艾布拉姆

At this intelligence, in which he seemingly evinced little interest, Mr Bloom gazed abstractedly for the space of a half a second or so in the direction of a bucketdredger, rejoicing in the farfamed name of Eblana, moored alongside Customhouse quay and quite possibly out of repair, whereupon he observed evasively

25布卢姆先生脸上露出对此事漠不关心的神色，茫然地朝着那艘陈旧的挖泥船--它被取了艾布拉那这一雅号，看来已无法修理了--的方向望了半秒钟光景，于是就闪烁其词他说

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962）and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯（Richard Strauss，1864-1949）正是欧洲人文发展空前灿烂的年代，无论在哲学思想、文学、美术以及音乐方面，都有辉煌的成就。在他音乐学习历程中，结合了古典时期及浪漫时期两种音乐风格，发展出独特的作曲风格。本论文分成五章：第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨；第二章则从对理查史特劳斯生平的详实记载中，了解他创作作品的时代背景和心情；第三章则就浪漫时期艺术歌曲作家舒伯特（Franz Schubert1797-1828）、舒曼（Robert Schumann1810-1856）、布拉姆斯（Johannes Brahms1833-1897）、沃尔夫（Hugo Wolf1860-1903）及马勒（Gustav Mahler1860-1911）等，以诗人、旋律、伴奏型态及曲式和声，稍加整理并说明，以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整，藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析，则探讨此部作品诗人赫塞（Hermann Hesse 1877 - 1962）及艾辛朵夫（Joseph von Eichendorff﹐1788-1857）的生平和作品特色，以及诗的结构与格式，和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法，创作出一组宁静感人又深刻的终曲。

His famous paintings include The Surrender of Breda, an equestrian portrait of Philip IV, The Spinners, The Maids of Honor, Pope Innocent X, Christ at Emmaus, and a portrait of the Infanta Maria Theresa.

他的代表作有：布拉达之降、菲利普四世的骑马肖像、纺纱女、宫娥、罗马教皇英诺森十世、艾姆摩斯河畔的耶稣、和西班牙公主玛丽亚·特蕾莎的肖像。

In 2003, Brad is back in a blockbuster, Troy, where he played alongside Eric Bana, Orlando Bloom and Diane Kruger.

2003年，布拉德是早在一大片，特洛伊，在那里他一起艾瑞克巴纳，奥兰多布鲁姆和黛安克鲁格扮演。

Jack Abramoff, the lo yist known for lavishing politicia with football tickets or whisking them away on exotic golf junkets, will start life Wednesday with a new identity: federal inmate No.

杰克·艾布拉姆是因向官员赠送球票和经常邀请他们去国外的高尔夫胜地郊游而著称的说客。从周三开始，他将以新的身份开始新的生活：联邦服刑人员第27593-112号。

"No." Abrams had been with O'Brien's law firm, O'Brien, Kimberly and Rose, located on the forty-fourth floor of the RCA Building, for over a year.

&号&艾布拉姆斯一直与奥布莱恩的律师事务所，奥布莱恩，金佰利和罗斯对RCA的建筑第四十四楼的，为一年多。

Post-Modernism literary theory thoroughly subverts the traditional literary concept of four literary elements.

艾布拉姆斯在《镜与灯》中提出文学四要素：世界、作品、艺术家、读者。但在后现代文论思潮的冲击下，文学四要素所包含的传统文学观念遭到彻底的颠覆，引发了文学性危机。

He was born in Aldershot in England and educated at the University of Sussex and the University of East Anglia, where he was the first graduate of Malcolm Bradbury's pioneering creative writing course.

他生于英国奥尔德肖特（译名还有&艾迪索特&或&奥德索特&）且于苏塞克斯郡大学和东英吉利大学接受教育，并成为第一位马尔科姆布拉德伯里爵士开拓创造性写作课程的毕业生。

O.p., or by patronage (Alison Cole's Virtue and Magnificence, Abrams, 1995), this book's essence is the relationships among artist, art, location, and public.

，或由赞助（莉森科尔的德治与辉煌，艾布拉姆斯， 1995年），这本书的本质之间的关系是艺术家，艺术，地点和公众。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。