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In 1966, Shaw joined the Royal Shakespeare Company, where he spent the next decade of his career and eventually became an associate artist He mostly appeared in Shakespeare plays, including the title role in Cymbeline; Edmund of Langley in Richard II; the King in All's Well That Ends Well; Ulysses in Troilus and Cressida; and Leonato in Much Ado About Nothing.

1966年,肖加入皇家莎士比亚公司,在那里度过了职业生涯中的十年并最终成为一名联合艺术家。他几乎一直在演莎剧,包括《辛白林》、《爱德华三世》、《理查德二世》中的同名主角;《皆大欢喜》中的国王;《特洛伊罗斯与克瑞西达》中的尤利西斯;《无事自扰》中的雷奥那多。

Is a universal basis of knowledge and value critical for creativity?

艺术家的创作一定需要一个共同的知识-价值基础吗?

This article thought that, Reactivating outstanding satire art manifested not merely in the artist to at that time the Russian corrupt society reality intense satire above, in a higher level, this kind of satire art has manifested the writer in during the profound social history observation, did to the nature divine nature to the realistic common custom human nature criticalness satire, it also included Tolstoi regarding the self- profound satire.

本文以为,《复活》优秀的讽刺艺术不仅仅体现在艺术家对当时俄国腐败社会现实强烈的讽刺上面,在更高层次上,这种讽刺艺术体现了作家在深刻的社会历史的观察之中,对大自然神性所作的对现实世俗人性批判性的讽刺,它其中也包括托尔斯泰对于自我深刻的讽刺。

The "Experiment" generation of artists broke through the traditional aesthetic value system of the ink painting, and their exploration to rebuild the way of ink painting language through borrowing modern artistic concepts highlighted a cultural criticism, while the next generation of creators have vaguely presented a value orientation rather alien to that of the "Experiment" generation in their expression of contemporary emotions, experience and cognition as well as their construction of sensitivity and criticalness of contemporary cultural expression through the language of ink painting.

如果说"实验"一代艺术家们打破了水墨的传统审美价值体系,他们借鉴现代艺术观念重建水墨话语方式的探索突显出一种文化批判精神的话,那么,当下一些创作者在水墨语言对当代情感、经验、认知的表现力,对当代文化表达的敏锐性和批判性等方面的建构,则隐约显现出了与"实验"一代相异的价值取向。

The artist shows a wonderful technique in designing and combining various emblems, the cross, vine, dragon, fish, and serpent.

艺术家表演精彩技术,在设计,结合各种徽章,在十字架上,畏缩不前,龙,鱼,蛇。

However there is also a new awareness of the creative benefits of cross-disciplinary collaboration with artists and other designers.

但是无论如何也有了一个新的认识,那就是在艺术家和其他设计者之间的跨学科的合作具有创造性的裨益。

Artists who wish to suggest three-dimensional forms use hatching and cross-hatching or wash es of colour laid onto the drawing with a brush.

艺术家以画出一系列紧密并列的影线或交叉并行线,或用画笔涂上颜色来增加立体感。

Artists who wish to suggest three-dimensional forms use hatching and cross-hatching or washes of colour laid onto the drawing with a brush.

艺术家以画出一系列紧密并列的影线或交叉并行线,或用画笔涂上颜色来增加立体感。

The exchanges between Chinese contemporary artists and the West, as well as the cross-pollination of heterogeneous cultures, have given birth to the many new species of Eclecticism.

中国当代艺术家和西方的交流以及多元文化之间的杂交,诞生出折中主义的新品种,和中国境内南北相交的意义其实是大同小异的。

The temporary arts are in no lack of imagination, because the temporary artists despise the crusted and uncreative works.

当代艺术并不缺少想象力,因为当代艺术家鄙视没有创造和因循守旧的东西。

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But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊!不用提了。提到肉,真是糟透了。

Tristan, I have nowhere to send this letter and no reason to believe you wish to receive it.

Tristan ,我不知道把这信寄到哪里,也不知道你是否想收到它。