莎士比亚

Shakespeare's early classical and Italianate comedies, containing tight double plots and precise comic sequences, give way in the mid-1590s to the romantic atmosphere of his greatest comedies.

莎士比亚早期的古典和意大利风格的喜剧，包含了紧凑复杂的情节和精确的喜剧顺序，于1590年代中期转型为他最成功的充满浪漫气息的喜剧风格。

In England, the Elizabethan era marked the beginning of the English Renaissance with the work of writers William Shakespeare , Christopher Marlowe , Edmund Spenser , Sir Thomas More , Francis Bacon , Sir Philip Sidney , John Milton (who is known as perhaps last of the renaissance artists), as well as great artists, architects (such as Inigo Jones who introduced Italianate architecture to England), and composers such as Thomas Tallis , John Taverner , and William Byrd .

在英格兰，伊丽莎白时代标志着英格兰文艺复兴的开端，那时流行着作家莎士比亚，克里斯托弗·马洛，埃德蒙·斯宾塞，托马斯·莫尔，培根，菲利普·西德尼，米尔顿（他被认为是文艺复兴时期最后一个艺术家），许多的艺术家，包括建筑师（例如将意大利式建筑引进英国的伊尼戈·琼斯）和作曲家，例如托马斯·塔利斯，约翰·塔弗纳，威廉·伯德。

In England, the Elizabethan era marked the beginning of the English Renaissance with the work of writers William Shakespeare, Christopher Marlowe,Edmund Spenser , Sir Thomas More , Francis Bacon , Sir Philip Sidney ,John Milton (who is known as perhaps last of the renaissance artists), as well as great artists, architects (such as Inigo Jones who introduced Italianate architecture to England), and composers such as Thomas Tallis, John Taverner, and William Byrd.

在英国，伊丽莎白时代标志着英国文艺复兴的开端，那时流行着作家威廉·莎士比亚，克里斯托弗·马洛，埃德蒙·斯宾塞，汤玛斯·摩尔，培根，菲利普·西德尼，米尔顿（他被认为是文艺复兴时期最后一个艺术家），许多的艺术家，包括建筑师（例如将意大利式建筑引进英国的伊尼戈·琼斯）和作曲家，例如托马斯·塔利斯，约翰·塔弗纳，威廉·伯德。

Following this context and along different viewpoints of personality-character arrangement and music interpretation for love and death, this research is trying to explore: firstly, comparing the characters of Jago Otello and Desdemona separately in original text with them in opera text, the specific aesthetic viewpoints of conflict and evil in nineteenth century would in this way be clarified. Hence, basing on the ending of the act IV in the opera, the representation of different viewpoints of death in nineteenth century from that in the era of Shakespeare will be musically interpreted.

对此，本研究没要从人物性格的设计以及音乐里如例诠释爱与死的看法两方面进行探讨：首先比较原著与歌剧文本在Jago、Otello、Desdemona三人情格刻划方面的差异，藉此突显属於十九世纪时代的对立冲突性以及恶的美学观；尔后，再以歌剧中第四幕的结束场景为出发点，探究音乐手法如何同样地反映出十九世纪有别於莎士比亚时代的死亡观。

Writing poetry is nice, unless your beloved is studying English literature, in which case you'll be facing strong competition from the likes of William Shakespeare and John Donne.

写诗也是个不错的主意，不过对方的专业要是文学，我们还是换换别的方式吧，因为一旦给专修文学的人写了诗，那你就会陷入大文豪莎士比亚和大诗人多恩孰是孰非的较量中，将自己置身于万劫不复的境地。

The man was Jonson's friend and mentor, William Shakespeare.

这个人指的是他的良师益友，威廉莎士比亚。

Ben Jonson is a dramatist,and one of Shakespeare contemporaries in the Renaissance.

本·琼生是英国文艺复兴时期的戏剧家，和莎士比亚是同一时代的人。

We leave you with words of praise by Ben Jonson, a playwright who lived during Shakespeare's time.

在节目最后，我们将向大家献上与莎士比亚生活在同一时代的剧作家本·约翰逊的赞歌。

As a result, critics of the time mostly rated Shakespeare below John Fletcher and Ben Jonson.

因此，当时大部分的评论家认为莎士比亚的成就低于约翰·弗莱彻和本·琼斯。

At the time of Shakespeare's death,-literary luminaries such as Ben Jonson hailed his works as timeless.

当时莎士比亚的死亡，文学名人，如本琼森称赞他的作品是永恒的。

What would he tell Judith and the children?

他将怎样告诉朱迪丝和孩子们呢？

I this is at that time, the opinion with peacockish true girl is full of in a heart.

这就是当时的我，一个心中布满虚荣的女孩子真实的想法。