荒诞

Chapter One deals with man's loss of selfhood.

他们最终发现自己在社会中无处容身，而人生的意义对他们来说也无非就是混乱、荒诞和孤独。

The greatest comic novels — Don Quixote, Tristram Shandy, Oblomov, Bouvard et Pécuchet, Dead Souls, A Handful of Dust, Pnin — demonstrate that the comic mode can sustain the very greatest writing.

最伟大的讽刺喜剧小说——《唐吉诃德》，《项迪传》（《一个荒诞的故事》是其改编的电影——译者注），《奥勃洛莫夫》，《布瓦尔与佩居谢》，《死魂灵》，《一掬尘土》（《窗外有情天》是其改编的电影——译者注），《普宁》——向世人证明，讽刺喜剧模式下也能产生世界上最好的作品。

You have already grasped that Sisyphus is the absurd hero.

你已经注意到西绪弗斯是一个荒诞英雄。

But continue to the next, the myth of fantastic hero Sisyphus will come up.

但读下去，却发现了荒诞英雄西西弗斯的神话。

The ambiguity of everything in this site-specific installation continues to remind us of the absurdity of his paintings.

这个现场装置中一切事物的模糊性延续了他绘画中所展现的荒诞性。

In his novels, by using humor and mockery, Heller creates harmonies between absurdity and solemnness, between exaggeration and reality, and between farce and seriousness.

他在小说中用幽默和讽刺的笔法将荒诞与严肃、夸张与真实、闹剧与正经调和起来，以阴冷的、玩世不恭的幽默来笑看世界，表达对现实世界的不满和抗议，使人在震撼中思索、在笑声中悲伤。

The person may come across as spacey, contrary and/or demanding.

存在有矛盾理念的人会面临诸如荒诞，逆反和/或过分需求的问题。

Political oratory, especially of the spread-eagle sort with its gorgeous metaphors, became in its burlesque moments a variant of the tall tale

政治演说，尤其是充满华丽比喻，宣扬国威的那一种，发展到可笑的程度，就成了荒诞故事的变体。

Political oratory, especially of the spread-eagle sort with its gorgeous metaphor s, became in its burlesque moments a variant of the tall tale

政治演说，尤其是充满华丽比喻，宣扬国威的那一种，发展到可笑的程度，就成了荒诞故事的变体。

Tom Stoppard is one of the most important dramatists in Great Britain after World War II.

汤姆斯托帕德是二战后期英国最著名的剧作家，被认为是荒诞派戏剧的后起之秀。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。