荒诞

Don Quixote is a funny and sorrow story, a work that makes readers taste deeply sorrow when they are laughing at scenario of story. This text divides the meaning of Don Quixote into three layers. The first layer is taste layer, to analyse the comedy of absurdness and the tragedy of sublimity in Don Quixote. The second layer is history layer, to analyse that Don Quixote reflects the

本文把《堂吉诃德》的意蕴分为三个大层次，第一层是审美情韵层，主要分析了《堂吉诃德》荒诞的喜剧美和崇高的悲剧美；第二层是历史内容层，结合塞万提斯本人的经历和西班牙当时的历史，分五个层次进行阐析——塞万提斯本人的真实映射、西班牙社会的真实写照、摩尔人被驱逐的血泪史、西班牙海外殖民历史的曲折反映、反映了西班牙人文主义者与农民的社会关系等；第三层是哲理意味层，剖析了堂吉诃德的疯癫中显示的生命真实，从中看到知识分子"知其而不可为而为之"的人生态度，也映射出的塞万提斯的人文主义思想及其信仰危机和他心中的宗教理想，表现了作为文艺复兴后期代表的塞万提斯的进步的人文主义思想，蕴涵着作者心中无法磨灭的宗教理想，寄托了塞万提斯心中的爱憎和理想。

Chapter Four: Discuss in detail the characteristics of the narrative manner and the narrative structure in the novels. The application of the allegoric manner and the chimerical manner makes the novels not only be tinged with the fantastic-magic esthetical color, but have the function to reveal the profound themes,which make the novels reach a quite high artistic level.

第四章针对阎连科小说在叙述文体和叙述结构方面的表现特征展开了详尽的论述，寓言体和狂想体的运用使得阎连科小说既产生了荒诞魔幻的美学风格，又具备了揭示深刻主题的功能，而这两者的综合体现标志着阎连科小说相当的艺术水准。

We also compare two core codes -"typical techniques of allegorize" and "fantastic", and we find out that Yu Hua is just following and no-imitating.

文章还比较了二者作品中的两个核心语码——"寓言化"和"荒诞"，显示了余华对卡夫卡的效法而不是摹仿。

I consider the existence in unreality and the ambiguousness of humanity as absurd.

空虚中的存在，人性中的暧昧，从我的视点中无疑都是一种怪诞，也就是想在荒诞，与调侃中寻求当代人的"真实"性。

Here's how Cusack describes the film:" It puts satire, surreality and sincerity together in an atom smasher and blends them all together ."

红字：这部电影将讽刺、荒诞、真实置于一台核粒子加速器中，使它们融为一体。

The line places thoroughly namely if with us person of Heibei laborious collect says be troubled by old~!But the jest in the human association with these buckish and Bacchic loose to mixing styles,we are indistinct saw neutral of even if film"overrun"but those who communicate is those sexes that are afoundation with love,perhaps be fundamental love with the gender,a variety of patting the result that drag,it is at least in afew kisses,exuding tenderness and love through eyes saw true love in afew dialogs,saw that situation of the intention.The film of Bmerican clique series exaggerated of purpose the to the gender understanding that those resemble our euqally big children in the Western Hemisphere and fumble,although be exaggerated,but mix after all the circumstance conform to of those Bmerican reality,believe to be in what had been our country learns in much and not been for the student of the college,but that is miserable in the ear that the thing has passed parents~!

但是在这些浮华喧闹的派对和荒诞乖张的人际交往中的笑话，我们隐隐约约观到了即便影片中性的"泛滥成灾"但是传达的是那些以爱为基础的性，或者以性为基础的爱，种种拍拖的结果，至少在一些吻中，含情脉脉一些对话中观到了真爱，观到了专心的那份情美国派系列的电影有意的夸大了那些在西半球像我们一样大的孩子们的对于性的认识和摸索，虽是夸大，但是究竟和美国那些现实的情况相符，相信在我们国家大部分中学和高校的学生来说已经不算是什么了，但是事情已经传到父母的耳朵里那就惨了~！

It doesn't. Goofy slapstick and ridiculous out-of-date banter make up the other 10%.

但是，错了。蠢笨的闹剧和荒诞的过时戏谑却造成了另外的10%。

He exercised the bantering manner to describe the absurd prospects of the history, made use of the history to satire the present and placed his humanistic ideal in the history.

他用戏遁的方式营造出历史的荒诞图景，借古讽今，在历史中寄托着自己的人文理想。

Baum's absurd worlds of Who-ville and Emerald Cities.

Baum的荒诞世界是一个清新翠绿的城邦。

Betwixt and Between showed the early experience of death, emphasized the frighten of death and discovery of absurd.

反与正》表现了年轻的加缪对死亡的最初体认，突出了人类对死亡的恐惧和对荒诞的发现。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了