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In 1950s and 1960s, the prosperous of New YorkSchool (also known as abstract expressionism) profits from the immigration of a large number of European elites and American urban cultural prosperity.

事实上在城市化的进程中,艺术的兴衰和艺术家的状态总是与城市的发展息息相关的,上个世纪五、六十年代"纽约画派"的兴盛正是得益于欧洲大批艺术精英的迁入和美国城市文化的强盛。

My art style is basically to depict my unconscious world in an abstract form that is derived from Automatism of the Abstract Expressionism.

作品简介:艺术家的主要艺术风格是用抽象形式描写其无意识世界,这种抽象形式来源于抽象表现主义的自动性。

Material from the visible to the invisible materials, from the objective with the subjective as abstract expressionism, personalized, individual pursuit of language to promote the unique and individual artists to find language suitable to the material and technical means, and the formation of a wide range of pattern .

从有形的材料到无形的材料,从客观的具象到主观的抽象表现,个性化、个人化语言的追求,促使艺术家找出与个人独特语言相适应的材料和技术手段,而形成多元化的格局。

Face cartoons are face emotional abstract expressionism, through simple lines and regional express People's personality and emotion, the artist can seize a person's visual characteristics in a very short period of time to by use its own unique style.

人脸卡通画是真实人脸情感的抽象表现,通过简单线条和区域表现人物的个性和情感,艺术家可以在很短的时间内抓住一个人的视觉特征,并以自己独特的风格,用寥寥数笔把人物的形象特征勾勒得淋漓尽致。

As a member of the Anonymous Painting Group, ZHANG Wei became an avant-garde painter during the Cultural Revolution period and was one of the first modern artists who converted to abstractionism in the beginning of 1980s.

张伟作为"无名画会"的成员,"前卫"于文革期间,八十年代初又是第一批转向抽象的当代艺术家之一。

In the works of TANG Xiao, we can find somewhat cunning wisdom. Though it seems he belongs to the cold abstractionism, he does not have the objective spirit.

火焰型艺术家在达到精粹纯净的境界之前,需要一个冷漠一点的自我在旁挑剔――柯明也不例外。

Starting from Master Lin Fengmian, generations of outstanding Chinese artists have, in their inquiries of modern Chinese painting for almost a century, been trying to ingeniously merge the oriental art traditions with the modern western approaches, especially the abstractionism, or to balance the two heritages in a personal fashion so as to achieve a genuine breakthrough in the language of painting. This paradigm came into being in the later half of the century and new masters have been on the rise.

近一个世纪以来,在中国现代绘画的探索中,自林枫眠始,几代中国艺术家的佼佼者一直在试图将东方传统与西方的现代,尤其抽象表现艺术进行了巧妙的结合,或者说是以个人的方式平衡了这两种因素,从而在绘画语言上取得真正的突破,这个框架在此后的半个世纪间已经构成,并出现大家。

LIANG Quan, DING Yi and CHEN Qiang are representatives of the Chinese cold abstractionism. In contrast, WANG Chuan, TAN Ping and ZHANG Wei belong to the hot abstractionism.

如果说梁铨、丁乙、陈墙等艺术家代表了中国冷抽象的一极,那么王川、谭平、张伟等,则代表了热抽象的一极。

China has been considered a confusing nation to the west since it opened itself to the world; its mysticism and abstruseness are beyond the wildest western imagination.

艺术家的目标是抓住真实的想象,然后把它变成绘画—通过现实赋予"不可视的"以"可视的"。

Thus, after the artists change this kind of daily experience and custom, we will feel a sort of unintelligible emptiness, alienation, vagueness and absurdness. The feeling of dislocation is the impression of works of arts created by Mu Jun given to me.

于是,当艺术家改变了这种日常的经验和习俗之后,我们会感到一种莫名其妙的虚空、疏离、暧昧和荒谬,这种错位的感觉正是我在看了母军的油画作品之后的印象。

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