荒诞的事物

The ambiguity of everything in this site-specific installation continues to remind us of the absurdity of his paintings.

这个现场装置中一切事物的模糊性延续了他绘画中所展现的荒诞性。

They lose themselves in the titillation of language and form; they are infatuated with fragmentary appropriations of the classics; they are infatuated with the emptiness of decline and the passion of desire. As with the Western artists Jan Saudek and Joel-Peter Witkin, 'real-world objects should give up any idea of entering my pictures,' unless they undergo restructuring—by the artist's own taste and proclivities, by an amalgam of memory and fantasy, by a tone of pensive irony, or by seemingly absurd but in fact accurate imagination, thus restructuring the individual's relation to reality. It does not hurt to call these artists' work realism, but it is a kind of 'psychological realism' which 'extracts a deeper level of genuineness from fictive objects.

他们迷恋于语言与形式的快感，迷恋于对文化经典的片断性挪用，迷恋于衰朽的虚无或色欲的激情，与简·索德克、乔·彼得·威金（Joel-Peter Witkin）那样的西方艺术家相似，"现实中的事物永远别想进入画面"，除非是经过了他们的重构——以其个人的趣味与癖好，以混合着追忆与幻想、伤感与反讽的语调，以看似荒诞其实准确的想象力，重构了个人与现实之间的关系，你也不妨将他们的作品称之为现实主义，但那是一种"心理现实主义"——"从虚构的事物之中抽取出更深层的真实。"

Light illuminates things so much it sometimes ignores the form, and the Light kingdom does not accept any shadow and proves very harsh towards deviants.

光明过分照耀了事物有时也会忽视了形式，并且光明王国拒不接受任何阴暗，并且对异端实施了荒诞的行为。

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。