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Marcus Antonius, the half partner of the empire of Rome, and Appius Claudius, the decemvir and lawgiver; whereof the former was indeed a voluptuous man, and inordinate; but the latter was an austere and wise man: and therefore it seems that love can find entrance, not only into an open

你可以看到,一切真正伟大的人物(无论是古人、今人,只要是其英名永铭于人类记忆中的),没有一个是因爱情而发狂的人。因为伟大的事业只有罗马的安东尼和克劳底亚是例外(3)。前者本性就好色荒淫,然而后者却是严肃多谋的人。这说明爱情不仅会占领开旷坦阔的胸怀,有时也能闯入壁垒森严的心灵----假如手御不严的话。

They abandoned the traditional way of writing, resorting to the senses as the core of artistic creation. They presented a Shanghai in their own eyes through the contrast of licentiousness and struggle, and 搕imely described the modern mood of modem people in modern life?

他们放弃了传统的描写方法,转向以感觉作为艺术表现的核心,在荒淫与挣扎的强烈对比中表现他们所看到的上海——感觉中的都市,"及时的写出了现代人在现代生活中所感受到的现代的情绪"。

You must except, nevertheless, Marcus Antonius, the half partner of the empire of Rome, and Appius Claudius, the decemvir and lawgiver; whereof the former was indeed a voluptuous man, and inordinate; but the latter was an austere and wise man: and therefore it seems that love can find entrance, not only into an open heart, but also into a heart well fortified, if watch be not well kept.

你可以看到,一切真正伟大的人物(无论是古人、今人,只要是其英名永铭于人类记忆中的),没有一个是因爱情而发狂的人:因为伟大的事业抑制了这种软弱的感情。只有罗马的安东尼和克劳底亚是例外。前者本性就好色荒淫,然而后者却是严肃多谋的人。所以爱情不仅会占领开旷坦阔的胸怀,有时也能闯入壁垒森严的心灵--假如守御不严的话。

You must except, nevertheless, Marcus Antonius, the half partner of the empire of Rome, and Appius Claudius, the decemvir and lawgiver; whereof the former was indeed a voluptuous man, and inordinate; but the latter was an austere and wise man: and therefore it seems that love can find entrance, not only into an open heart, but also into a heart well fortified, if watch be not well kept.

你可以看到,一切真正伟大的人物(无论是古人、今人,只要是其英名永铭于人类记忆中的),没有一个是因爱情而发狂的人。因为伟大的事业只有罗马的安东尼和克劳底亚是例外(3)。前者本性就好色荒淫,然而后者却是严肃多谋的人。这说明爱情不仅会占领开旷坦阔的胸怀,有时也能闯入壁垒森严的心灵----假如手御不严的话。

The style of the epistle is that of an impassioned invective, in the impetuous whirlwind of which the writer is hurried along, collecting example after example of divine vengeance on the ungodly; heaping epithet upon epithet, and piling image upon image, and, as it were, labouring for words and images strong enough to depict the polluted character of the licentious apostates against whom he is warning the Church; returning again and again to the subject, as though all language was insufficient to give an adequate idea of their profligacy, and to express his burning hatred of their perversion of the doctrines of the gospel.

&的风格书信是一种&激情的谩骂,在旋风式的浮躁的作者是匆匆沿,收集后的例子,例如神圣的复仇的ungodly ;堆形容词修饰语时,及打桩图像时图像,并可以说,劳动的字和图片强大到足以描绘污染性质的荒淫叛教者对他警告说,教会;返回一次又一次的主题,好像所有的语言不足以提供充分的了解他们的挥霍,并表示他那燃烧的仇恨,他们歪曲教义的福音。

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