苦涩的

Returns all to the pure age, this is unable the exchange which blocks and does not have the taboo emotion to divulge can as necessary the light annual ring impressively in item, the tide inundated the sand beach to track down your trail, love is once again needs to drive, even if were the little small success on opens your wing sufficiently; Do not let infiltrate bitterly and astringently the heart too for a long time, down to has lost the experience happy ability.

把一切都回归到纯真的年代，这无法遮拦的交流和没有禁忌的情感宣泄就会随时光的年轮赫然在目，曾经的潮水又一次漫过沙滩来追寻你的足迹，爱情是需要激励的，哪怕是一点点小小的成功就足以开启你的翅膀；不要让苦涩把心浸润太久，以至失去了体验幸福的能力。

Through deep if misplaced affection for you: through great pity for your defects of temper and temperament: through my own proverbial good-nature and Celtic laziness: through an artistic aversion to coarse scenes and ugly words: through that incapacity to bear resentment of any kind which at that time characterised me[11b]: through my dislike of seeing life made bitter and uncomely by what to me, with my eyes really fixed on other things, seemed to be mere trifles too petty for more than a moment's thought or interest — through these reasons, simple as they may sound, I gave up to you always.

出于对你深挚的如果说是错爱了的感情，出于对你禀性上的缺点深切的怜悯，出于我那有口皆碑的好心肠和凯尔特人的懒散，出于一种艺术气质上对粗鲁的言语行为的反感，出于我当时对任何事物都能逆来顺受的性格特征 [11b]，出于我不喜欢看到生活因为在我看来是不屑一顾的小事(我眼里真正所看的是另外一些事)而变得苦涩不堪的脾气——出于这种种看似简单的理由，我事事全听你的。

The title of Breckler's poignant, plaintive tale refers to the fruit that the narrator's grandfather, an herb doctor in their Vietnamese village, uses to flavor his bitter remedies.

的标题Breckler的辛酸，哀怨的故事指的是水果叙述者的祖父，一个草药医生在越南村庄，用他的苦涩味道的补救措施。

Especially his tragic novel of subject matter of western Hunan, the artistic conception with " ripple less " top layer, and there are ichthyosaurus to sneak the life consciousness jumped in the ground floor, make people behind smile of having no way out to see satirize, see bitterness,...

尤其是他的湘西题材悲剧小说，表层"水波不兴"的意境，而底层有着"鱼龙潜跃"的生命意识，使人在无可奈何的微笑背后看到讽刺，看到苦涩，看到中国历史上不断出现的最令人心痛的悲剧。

Taking group photo nostalgia series" is the cynical realism repr esentative in the exhibition. Those simpering people side by side,presents the bitterness and helplessness of the complex feelings of ending of the school times.The joke couldn't hide a hamlet-style self-assail:being out or in?"

出现在这次展览中的玩世写实主义的作品以《合影留恋系列》为代表，那并排假笑的人物，把学生时代行将结束时的复杂心情表现得苦涩而无奈，玩笑的表面掩饰不住一种哈姆雷特式的自诘——是出？

From molecular structure of chemistry,picric in stevioside,sweetness,the relation between sweetness,aglycone join position and join glucosyl quantity were discussed in the paper.

本文从分子化学结构的角度出发，论述分析了甜菊糖苷甜中带苦涩后味的根本原因，甜度、甜味与苷元的C连接部位和连接葡糖基数的关系；对于现今改进甜菊糖苷的苦涩味的酶化方法，作了深入的比较、论证，并指出新的科学技术方法。

Especially his tragic novel of subject matter of western Hunan, the artistic conception with " ripple less " top layer, and there are ichthyosaurus to sneak the life consciousness jumped in the ground floor, make people behind smile of having no way out to see satirize, see bitterness,...

尤其是他的湘西题材悲剧小说，表层&水波不兴&的意境，而底层有着&鱼龙潜跃&的生命意识，使人在无可奈何的微笑背后看到讽刺，看到苦涩，看到中国历史上不断出现的最令人心痛的悲剧。

The imultaneous terror and realization that I had avoided finding my clitoris, had rationalized it as mainstream and consumerist because I was, in fact, terrified that I did not have a clitoris, terrified that I was one of those constitutionally incapables, one of those frigid, dead, shut down, dry, apricot-tasting, bitter - oh my God.

我感到恐慌，恐慌的同时我发现我自己正在避免找到我的阴蒂，我正让我的恐慌变得合理，事实上，我恐慌是因为我害怕我没有阴蒂，我害怕我是天生的性无能，缺乏性感，干巴巴的，苦涩异常，毫无知觉。

Rouault, born in poverty, painted his bitterness. Matisse, born to wealth, painted his pleasure.

从终极意义上来说，艺术家画的都是出身贫寒的卢奥画他的苦涩，出身富有的马蒂斯画他的欢快。

Both of them succeeded in drawing their own personality with paintings. So we can describe Rouault and his paintings with bitterness, and describe Matisse and his painting with pleasure.

他们都将自己的人格成功地画了出来，他们的作品就是他们的人格，因此我们可以用苦涩来描绘卢奥和他的画，用欢快了描绘马蒂斯和他的画。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。