苍白的

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

Lawrence: the monthly recurrence known as the new moon with the old moon in her arms: the posited influence of celestial on human bodies: the appearance of a star (1st magnitude) of exceeding brilliancy dominating by night and day (a new luminous sun generated by the collision and amalgamation in incandescence of two nonluminous exsuns) about the period of the birth of William Shakespeare over delta in the recumbent neversetting constellation of Cassiopeia and of a star (2nd magnitude) of similar origin but of lesser brilliancy which had appeared in and disappeared from the constellation of the Corona Septentrionalis about the period of the birth of Leopold Bloom and of other stars of similar origin which had appeared in and disappeared from the constellation of Andromeda about the period of the birth of Stephen Dedalus, and in and from the constellation of Auriga some years after the birth and death of Rudolph Bloom, junior, and in and from other constellations some years before or after the birth or death of other persons: the attendant phenomena of eclipses, solar and lunar, from immersion to emersion, abatement of wind, transit of shadow, taciturnity of winged creatures, emergence of nocturnal or crepuscular animals, persistence of infernal light, obscurity of terrestrial waters, pallor of human beings.

莎士比亚出生的时期，在斜倚却永不没落的仙后座那三角形上端，一颗不分昼夜散发着极亮光彩的星辰出现了（这是两个无光、死灭了的太阳因相撞并汞合为白热体而形成的灿烂的新太阳）；大约在利奥波德。布卢姆出生时，出现在七星花冠星座里而后又消失了的一颗同一起源、亮度却稍逊的星宿；还有约于斯蒂芬。迪达勒斯出生时，出现在仙女座中之后又消失，小鲁道尔夫。布卢姆出生与夭折数年后出现于御夫座后又消失，以及另外一些人出生或去世前前后后出现在许许多多其他星座中而又消失了的、同一起源的星斗。日蚀及月蚀自隐蔽至复现的各种伴随现象：诸如风势减弱，影子推移，有翼者沉默下来，夜行或暮行动物的出现，冥界的光持续不减，地上的江河溪流之幽暗，人类之苍白。

Some people's desperate persistence that the Wc is of much more pulchritude and use a 3D effects comparing with the starcraft's 800*600 pixels, is the last and weakest argument struggled in which , the superficial appearance may seem , in their statement , to be outweighed to the genuine merits of one's deeply in-hearted values , and these was disfavored and ridiculed when association with another classic RPG masterpiece called "仙剑奇侠传",which was not hampered in surmounting others according to its plain features , but , in addition , eulogized as a pure first lover outstand from other gaudy girls ,and rejected to be re-decorated by the Xian-fans for the loyalty to the lover when the publisher trying to do this .

有些人还在做最后的苍白无力的力争，他们强调，从外表看，魔兽争霸有一个好的脸蛋—相比于星际争霸800*600的可怜象素，他们在他们的观点中挣扎着强调，好的脸蛋应该可以比那些内在的价值更值得尊重，这种观点是不堪一击且可笑的，，为此，可以考虑一个同样的RPG领域的经典之做—"仙剑奇侠传"-同样朴素的容颜，却非但没有遭到玩家的嫌弃，反而带给人一种初恋情人般的纯朴的感觉----不同于那些被浓装艳抹的俗世女子们的感觉---甚至当发行商想要对她进行美化包装时，也遭到了玩家的强烈抵制---以对爱人的忠诚的名义！！

O Lord our God, help us to tear their soldiers to bloody shreds with our shells; help us to cover their smiling fields with the pale forms of their patriot dead; help us to drown the thunder of the guns with the shrieks of their wounded, writhing in pain; help us to lay waste their humble homes with a hurricane of fire; help us to wring the hearts of their unoffending widows with unavailing grief; help us to turn them out roofless with little children to wander unfriended the wastes of their desolated land in rags and hunger and thirst, sports of the sun flames of summer and the icy winds of winter, broken in spirit, worn with travail, imploring Thee for the refuge of the grave and denied it – for our sakes who adore Thee, Lord, blast their hopes, blight their lives, protract their bitter pilgrimage, make heavy their steps, water their way with their tears, stain the white snow with the blood of their wounded feet!

