莎士比亚

To the foreigner and britisher, appreciating English's rich and colorful, there should be no other good way than to learn how Shakespeare use English.

对于外国人或英国人来说，要欣赏英语的丰富多彩，可能没有比学习莎士比亚使用英语的各种方法更好的方法。

For foreigner and Britisher, the best way to enjoy wonderful English is to learn the way how shakspare's applied English.

对于外国人或英国人来说，要欣赏英语的丰富多彩，可能没有比学习莎士比亚使用英语的各种方法更好的方法。

There is nothing better than studying Shakespare's work for both foreigner and Britisher to enjoy the rich an colorful of English.

对于外国人或英国人来说，要欣赏英语的丰富多彩，可能没有比学习莎士比亚使用英语的各种方法更好的方法。

For foreigner or Britisher ,if they would like to enjoy the english 's rich and colorful,maybe there is no best way except studing all kinds of methods from Shakespeare using english.

对于外国人或英国人来说，要欣赏英语的丰富多彩，可能没有比学习莎士比亚使用英语的各种方法更好的方法。

You know Manningham's story of the burgher's wife who bade Dick Burbage to her bed after she had seen him in Richard III and how Shakespeare, overhearing, without more ado about nothing, took the cow by the horns and, when Burbage came knocking at the gate, answered from the capon's blankets: William the conqueror came before Richard III .

你们可晓得曼宁汉姆那个关于一个市民老婆的故事吧，她看了迪克。伯比奇在《理查三位》中的演出，就邀请他上自己的床。莎士比亚无意中听到了，没费多大力气就制服了母牛。当伯比奇前来敲门的时候，他从阉鸡的毯子下面回答说：'征服者威廉已比理查三世捷足先登啦。

Shakespeare, who knew how to depict the internal life of people better than anyone who ever lived, has not simply made a mistake with Coriolanus, in showing him to be an empty vessel filled up by activity.

莎士比亚比以往任何人都更知道如何刻画人的内在生活，他所展示的科利奥兰纳斯是个空空如也的容器，有了活动才可填满这具容器——这样写真可谓正确无误。

So the duke said these Arkansaw lunkheads couldn't come up to Shakespeare; what they wanted was low comedy―and maybe something ruther worse than low comedy, he reckoned.

因此公爵就说，这些阿肯色州的蠢小子才不配看莎士比亚的戏呢。他们要看的嘛，是低级趣味的滑稽剧――据他估计，也许比低级趣味的滑稽剧更低一个层次的吧。

He must be aware that the mind of Europe—the mind of his own country—a mind which he learns in time to be much more important than his own private mind—is a mind which changes, and that this change is a development which abandons nothing en route, which does not superannuate either Shakespeare, or Homer, or the rock drawing of the Magdalenian draughtsmen.

他必须相当了解欧洲的思维、本国的思维——他迟早会知道这比他自己的思维更重要——是一种变化的思维，而且这种变化是一种发展，这发展不会在中途丢弃任何事物，它没有把莎士比亚、荷马或者马格林达时期绘画者们的作品，当做落后时代的累赘。

He must be aware that the mind of Europe梩he mind of his own country梐 mind which he learns in time to be much more important than his own private mind梚s a mind which changes, and that this change is a development which abandons nothing en route,which does not superannuate either Shakespeare, or Homer, or the rock drawing of the Magdalenian draughtsmen.

他必须明了欧洲的心灵，本国的心灵----他到时候自会知道这比他自己私人的心灵更重要几倍的----是一种会变化的心灵，而这种变化是一种发展，这种发展决不会在路上抛弃什么东西，也不会把莎士比亚，荷马，或马格达钵时期的作画人的石画，都变成老朽。

Oddly, he is far more suggestive and imaginative in his interpretation of the marble statue than in his reduction of Shakespeare's most complex character to a victim of an Oedipal fixation.

奇怪的是，他对大理石雕像的理解，比他对那些恋母情结固着的莎士比亚笔下的许多复杂人物的解读更具有暗示性和想象力。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。