茶花女

In this mash-up of 42nd Street and Camille ,the nightclub chanteuse played by Nicole Kidman evokes Marilyn and Madonna asshe swings above the crowd warbling "Diamonds Are a Girl's BestFriend."

这部电影是《第42街》和《茶花女》的结合，里面由妮可·基德曼扮演的夜总会歌女，在观众头上荡着秋千唱"钻石是女孩的最好朋友"的样子，让人想起梦露和麦当娜。

The poster on the wall is for La Traviata , an opera about a courtesan.

张贴在墙上的是茶花女，歌剧一个妓女。

But "La Deme Aux Camelias" is not a person's tragedy is a time tragedy which the society accomplishes.

茶花女》并不是一个人的悲剧而是社会造就的一个时代的悲剧。

Cao Yu "Sunrise" is a play, but the dumas fils "La Deme Aux Camelias" is actually is world famous by the novel form.

曹禺的《日出》是一部戏剧，而小仲马的《茶花女》却是以小说的形式闻名于世。

La Deme Aux Camelias since the birth, by forms and so on novel, modern drama has spread widely, the various countries' reader's affection, has deeply the important literature research value.

茶花女》自诞生以来，以小说、话剧等形式广为流传，深受各国读者的喜爱，有着重要的文学研究价值。

This article take the novel text as the basis, the social culture historical perspective which the union text produces, from economical aspects and so on reason, social relations, love comprehensively analyzes the reason which the La Deme Aux Camelias Marguerite tragedy produces.

本文以小说文本为依据，结合文本产生的社会文化历史背景，从经济原因、社会关系、爱情等方面全面剖析茶花女玛格丽特悲剧产生的原因。

Regarding "Makes Feudal official" and "La Deme Aux Camelias" center two leading ladies Gill reaches with a Uygur Austria row tower, The soprano are take can be accurate, vividly portray these two people image as the honors.

对于《弄臣》和《茶花女》中的两个女主角——吉尔达和维奥列塔，女高音们更是以能准确、生动地塑造好这两个人物形象为荣。

This paper is divided in 4 parts. It first puts emphasis on analysis of the reason why the musician Giuseppe Verdi decided to create the tragical image-Violetta; then it deals with the creation of the tragical image from the perspective of musical images. The third part explores the creation of the tragical image through the analysis of the dramatic contradiction. Part four illustrates:thearts innovetion and character of opera LA TRAVIATA.

本文分四部分，第一部分，重在分析音乐家威尔第选择塑造薇奥列塔这个悲剧形象的原因；第二部分，从音乐形象方面分析歌剧《茶花女》的悲剧形象塑造；第三部分从戏剧矛盾冲突音乐分析的角度分析歌剧《茶花女》悲剧形象塑造；第四部分论述歌剧《茶花女》艺术上的革新及特点。

Giuseppe Verdi（1813-1901）is one of the greatest opera composer of Romantic period and created numerous works in his whole life.In addition of changing previous patriotic topic and history topic to love story and romantic topic from《La Traviata》.Verdi use many new creative skills,for example recalled melody and promoted the importance of the orchestra. Therefore 《La Traviata》is an important turning point for Verdi.

威尔第（Giuseppe Verdi，1813-1901）是浪漫时期歌剧的代表作曲家之一，一生创作了无数作品，自「茶花女」开始，威尔第一改其以往惯用的爱国、历史题材，转而采用爱情故事或浪漫情节来创作；另外在「茶花女」此一作品中，威尔第运用了许多崭新的创作手法，例如回忆性旋律，并且加强了管弦乐团在歌剧中的重要性，因此「茶花女」对威尔第而言，是一个创作上极重要的的转捩点。

He said that,"If looked by the expert judgement that, I like"Rigoletto ", but by the hobby theory, I likes" La Traviata ".Why may see "La Traviata this opera so to receive thewelcome.

而威尔第於创作《茶花女》这部歌剧多年后，曾有人访问他自己最喜欢的是哪一部作品，他说：「倘以行家眼光来看，我喜欢《弄臣》，但以业余爱好论，我还是喜欢《茶花女》。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。