the whole drama center: He is described into a ruffian, but because of his complexity , let him become a pitiful role again.

因为巴萨尼奥的选择事关重大，他选择错误的匣子，他们将永远分离，而安东尼奥也会遭受非难；他选择正确的匣子，他们将互相珍爱，而安东尼奥也会顺利得救夏洛克莎士比亚作品中最富戏剧性和悲剧性的经典形象之一，夏洛克体现了整部戏剧中心人物的广泛特征：他被描述成一个恶棍，但是因为他的复杂性，让他又成为一个可怜的角色。

Shakespeare obtains the inspiration from hereghost legend, writes down one of four big tragedies "Mike To bewhite".

莎士比亚从这里的鬼魂传奇中得到灵感，写下四大悲剧之一《麦克白》。

The stream of time, which is continually washing the dissoluble fabrics of other poets, passes without injury by the adamant of Shakespeare.

时光之流不停顿地冲刷着其他诗人们的那些易摧毁的塑像，但是在莎士比亚的巨像面前，却一晃而过，不损分毫。

The str eam of time, which is continually washing the dissoluble fabrics of other poets, passes withoutinjury by the adamant of Shakespeare.

毛译：时间的溪流不断地冲洗别的作家的易融化的织物，而在莎士比亚的合金织物前流过，却无法造成伤害。

He is a devout Catholic with mild, donnish quirks. He writes haiku poems and reads Shakespeare for pleasure.

虽然是一名虔诚的天主教徒，他却有着儒雅的学究气息，平日不但写写俳句而且乐于阅读莎士比亚的书籍。

But due to specific historical context and the guidance of the mainstream thoughts of that time, Guo＇s dramatical creation shows a divergence from Shakespearean spirit to quite a large degree.

本文试图从郭沫若的史剧观念与创作的衍变入手，论述歌德和莎士比亚对郭沫若的史剧理论与实践的不同影响，从中探寻中国现代剧作家接受反应的一些经验教训。

If use the traditional aesthetic point of view, Confucius, lu xun, Albert Einstein, Tolstoy, Shakespeare, Winston Churchill, is poor, or head looks back,"born" top, Or short stature made him easy, a face of devastation, Or hair fleeciness, crooked nose, but the great cause of their achievements also become good-looking, there are their statue and portrait, look how make people adore, look how make people like, they all became beautiful incarnation.

如果用传统的审美观点来看，孔子、鲁迅、爱因斯坦、托尔斯泰、莎士比亚、丘吉尔，都是相貌欠佳的，或脑袋畸形，&生而纡顶&；或五短身材，一脸肃杀；或乱发蓬松，鹰钩鼻子，但他们成就的伟大事业把本人也变得相貌漂亮起来，到处有他们的雕像和画像，怎么看怎么让人景仰，怎么看怎么让人喜欢，他们都成了美的化身。

Either the inchoation of the reflexivity of Nabokov's writing or the procreation of the metafictionality of his fiction can be regarded as such an effect.This fact further confirms the influence of Shakespeare's play-within-a-play on Nabokov's novelistic narrative.

不论是纳博科夫小说自反性的显露，还是他小说元叙事性质的生成，都是&小说中的戏剧&所带来的效应，也进一步说明了莎士比亚&戏中戏&对纳博科夫小说叙事的影响。

Know language charm Sha Shibiya, through is taken to the threshing ground the character already to express to incontrovertibly the only then full understanding, indicated to the common people,"the this time silent victory had the sound" the unique skill, was falls deeply in love the human appropriation "the wisdom".

深谙语言魅力的莎士比亚、通过登场人物既表达了对雄辩之才的充分认识，更向世人表明，「此时无声胜有声」的绝技、乃坠入爱河之人专有的『智慧』。

In England, the Elizabethan era marked the beginning of the English Renaissance with the work of writers William Shakespeare , Christopher Marlowe , Edmund Spenser , Sir Thomas More , Francis Bacon , Sir Philip Sidney , John Milton (who is known as perhaps last of the renaissance artists), as well as great artists, architects (such as Inigo Jones who introduced Italianate architecture to England), and composers such as Thomas Tallis , John Taverner , and William Byrd .

在英格兰，伊丽莎白时代标志著英格兰文艺复兴的开端，那时流行着作家莎士比亚，克里斯托弗·马洛，埃德蒙·斯宾塞，托马斯·莫尔，培根，菲利普·西德尼，米尔顿（他被认为是文艺复兴时期最后一个艺术家），许多的艺术家，包括建筑师（例如将意大利式建筑引进英国的伊尼戈·琼斯）和作曲家，例如托马斯·塔利斯，约翰·塔弗纳，威廉·伯德。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。