主啊我们的上帝，帮我们用炮弹将对方的士兵撕裂成血淋淋的碎片，让他们美好的战场上覆盖著他们爱国者的苍白尸骸，让他们因疼痛而扭曲的伤者所发出的尖叫，盖过我们如雷的枪炮声。协助我们以狂焰摧毁他们卑微的家园，帮我们用无助的忧伤让他们未参与抵抗的寡妇心痛不止，协助我们逼迫她们带著小孩无家可归，褴褛饥渴，不受欢迎地流浪在荒芜土地的废墟当中。受到夏阳的光焰与冬季冰冷寒风的嘲弄，心灵破碎，因艰苦而憔悴，向汝恳求死亡之庇护而不可得。因为我们敬重主的缘故，所以您摧毁他们的希望，抹杀他们的生灵，拖延他们苦涩的行程，让他们步履沉重，泪水洒满行经之路，让白雪因受伤的双足而沾染血迹！

They are waiting to take us into the severed garden Do you know how pale and wanton thrillful comes death on a strange hour unannounced, unplanned for like a scaring over-friendly guest you've brought to bed Death makes angels of us all and gives us wings where we had shoulders smooth as raven's claws No more money, no more fancy dress This other kingdom seems by far the best until it's other jaw reveals incest and loose obedience to a vegetable law.

高贵的婴儿，红宝石必须马上取代流产泥泞中的陌生人这些变种，为种下的植物所举办的鲜血之宴他们在等待，把我们带到恐怖的花园你是否知道，在一个奇异的时间到来的死亡有多麼苍白，荒唐和惊惧不曾宣布，未经计画就像你带到床上的可怕的，过分友好的宾客死亡使我们都成为天使使我们平滑的肩膀上生长出翅膀，如大乌鸦的脚爪没有了金钱，也没有了化妆舞会上的华服另一个王国是目前为止最好的直到下一个入口展现出乱伦以及对无聊法律的松散的服从我不会离去宁愿为庞大的家庭举办朋友的盛宴

Cinderella The prince leans to the girl in scarlet heels, Her green eyes slant, hair flaring in a fan Of silver as the rondo slows; now reels Begin on tilted violins to span The whole revolving tall glass palace hall Where guests slide gliding into light like wine; Rose candles flicker on the lilac wall Reflecting in a million flagons' shine, And glided couples all in whirling trance Follow holiday revel begun long since, Until near twelve the strange girl all at once Guilt-stricken halts, pales, clings to the prince As amid the hectic music and cocktail talk She hears the caustic ticking of the clock.

那王子倾身向穿鲜红色高跟鞋的姑娘，她碧绿的双目斜视，随着回旋曲缓缓播放那扇形的银发飘逸闪烁波光现在舞曲以翘起的小提琴开始持续悠扬那整体旋转的高大玻璃殿堂宾客如酒悄悄滑进灯光；玫瑰蜡烛摇曳在紫丁香墙上映射着百万葡萄酒瓶的光亮，而滑移的舞伴们都昏旋迷转领会假日开始的长长的陶醉，临近午夜十二点那奇怪的姑娘突然象被击而止，紧握王子，面色苍白仿佛负罪在忙乱的音乐和鸡尾酒交谈中她听到敲响了尖利刺耳的钟。

Cinderella The prince leans to the girl in scarlet heels, Her green eyes slant, hair flaring in a fan Of silver as the rondo slows; now reels Begin on tilted violins to span The whole revolving tall glass palace hall Where guests slide gliding into light like wine; Rose candles flicker on the lilac wall Reflecting in a million flagons' shine, And glided couples all in whirling trance Follow holiday revel begun long since, Until near twelve the strange girl all at once Guilt-stricken halts, pales, clings to the prince As amid the hectic music and cocktail talk She hears the caustic ticking of the clock.

她的诗歌选集曾因&改变当代诗歌创作方向&而获得普利策诗歌奖；她和英国桂冠诗人特德·休斯的恋情与婚变成为英美文坛的一桩著名公案；女权主义者、忧郁症患者、迷乱而热烈的诗人、因悲伤而自杀的女人……这些身份，纠缠着她短暂的一生……普拉斯：&活得精彩又乱糟糟的女人&--袁楠----------------------------------------------灰姑娘那王子倾身向穿鲜红色高跟鞋的姑娘，她碧绿的双目斜视，随着回旋曲缓缓播放那扇形的银发飘逸闪烁波光现在舞曲以翘起的小提琴开始持续悠扬那整体旋转的高大玻璃殿堂宾客如酒悄悄滑进灯光；玫瑰蜡烛摇曳在紫丁香墙上映射着百万葡萄酒瓶的光亮，而滑移的舞伴们都昏旋迷转领会假日开始的长长的陶醉，临近午夜十二点那奇怪的姑娘突然象被击而止，紧握王子，面色苍白仿佛负罪在忙乱的音乐和鸡尾酒交谈中她听到敲响了尖利刺耳的钟。

