若有若无

Damage to the temporal lobes, which are part of the cerebrum and lie at the sides of the brain, can cause a disorder referred to as Amusia. People may have trouble with rhythms, recognizing melodies, singing, or playing an instrument. Sometimes the damage can cause little or no problems with hearing speech or other sounds; just music.

若损坏了位于大脑旁边的属于大脑的组成部分叶时，会引起我们提及到的失歌症，这类人有可能在对旋律或节奏，乐曲的辨认，唱歌，或弹奏乐器方面都会有一些困扰或不敏感，又是这种伤害对于听力或其他声音的辨别有一些影响或者无影响，只是音乐。

Damage to the temporal lobes, which are part of the cerebrum lie at the sides of the brain, can cause a disorder referred to as Amusia. People may have trouble with rhythms, recognizing melodies, singing, or playing an instrument. Sometimes the damage can cause little or no problems with hearing speech or other sounds; my.ssbbww.com music.

若损坏了位于大脑旁边的属于大脑的组成部分叶时，会引起我们 sSBbWw 提及到的失歌症，这类人有可能 www.ssBBww.cOm 在对旋律或节奏，乐曲的辨认，唱歌，或弹奏乐器方面 www.sSbbww.com 都会有一些8 tt t8.com 困扰或不敏感，又是这种伤害对于听力或其他声音的辨别有一些8 tt t8.com 影响或者 wwW.ssbbwW.coM 无影响，只是音乐。

Baxter, working on cats under experimental conditions comparable to ours, however, reported that intravenous injection of adrenalin either had no marked effect or a slightly augmentative effect on the histamine-induced secretion, and that stimulation of the splanchnic nerve yielded similar results.

若用较长的间隔如每10—30分钟收集一次胃分泌，则此双相效应就会被掩盖，因而得出肾上腺素对猫胃分泌无明显效应或有增加分泌的效应的结论，如Baxter等人所得到的一样。在急性实验中，刺激大内脏神经对组织胺引起的猫胃分泌有显著的抑制效应。与肾上腺素的效应不同，刺激大内脏神经的效应通常是单相的。

Neither was this all; for my goods being all English manufacture,such as cloths, stuffs, baize, and things particularly valuable anddesirable in the country, I found means to sell them to a verygreat advantage; so that I might say I had more than four times thevalue of my first cargo, and was now infinitely beyond my poorneighbour - I mean in the advancement of my plantation; for thefirst thing I did, I bought me a negro slave, and an Europeanservant also - I mean another besides that which the captainbrought me from Lisbon.

但不看则已，这一看使我的情绪立即低落下来。我虽获救，却又陷入了另一种绝境。我浑身湿透，却没有衣服可更换；我又饥又渴，却没有任何东西可充饥解渴。我看不到有任何出路，除了饿死，就是给野兽吃掉。我身上除了一把小刀、一个烟斗和一小匣烟叶，别无他物。这使我忧心如焚，有好一阵子，我在岸上狂乱地跑来跑去，像疯子一样。夜色降临，我想到野兽多半在夜间出来觅食，更是愁思满腔。我想，若这儿真有猛兽出没，我的命运将会如何呢？

Because it is a t***al, and what if the sword contemn even the rod?

21：13 有试验的事。若那藐视的杖归于无有，怎吗样呢。

Because it is a trial, and what if the sword contemn even the rod?

21：13 有试验的事。若那藐视的杖归于无有，怎么样呢。

And what if the scepter of Judah, which the sword despises, does not continue?

有试验的事；若那藐视的杖归于无有，怎麼样呢？

DDS was used as test drug for determination of acetylator phenotype employing HPLC.The results showed that both the occupational and non-occupational exposed group were predominantly slow acetylators(52.2％and 45.5％),higher than that in the exposed controls(13.0％)(0 05).The risks for bladder cancer with the slow ace...

结果表明。无论有无2－萘胺职业接触史，膀胱癌病人中慢型乙酰化者所占比例（52.2％和45.5％）均高于对照组（13.0％），且差异有显著性（P＜0.05），比值比0R分别为5.56（95％可信限＝1.02～30.3）和7.25（95％可信限＝1.70～30.3），提示慢型乙酰化者若暴露于2－萘胺更易患膀胱肿瘤，乙酰化慢表型是膀胱癌的一个遗传易感因素。

After I had solac'd my Mind with the comfortable Part of my Condition, I began to look round me to see what kind of Place I was in, and what was next to be done, and I soon found my Comforts abate, and that in a word I had a dreadful Deliverance: For I was wet, had no Clothes to shift me, nor any thing either to eat or drink to comfort me, neither did I see any Prospect before me, but that of perishing with Hunger, or being devour'd by wild Beasts; and that which was particularly afflicting to me, was, that I had no Weapon either to hunt and kill any Creature for my Sustenance, or to defend my self against any other Creature that might desire to kill me for theirs: In a Word, I had nothing about me but a Knife, a Tobacco-pipe, and a little Tobacco in a Box, this was all my Provision, and this threw me into terrible Agonies of Mind, that for a while I run about like a Mad-man; Night coming upon me, I began with a heavy Heart to consider what would be my Lot if there were any ravenous Beasts in that Country, seeing at Night they always come abroad for their Prey.

我自我安慰了一番，庆幸自己死而复生。然后，我开始环顾四周，看看到底我到了什么地方，想想下一步该怎么办。但不看则已，这一看使我的情绪立即低落下来。我虽获救，却又陷入了另一种绝境。我浑身湿透，却没有衣服可更换；我又饥又渴，却没有任何东西可充饥解渴。我看不到有任何出路，除了饿死，就是给野兽吃掉。我身上除了一把小刀、一个烟斗和一小匣烟叶，别无他物。这使我忧心如焚，有好一阵子，我在岸上狂乱地跑来跑去，像疯子一样。夜色降临，我想到野兽多半在夜间出来觅食，更是愁思满腔。我想，若这儿真有猛兽出没，我的命运将会如何呢？

After I had solac'd my Mind with the comfortable Part of my Condition, I began to look round me to see what kind of Place I was in, and what was next to be done, and I soon found my Comforts abate, and that in a word I had a dreadful Deliverance: For I was wet, had no Clothes to shift me, nor any thing either to eat or drink to comfort me, neither did I see any Prospect before me, but that of perishing with Hunger, or being devour'd by wild Beasts; and that which was particularly afflicting to me, was, that I had no Weapon either to hunt and kill any Creature for my Sustenance, or to defend my self against any other Creature that might desire to kill me for theirs: In a Word, I had nothing about me but a Knife, a Tobacco-pipe, and a little Tobacco in a Box, this was all my Provision, and this threw me into terrible Agonies of Mind, that for a while I run about like a Mad-man; Night coming upon me, I began with a heavy Heart to consider what would be my Lot if there were any ravenous Beasts in that Country, seeing at Night they always come abroad for their Prey.

但不看则已，这一看使我的情绪立即低落下来。我虽获救，却又陷入了另一种绝境。我浑身湿透，却没有衣服可更换；我又饥又渴，却没有任何东西可充饥解渴。我看不到有任何出路，除了饿死，就是给野兽吃掉。我身上除了一把小刀、一个烟斗和一小匣烟叶，别无他物。这使我忧心如焚，有好一阵子，我在岸上狂乱地跑来跑去，像疯子一样。夜色降临，我想到野兽多半在夜间出来觅食，更是愁思满腔。我想，若这儿真有猛兽出没，我的命运将会如何呢？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。