荒诞

This play began Beckett's association with the Theatre of the Absurd, which influenced later playwrights like Harold Pinter and Tom Stoppard.

这起开始贝克特协会与荒诞派戏剧，这也影响后来剧作家哈罗德品特想和汤姆斯托帕德。

Sometimes the expanding street system forms an orderly pattern; sometimes it produces only a crazy network.

有时拓展的街道系统形成一种规范的布局，而有时却构成一种荒诞的网络。

From the first drawing I made six years ago, my life has been full of confrontations, struggles and ambition, and even today after six years without any hint of subdual.

既然原有的意义已经无数次被歪曲，我的穿凿附会即使稍嫌勉强终又不会暗合了荒诞的无稽之谈的本意。"神话"是个故事，故事的中心围绕着一个人和一堆莫可名状的石头，以及一个无所不在的逼仄氛围。

The artist places himself in a real accident, which is visually absurd and surrealistic, which, on the other side, is another interpretation to the traditional art.

作者本人置身于一种真实的突发事件中，在视觉上达到一种荒诞、超现实的效果，继而又是对传统艺术的另一种诠释。

The absurd comedy is an ultra-morphology that makes the base on the tragicomedy and ironic comedy, it merges the feelings stimulating function of the two theatricals that results in the feelings tending to bereavement for their colliding with each other.

荒诞喜剧也可以说集悲剧和喜剧于一体的喜剧，它把这两种戏剧类型的情感激发功能加以融和，最终致使情感因素互相抵触而趋于丧失。

They lose themselves in the titillation of language and form; they are infatuated with fragmentary appropriations of the classics; they are infatuated with the emptiness of decline and the passion of desire. As with the Western artists Jan Saudek and Joel-Peter Witkin, 'real-world objects should give up any idea of entering my pictures,' unless they undergo restructuring—by the artist's own taste and proclivities, by an amalgam of memory and fantasy, by a tone of pensive irony, or by seemingly absurd but in fact accurate imagination, thus restructuring the individual's relation to reality. It does not hurt to call these artists' work realism, but it is a kind of 'psychological realism' which 'extracts a deeper level of genuineness from fictive objects.

他们迷恋于语言与形式的快感，迷恋于对文化经典的片断性挪用，迷恋于衰朽的虚无或色欲的激情，与简·索德克、乔·彼得·威金（Joel-Peter Witkin）那样的西方艺术家相似，"现实中的事物永远别想进入画面"，除非是经过了他们的重构——以其个人的趣味与癖好，以混合着追忆与幻想、伤感与反讽的语调，以看似荒诞其实准确的想象力，重构了个人与现实之间的关系，你也不妨将他们的作品称之为现实主义，但那是一种"心理现实主义"——"从虚构的事物之中抽取出更深层的真实。"

But after innumerable fluttering thoughts, like a man perfectly confused and out of myself, I came home to my fortification, not feeling, as we say, the ground I went on, but terrified to the last degree, looking behind me at every two or three steps, mistaking every bush and tree, and fancying every stump at a distance to be a man; nor is it possible to describe how many various shapes affrighted imagination represented things to me in, how many wild ideas were found every moment in my fancy, and what strange unaccountable whimsies came into my thoughts by the way.

我无法知道，也几乎无法想象。这使我心慌意乱了，于是像一个神经错乱、精神失常的人那样，拔腿跑回自己的堡垒。一路上，惊恐万分，魂不附体，感觉不出自己是在飞跑；但走两、三步就要看看身后，远处的每一颗树、每一处树丛、每一个枯树干，都像人的怪影。当时，想象中出现多少可怕的怪影，幻觉里瞬间出现多少荒诞的想法，进入脑海的这无数的奇思怪想究竟是什么，真是一言难尽，无法形容。

We can not identify those men抯 personal qualification, and they are united into a whole atmosphere. Su Xinping used uncertainty of the figures, even though they had been given the quality of sculpture by the artist, to balance the troublous reality.

画面中的人物处理有一种雕塑般的质感，由於并不是按照透视原则安排人物，所以画面有了一种奇特的荒诞效果，我们无法辨识作品中众多人物的身份特徵，他们都被作者纳入到了一个统一的氛围中。

Though these figures are managed with exaggeration, fiction and typification, they show "his" vivid and absurd life environment.

虽然这些形象带有夸张的虚拟化典型化处理，却恰恰地凸显出"他"生动和荒诞的生存处境。

Su Yu"s work exhibits a thematic shift from aesthetic judgment to the judgment of unaesthetic, with a constant focus, whether "judgment of the un-aesthetic "," exposure " or " rebellion " as depicted in her work, are all. the author"s pursuit of aesthetic beauty, which implies deep down beneath the surface of the work, with awareness of the absurdity of the reality and the spiritual agonies, the reconstruction of human spiritual realm and re-attainment, through "imagination", of the return to pure human nature survival ideal.

斯妤的创作经历了由审美向审丑的转变，其目的是一致的，小说中具体表现为无论"审丑"、"揭露"，还是"反抗"，都仍是作家对美的追寻方式，在使人们意识到现实荒诞、精神苦痛之后，于作品深处暗示着美丽精神家园的重建，通过"幻想"达到回归人性纯真的生存理想。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了