节拍

Theres no decent beat. The lyrics are rubbish and talk about overplayed.

没有丝毫正统的节拍，而歌词是些垃圾而且言过其实。

The second chapter probes into the way and feature of spreading on Gesar" s music, and the development and the changes of the music spreading since the involving of modern intermedium, by introducing the psalmodies in different categories. The third chapter analyses the types of Gesar" s lyrics and the patterns they could change. The forth chapter illustrates the principles of Gesar" s creating and several majority tone patterns are showed here. In the fifth chapter, the tones of Gesar are classified based on three aspects, that is, the tone" s name, utilization and the localstyles. In the sixth chapter, the feature of Gesar s tones is analyzed from the aspect of the characteristics of melody, the rhythm and time, the tone patterns and the music structure and so on. The last chapter discusses the forms of music performance and the methods that the psalmodies take to sing.

本文第一章从史诗《格萨尔》说唱结合艺术形式的产生与发展开始，对它的这种艺术形式中的说与唱分别做了介绍；第二章通过对《格萨尔》音乐创作主体——艺人的分类介绍，探讨了史诗音乐的传播方式、传播特点以及在现代传播媒介的介入下它的传播方式的发展与变化；第三章是对唱词体裁的分析和它的变化类型；第四章论述了音乐唱腔的创作原则以及几种最主要的唱腔类型；第五章从曲调的名称、曲调的运用以及地域风格特点三方面对《格萨尔》唱腔进行了分类；第六章结合谱例从旋律特征、节奏节拍、调式以及音乐结构等方面分析了《格萨尔》音乐唱腔的特点；第七章是对《格萨尔》音乐表演形式及艺人演唱方法的探讨。

Sousa and his wife were enjoying a European vacation in 1896, when they saw a startling newspaper article. Sousa's band manager, David Blakely, had died a few days earlier. Soon Sousa and his wife were on a ship heading home to New York. On the journey home, Sousa started hearing "the rhythmic beat of a band playing within my brain. It kept on ceaselessly, playing, playing, playing. Throughout the whole tense voyage, that imaginary band continued to unfold the same themes, echoing and re-echoing the most distinct melody." When he got home he wrote down the music for what would become "The Stars and Stripes Forever."

苏沙和他的太太在1896年一次愉悦的欧洲之旅途中，看到一篇令人吃惊的报导，苏沙的乐团经理大卫布雷克在几天前突然去世，他们在知道这个消息后立刻搭船回到纽约，在返航途中，苏沙开始听见「乐团在我脑中演奏的节拍、不停地演奏、演奏、演奏，整个回程中那个想像中的乐团一直重复著同样的旋律、并重复演奏最特别的一段旋律」，在他回到家写下整首旋律后、就完成了「永恒的星条旗」的初稿。

Sousa and his wife were enjoying a European vacation in 1896, when they saw a startling newspaper article. Sousa's band manager, David Blakely, had died a few days earlier. Soon Sousa and his wife were on a ship heading home to New York. On the journey home, Sousa started hearing "the rhythmic beat of a band playing within my brain. It kept on ceaselessly, playing, playing, playing. Throughout the whole tense voyage, that imaginary band continued to unfold the same themes, echoing and re-echoing the most distinct melody." When he got home he wrote down the music for what would become "The Stars and Stripes Forever."

苏沙和他的太太在1896年一次愉悦的欧洲之旅途中，看到一篇令人吃惊的报导，苏沙的乐团经理大卫布雷克在几天前突然去世，他们在知道这个消息后立刻搭船回到纽约，在返航途中，苏沙开始听见「乐团在我脑中演奏的节拍、不停地演奏、演奏、演奏，整个回程中那个想像中的乐团一直重复着同样的旋律、并重复演奏最特别的一段旋律」，在他回到家写下整首旋律后、就完成了「永恒的星条旗」的初稿。

Britt Daniel's sandpaper voice meets a reconstituted Motown groove built on riffing saxes, a spry dance beat and loads of reverb.

Britt Daniel充满质感的嗓音与建立在萨克斯重复段上的&汽车城&节奏（指一种节拍强而慢的节奏和布鲁斯舞曲）完美融合，歌曲中有活泼的舞曲鼓点和加载的电子混响。

My first impression is that I love the tune, with some killer guitar riffs and some heavy beats, but I am not a fan of the vocals.

印象中，我一听就钟情于其迷幻的即兴吉他重复段和沉重有力的节拍所构成的特殊曲调，但是我不是一个乐迷。

One high horn shrilled and ceased. The silence that followed was shaken only by the sound of many footsteps keeping time with a drum struck softly at a slow heartpace.

一阵尖锐的喇叭停了下来，悠缈的时空下，整齐脚步声在死气沉沉的打鼓声中踏着时间的节拍。

In addition to covering all the requirements of the aural test component of the practical examination, including pulse and change recognitions, melodic memory and musical understanding, this course also helps students to develop skills in sight-reading by means of class practice.

除了会涵盖术科考级的所有视唱练耳测试内容外（包括节拍识别、音符及节奏的改变、旋律记忆、及对音乐的理解等），还会通过班中练习等途径来协助学生发展视奏技巧。

There are sometimes in many of us too many staccatos or impetuosos, and because the tempo is wrong, the music is not pleasing to the ear; we might have more of the grand rhythm and majestic tempo of the Ganges, flowing slowly and eternally into the sea.

我们中的大多数有时会遇到各种短音与冲击，由于节拍的错误，听起来并不是那么悦耳；我们也可能会将很多壮丽的越调以及雄伟的节奏演奏面对空旷的大海演奏最终无人欣赏。

There are sometimes in many of us too many staccatos or impetuosos , and because the tempo is wrong, the music is not pleasing to the ear; we might have more of the grand rhythm and majestic tempo of the Ganges, flowing slowly and eternally into the sea.

我们中不少人有时太多断音或强音；节奏一失，其乐曲当然不堪入耳。人生乐章中理应多添恢弘大气之节拍，如同恒河，缓缓流淌不息，最终融入大海。天空没有翅膀的痕迹

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。