芦苇的

First, select four kinds of main risks source from bigly celebrate the main risk in region source, namely the flood, drought, sand-dust weather and petroleum pollution accident, etc. According to the different a request for to habitat, study this 19 kinds of landscapes ecosystem type of the Regional induce for 7 kinds of ecosystems system: Then the marsh of bulrush, lakes and reservoirs , salt alkali wasteland, prairie, island form wood, farmland, town. The difference is proceeded by characteristic according to each type ecosystem to the analysis of four kinds of main risks source, including the certain risk all rate, delimiting the space distribute, analyzing the risk strength to the receptor etc. At proceed the revelation the different from endanger to analyze the inside, this text borrows ecosystem index number that this index sign to reflect primarily habitat the ecosystem meaning of the type of habitat the different from position, with weak an index number to show the destructibility of the habitat, from but compute each ecosystem that is lost by ecosystem system an index number.

首先，从大庆地区主要的风险源中遴选出四种主要的风险源，即洪涝、干旱、沙尘天气和石油污染等；依据不同生物类群对生境的要求，将本研究区域的19种景观生态类型归纳为7种生态系统：即芦苇沼泽、湖泡库渠、盐碱荒地、草甸草原、岛状林、农田、城镇；对四种主要风险源的进行分析，包括确定风险概率，划定空间分布，对风险受体的作用强度分析等；在进行暴露和危害分析中，本文主要借生态指数这一指标来反映不同生境类型的生态意义和地位，以脆弱度指数来体现不同生境的易损性，从而计算出各受体生态系统的生态损失度指数；由于各主要风险物质对风险受体的作用强度是不同的，对形成区域性生态风险的作用大小也有差异，因此本文采用层次分析法对主要生态风险物质进行综合评价，并把判断矩阵排序权值的合理计算问题归为—非线性化问题，并提出用基于遗传算法(GA[5])的层次分析模型进行权重分析；进行风险表征，即综合前面两个阶段的信息，对环境中风险的性质和强度以及风险评价过程中不确定性问题进行分析与描述，并划分出五级生态风险区；最后，根据划分的五级生态风险区的特征，分别提出针对各生态风险区的生态风险管理对策。

Hence we have that which has been given through many of the sources of information, or the channels for individuals - and in those, these, the entity - as a voice upon waters, or as the wind that moved among the reeds and harkened, or again as when the morning stars sang together and the sons of God beheld the coming of man into his own, through the various realms as were brought by the magnifying of, or the deteriorating of, the use of those forces and powers as manifested themselves in a MATERIAL area, or those that partook of carnal to the gratification of that that brought about its continual HARDENING and less ability to harken back through that from WHICH it came, and partaking more and more OF that upon which it became an eater of; or, as is seen even in the material forces in the present: We find those that partake of certain elements, unless these become very well balanced WITH all SOURCES - Of what?

因此我们有了完全赋予许多信息来源或为个体设置了通道的那个岁月，且在那些里面，这些里面的实体-就像在水面之上激荡的声音，或就像风在芦苇之中刮过就能够被听见一样，或再一次当晨星在一起唱歌和看见上帝的儿子进入到人身体内的时候，通过许多地方的运用就可以放大精神力量，或进一步败坏了精神力量，使用精神力量和精神能力就可以在物质领域证明它们存在，或者那些沉湎于肉体欲望的人使得它不断变得冷酷和很少有能力听到来自本源的声音，就越来越容易成为一个过度的食客；或甚至就像现在看见的物质力量一样：我们发现带有某些元素的那些人，除非这些变得能很好与所有的本源平衡什么的？

People from outside could get a glance of her beauty by simply taking a bus on 106 National Highway-tender reeds bend in the breeze, willow scattered along the bank, a long dike, an ancient waterworks, floating algae, green pondweed,"fragrant reeds" fields next to one another, wide open water, and flocks of waterfowls-but if you want to sense the pulse of the place, you have to get off the bus and make an arrangement with the tour guide.

外地的人乘上106国道的公共汽车，即可粗略的领略到它的风姿：轻柔的芦苇，稀疏的倩柳，古朴的长堤，游动的藻荇，苍绿班驳的水草，簇拥典雅的蒲塘，碧青开阔的水面，纷飞群舞的水鸟……若想进一步感悟衡湖，则要在湖边下车，安排好一切，但对于我——生活在湖畔的人，只要走几步便如愿以偿了。

Hopefully, it will also refer readers back to his other two great books, to the sentences as lovely as: memories of the first visit to the Marshes never left me, firelight on a half-turned face, the crying of the geese, duck flighting in the feed, a boy's voice singing somewhere in the dark, canoes moving in the procession in waterway, the setting sun seen crimson through the smoke of burning reed-beds, narrow waterways that wound still deeper into the Marshes.

