苍的的

I do not know the time of death, staring at the sky even back then sad, I heard the lament soon as graupel Snowbird, slanting to sweep days away, I saw your face that floats above the blue sky Cang, so I laughed because I see you, happy like a child grow up.

我不知道死亡的时候，凝望苍穹竟然回那么凄凉，一声一声霰雪鸟的悲鸣，斜斜地掠天而去，我看到你的面容浮现在苍蓝色的天空之上，于是我笑了，因为我看到你，快乐得像个长不大的孩子。

The previously tan and brown tones of the trees and the green hue of the leaves and ferns was replaced by vast debris fields left behind: a decaying, gray hued tangled mess of stumps, brush, and broken limbs, most of it at or below eye level.

过去苍褐的树木以及翠绿的叶子和蕨类，被取代为一片狼藉。溃烂灰色的残存树桩纠结一起，断掉的树枝散满一地，这些事物大部分都在或者低于眼睛的高度。

The broad pavement in front shone pale also; it gleamed as if some spell had transformed the dark granite to glistening Parian.

屋前那条宽阔的铺道也是苍白色的，它闪闪发光，仿佛有什么魔力把那黝黑的花岗石变成了光闪夺目的大理石。

Huge pine trees stand in solemnness,dark grey rocks are covered by moss.

巨大的松树在肃穆中挺立，苍灰色的岩石上爬满青苔。

Cang Xin's painting《Communication》is developed from his previous painting of behaviors:《Experience of the Tongue》. In the painting in 1997, he imitated "Shen Nong Shi", who tasted over a hundred plants in the ancient time, to use his tongue to lap all kinds of daily necessities、plants and even insects which can be found easily, using sense of taste to experience the original taste of the various uneatable objects in order to seek new cognitive style of the external things .

苍鑫的作品《交流》脱胎于以前的的行为作品《舌头的体验》，1996年的那次行为中，他曾仿效神农氏尝百草的劲头，用舌头一一舔舐随手找到的各种现成生活用品、植物甚至昆虫，用味觉来体验各种非食物的物品的本来味道，以寻求对外在事物新的认知方式。

The snow flake is comes from continuous stream in all directions, the sky is yellowly greenish like a moon hung on a dry river , all incorporated the snow fog and shrouded dim.

雪花从四面八方纷至沓来，天空苍黄的象季节河上干涸的月亮，一切都融入了雪雾笼罩的朦胧。

The strength of the torrent current pull and drag Li3 Lang2 Ye2 is toward the surface of eminence, the small dragon that is before the body make great effort inside out in the bumpy air body, see toward his look in the eyes, still is that kind of is stubborn of gentleness ……he the direction of unconscious facing small dragon stretch out a hand go to-blue of Yan fire drive blunt spread into stars to order, Shan write the fluorescence be upper-class to lead from the finger tip, be like the broken bits of Cang jade and point to sew in cold and slipperily feel

激流的力量将李琅琊向高处的水面拉扯着，身前的小龙努力在乱流中翻转着身体，看向他的眼神，依然是那种固执的温柔……他不知不觉向着小龙的方向伸出手去--青色的焰火被冲散成星星点点，闪着萤光从指尖上流过，像苍玉的碎屑，指缝中又冷又滑的感觉

This is the meaning behind Cang Xln's"meaningless"licking.

这就是苍鑫的&舔&的无意义的意义。

Our house attractive Phoenix Mountains Crescent, built on the momentum and build, occupy a commanding position, implies it is a few kilometres you, the Chinese parasol tree forest woodland hill ;11 metres high household hall along to exhibit honorable, the entrance point magnificent large water screen Falls, flyings feet jade, it rains cool; Western-style pavilion, luxury clubs, rooftop swimming pool, Roman sculpture, secluded Department, more water flows; Wu Dong China and the United States in the deep green onions noble buildings show the Mid-Levels, which is a constellation of 12 creative theme of the West Cottage Fung Tsui Court.

背靠苍翠秀丽的凤凰山畔，依山就势而建，居高临下，极目之处是绵延数公里、森林茂密的梧桐山；11米高的住户大堂气势磅礴，彰显尊贵，入口之处蔚为壮观的大型水幕瀑布，飞花溅玉，似梅雨清凉；西式凉亭、豪华会所、天台泳池、罗马雕塑，曲径通幽处，更有流水潺潺；五栋华美高贵建筑物点缀在苍葱的半山，这就是按西方十二星座为创意主题的庐峰翠苑。

Cang Xin's performance photographs are different in that they draw our line of vision into the spaces of real society and ordinary life.

其实，所不同的是，苍鑫的行为摄影将我们的视线带入真实的社会空间和日常生活空间。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失