苦难

Even though Deng Jianjin's early paintings were related to dreams, love, sex, pornography, peeking, and self-absorption, they provided no entertainment at all. Instead they gave a representation of exaggerated, dead serious, and even overcorrect individual heroism. They bore the historical baggage of China's 5000 years of civilization and all the suffering and oppression of Chinese people in modern Chinese history. They were a diligent and honorable means of salvation.By the end of 1990s, Deng Jianjin's series 'About the Witness's Dreams' continued to carry on his signature style of being 'expressive' and 'intimate', but cynicism and jokes had also started to prevail among his paintings heavy in colors and opened up a way out for 'sentimental youth' and 'heavy-hearted moods'. Ever since then, Deng Jianjin has obtained a sense of uninhibited freedom and been able to let his thoughts flow on this paintings.

邓箭今的早期作品虽然与梦境有关，与情色和色情有关，与偷窥和自恋有关，但却毫无娱乐性，是一种放大了的、极其严肃的、甚至是矫枉过正的个人英雄主义写照，它背负着五千年文明的历史包袱和近现代中国人民的所有压抑和苦难，是一种花大力气的、正派的拯救的方式。90年代末，邓箭今在《有关目击者的梦境》系列中，虽然延续了他一贯的&表现&和&私密&的话语风格，但是调侃和玩笑之风开始盛行于色彩拥挤的画面，并为&感伤的青春&和&忧心重重的情怀&开启了一扇透气的风门，从此，邓箭今游刃有余，思想得以自由穿行。

As it turns out, however, he suffers one misfortune after another and, after having been separated from Pangloss, he eventually meets him again by accident in a truly pitiful state.

但是，就像注定的那样，年轻人受尽了苦难，一个接着一个，在和邦葛罗斯分开了一段时间后，他终于偶尔碰见他的哲学老师，一副可怜相。

As it turns out, however, he suffers one misfortune after another and, after having been separated from Pangloss, he eventually meets him again by accident in a truly pitiful state.

但是，就像注定的那样，年轻人受尽了苦难，一个接著一个，在和邦葛罗斯分开了一段时间后，他终於偶尔碰见他的哲学老师，一副可怜相。

But the pleasures of self are unreal, its paradisian labyrinth is the road to misery, and its fading beauty kindles the flames of desires that never can be satisfied.

但快乐的自我是虚幻的，其paradisian迷宫是通往苦难，它的衰落美容kindles了推波助澜的欲望从来也没有能得到满足。

This paper expounds the existence state of people appeared in Lirui's novels in terms of human nature mainly, the suffering in the state, aesthetic intension perspectived out from them.

本论文主要从人性的角度论述了李锐小说中所呈现的人的生存世态，这世态下的苦难以及从这生存世态中透视出来的美学内涵。

On the one hand, he reveals the existential realities of post-industrial society, such as disasters, diseases, crimes, death, and their derivative tribulations, misgivings, and psychical struggles, etc.; on the other hand, he sticks to exploration and act as of humanism and idealism, taking poetry as the form of poetic concern to express perseveringly his solicitude, philanthropism, commiseration for or of life status, as well as spiritual salvage and promotion, so as to uplift and upgrade the spiritual realm of human beings.

一方面，他更多地揭示了后工业社会的生存真相，譬如灾难、疾病、罪恶、死亡，以及由此派生的苦难、焦虑和灵魂的挣扎等等；另一方面，他坚持人道主义和理想主义的探索与担当，把诗歌作为诗意关怀的形式，执著地传达了对生命状态的关切、博爱、悲悯以及灵魂的救赎与超拔，并以此引领和提升人类的精神境界。

Unmentioned was how John Pilger portrayed the country in his newest book "Freedom Next Time." He called it more like a "moonscape" than a functioning nation and likely more abused and long-suffering than any other.

未提及的是如何约翰pilger描绘该国在他的最新著作&自由的未来时间&，他所谓的它更象一个& moonscape &比一个正常运作的国家和可能更多的虐待和长期遭受苦难，比任何其他。

That will comfort yours.-----Menander, Ancient Athenian playwriter

想想他人所遭受的苦难，你会觉得舒服一点。

Although this may seem like profiting of someone else's misery, its not really.

虽然这看似获利的别人的苦难，它不是真的。

Echoes of cries of pain rever berate in my heart. Children in famine, victims tortured by oppressors, helpless old people a hated burden to their sons, and the whole world of loneliness, poverty, and pain make a mockery of what human life should be. I long to alleviate the evil, but I can't, and I too suffer.This has been my life.

那些回响在我内心的痛苦的呼唤经常在我内心回旋，那些饥饿中的孩子，成为苦难的牺牲品，还有不愿变成子女重担的孤苦无依的老人，以及全世界无情的孤独，贫穷和痛苦的存在，是对人类生活理想的真正讽刺！

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。