荷叶

And there opened all the flounces of the parasol, all the plumes of the peacock, the radiance of the wave, the swords and spears of Agincourt, as she rose from her chair.

公爵夫人从椅子里站起身来，霎时太阳伞所有的荷叶边打开了，孔雀所有的羽毛也展开了，波光四射，剑影闪动。

Esther, wield ing an iron, pressed out the wrinkles between the flounces

埃斯特使着熨斗，把荷叶边上的一道道小皱纹熨平。

If nude has been everywhere, so too have zippers and flounces and degrade effects that recall the Hollywood designer Jean Louis and, lastly, a million references to the un-killable 1980s, the decade that looks even more insipid the second time around (or the third, if one considers that much seen on New York runways shamelessly reprises the collective homage to "Dynasty," the television soap opera, on offer in Europe a season ago).

如果到处都是肉肤色，同样也有拉链和荷叶边，那种颓废的效果使人想起好莱坞服装设计师金。路易斯，最糟糕的是，说一千道一万，都来自于无法抹去的1980年那第二次流行，而那个年代看上去更枯燥乏味，（或者第三次流行，如果考虑到在纽约T形舞台上看见的那一切，是不顾羞耻地对上个季节在欧洲上演的电视肥皂剧&王朝&的集体效忠。

As a parasol with many flounces, as a peacock with many feathers, shuts its flounces, folds its feathers, so she subsided and shut herself as she sank down in the leather armchair.

紧紧地裹在塔夫绸里，青春已逝。她深深地陷在皮沙发里，像一把收起了荷叶边的阳伞，又像一只敛起了羽毛的孔雀。

Ethan＿j的回答: A small town there is a name on the sweet peach Girl, she loves the Western medieval palace installed, obsessed with lace, ribbons, flounces, bows, fantasy flashy extravagance of life at the Rococo time every day put o...

问题补充：某个小镇上有一位名叫桃子的可爱女孩，她热爱中世纪西方宫廷装，迷恋蕾丝、缎带、荷叶边、蝴蝶结，幻想着生活在浮华奢靡的洛可可时代，天天把自。。。

Esther , wielding an iron, pressed out the wrinkles between the flounces.

埃斯特使着熨斗，把荷叶边上的一道道小皱纹熨平。

Ethan＿j的回答: A small town there is a name on the sweet peach Girl, she loves the Western medieval palace installed, obsessed with lace, ribbons, flounces, bows, fantasy flashy extravagance of life at the Rococo time every day put ow...

问题补充：某个小镇上有一位名叫桃子的可爱女孩，她热爱中世纪西方宫廷装，迷恋蕾丝、缎带、荷叶边、蝴蝶结，幻想着生活在浮华奢靡的洛可可时代，天天把自。。。

Newspaper men have killed his parents in various ways; it is said that the paternal Chaplin died of natural causes and his widow (known to the boards as Lily Harley) went into dressmaking, taught Charles and his brother Sydney to hem flounces; there is still another affecting scene in which Chaplin, a sallow waif in bloomers, is portrayed leading his starved mother to a poorhouse while London gamins revile him for his kindliness.

关于他父母的死因报纸上众说纷纭：卓别林老爹据说是自然死亡，他的遗孀（据说叫Lily Harley）后来改行做其了女装裁缝，教卓别林和他的哥哥Sydney缝衣服上的荷叶边；在卓别林的童年中有很感人的另一画面——有人描述卓别林当时一个穿着灯笼裤、一脸菜色的流浪儿，领着他饱受饥饿煎熬的母亲来到一所破房子前，而伦敦的其它流浪儿因为他的善良却欺侮他。

If nude has been everywhere, so too have zippers and flounces and degrade effects that recall the Hollywood designer Jean Louis and, lastly, a million references to the un-killable 1980s, the decade that looks even more insipid the second time around (or the third, if one considers that much seen on New York runways shamelessly reprises the collective homage to "Dynasty," the television soap opera, on offer in Europe a season ago).

如果裸肤色正当道，拉链、荷叶边也很夯，还有令人想起好莱坞设计师尚。路易的颓废效果，最后是打不死的1980年代影响仍到处可见，那个年代第二度流行时看起来甚至更没生气（或第三度流行，如果考虑到本周纽约伸展台肆无忌惮地一再向电视肥皂剧「朝代」集体致敬的风格，上一季已在欧洲推出）。

Originally, it had a single flounce at the hem, butgradually it developed many ribbons, rows, embroidery, flounces and artificial flowers.After 1860, the skirt was flattened at front, became wider at knee height and trailed at the back in many folds.

起初下摆只是'层荷叶边，渐渐地又加上很多缎带、蝴蝶结、刺绣、花边及人造花朵。1860年以后，裙子的前面变十，从膝盖处开始展开，在后面形成多层褶裥。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。