It's said that Sappho, the Greek female poet who was phraised as"the tenth muse", was good at playing lute, singing and dancing, and was loved by people in her road show on the Balkan Peninsula. Was she frequently dancing trippingly on the beach? Her fine feet stepped on the white silver sand, with blue thin veins appearing underneath her pale skin; and with the cerulean Aegean Sea behind her, waves beating the shore, coming forward and waning backward, helping her to keep time; her tender body looked more delicate on the magnificence background , and then her movements were frozen in the sky.

传说被誉为&第十位缪斯&的希腊女诗人萨福擅长演奏诗琴，且能歌善舞，在巴尔干半岛巡回演出时极受人们喜爱，不禁神往：她是否常翩翩起舞于沙滩之上，纤美的双足踏着洁白的细沙，甚至可以看到那从苍白皮肤下透出的蓝色的细小血管；身后就是蔚蓝的爱琴海，海浪拍打着沙滩，漫过来又退下去，为她打着拍子；她娇小的身体在宏大壮美的背景上更显秀丽，最后永远定格在天空之中。

Living with flocks of lightweight cranes along the riverbed and fields, I would stand tall to look them in the eye, gaze at their lilting layers of pale feathers to discern what lies beneath, beneath, and slowly back away so they wouldn't strike me with steel-strong legs for invading their unmarked territory; make a bid for their tough endurance of sixty million years, so as to acquire it as my own, and pass it through these genes of words, these airborne poems, then raise my broad and scalloped wings, and dream their dreams.

同轻盈的鹤群在一起沿着河床及田野，我将挺立深深看进它们的眼里去，凝视它们蓬松层层叠叠的苍白羽毛去辨识它们的底下更深的底下有些什么然后缓缓后退这样它们不会攻击我以它们钢壮的腿因我侵犯了它们无标识的领域，设法取得它们六千万年的坚韧耐力据为己有，通过这语言的基因，这些凌空的诗句留传下来，并举起我宽阔圆齿的翅膀，梦它们的梦。

BE, enthusiasm such as the fire similar Ran exert, once saw too many, experience too many, all of enthusiasm all became numbness with cold, slowly see through everything, all no longer show interest to anything, extremely self-conceited, perhaps the person slowly grew up, these destine of rotate such as life toss about of match to leave, just, the season be not old go to, can't lose, either, life but have no so long long, also have no be able to with round the season for return, be I run about in the breeze, the scenery be a similar scenery, the road be a similar road and throw but world of mortals how much matter, hold 1 ground to fall a dust, Wan setting sun remnants Jin, step the twilight of setting sun to look for in a kind ofly quitely a peaceful, walk in the hullabaloo of the crowd, total felling oneself don't belong to over here, hence inhospitality, hence silent, although this not I be original meaning, be step the color of night stroll under the sky that dark, when the any pleasant breeze kiss noodles, I felling perhaps I have already walk too far, have already coulded not return first, I think me is destine standing alone of.

是，热情例如相似的火跑了一次施加，看见了太多，体验太多，所有热情全部成为了与寒冷的麻木，慢慢地把一切，全部进行下去不再显示兴趣对任何东西，极端自负，或许人慢慢地长大，这些注定转动例如生活抛比赛离开，季节不是老去对，不可能丢失，任一，生活，但是有没有，因此长期长期，也有没有能对与圆回归的季节，是我跑在微风，风景是一处相似的风景，路是一条相似的路和投掷，但是人类多少问题，拿着1地面落尘土，苍白落日残余金世界，跨步落日微明寻找在种类ofly quitely平安的，在人群的喧嚣，在这不属于的总砍伐，因此不好客的步行，因此沈默，虽然这不是我是原义，或许是步夜漫步的颜色在黑暗的天空下，当所有宜人的微风亲吻面条， I砍伐我太时已经有步行，首先已经不是回归，我认为我是单独注定常设。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。