但愿能让读者想起Wilfred爵士的另外两本非常著名的书籍，想起如此可爱的句子：&沼泽地第一次相遇的画面久久的不能忘怀，映照在侧头而望的脸上的火光，群鹅的鸣叫，结对飞入觅食的鸭子，黑暗某处男孩的歌声，顺水而行的独木舟，透过芦苇垫燃烧发出的浓烟看到那绯红的落日，狭窄的河道蜿蜒而入沼泽深处。&

The "pecheis"were the arms of the lyre that entered the soundbox from the front. The "zugon" or crossbar was notched across the upper ends of the arms to which the seven strings of sheepgut were attached. The chelys-lyra had the same kollopes and plektron as the kithara, but the plektron cord was attached to the base of the outer arms more often than to the base of the soundbox.

以下内容引用自Diane Touliatos-Miliotis的文献：Chelys-lyre的其他部件包括：一个donax，这可能是安置在两角之间为之起桥梁和支架作用的芦苇杆；pecheis，里拉琴从外部置入共鸣箱的部分；zugon或者crossbar，被刻上刻痕并架在两角上部的末端，里拉琴像萨基拉琴一样也有kollopes和琴拨，但固定琴拨的绳索常常栓在角外侧的底部而不是共鸣箱的底部。

The moon shines from the gloom to the fog which rise up with the moon shining afar singing love songs to the people guiding the setting moon unexpected sorrow for this Singing the night feel sad Spring River Tiber, who lifts as Reed transpiration of water vapor in the search for tomorrow's dinner one person dinner only accompanied by an eating moon's bed watching for the moon also could not help feeling so sometimes on the road we can see the moon and talk I youth under short-term impact on the beautiful quiet now because it is lonely depressed mood, I often like the moon phases as turbulent as Tide or I may be bleak moon children....

月亮闪亮著从沉沉的雾气中升起来月亮闪亮著为远方唱著情歌的人指路残月生出的忧伤让今晚歌唱的人备感伤心月夜泛舟的人撩开芦苇在水气蒸腾中找寻明天的晚餐一个人的晚餐只有陪著月亮吃了一个人的床让月亮看著也有些惋惜所以禁不住有时就对著月亮倾诉心事可知我的青春短暂月影下美好的宁静现在因孤单却令人惆怅我的情绪常如月亮的圆缺如潮汐般汹涌或暗淡我也许是月亮的孩子。。。。

Lake of the International Eastbound apartment in Chaoyang Park, the area is divided into internal and external, both static and dynamic district, district beautiful little lake, the small lake Youlv gently floating reed wind, water fountains from time to time raised the flowers, like the crystal Guo enjoy Piaosa, Hupang the Yongdao, sometimes pushing baby carriages are young mothers or the elderly Jueshuo spirit of the Hantaikeju Education and the fat child stumble toddlers, the scene can not say that the cordial and warm!

观湖国际公寓位于朝阳公园桥东，小区分为内外、动静两个分区，小区内美丽的小湖，小湖内油绿的芦苇随风轻轻飘荡，喷泉时而扬起水花儿，好似晶莹的美玉尽情飘洒，湖旁的甬道上，时而有推着婴儿车的年轻的妈妈或者精神矍铄的老人在教着憨态可掬的胖娃娃蹒跚学步，那场景说不出的亲切与温馨！

I have seen from the mountains to the foot of a mountain peak is covered with tall trees and dense, tortuous rehabilitation of the canyon are covered by the lovely shade, from the river'S NOTE issued by the slow flow between the reeds, blowing a gentle Wanfeng Slowly drifting away in the sky and white clouds, white clouds to cast a reflection of the river; then issue a Qunniao forest in the night noise, only hundreds of millions of small insects in the red Xihui indulgence in dance, the last sunset of the liberation of the grass cover in the cricket, They sing a song.

我曾看见群山从山脚到峰顶都长满高大茂密的树木，迂回曲折的峡谷都复盖着可爱的绿荫，河水从发出絮语的芦苇间缓缓流去，轻柔的晚风吹动着天空中冉冉飘过的白云，白云向河水投下倒影；接着，群鸟在林间发出晚噪，亿万只小昆虫在火红的夕晖中纵情舞蹈，落日的最后一蔽解放了草丛里的蟋蟀，它们唱起了歌。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。