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In all the various works of art,"The Beauty of Pureness" has long been the pursuit of artistic creation and appreciation of the ideal state.

在各式各样、形形色色的艺术作品中,"单纯之美"一直是艺术创作与欣赏所追寻的理想境界。

My favourite work of art is: Anything painted by the Irish artist Rasher.

我最喜欢的艺术作品:爱尔兰艺术家Rasher画的任何作品。

Yet it is cetainly true that what has perished by destruction, loss and decay would outweigh many times the entire mass of medieval art work now in existence, and of this the larger portion was produced in the workshop of the cloister (see ARCHITECTURE; ECCLESIASTICAL ART; PAINTING; ILLUMINATION; RELIQUARY; SHRINE; SCULPTURE).

然而,这是cetainly不错,有什么灭亡销毁,损失和衰变会超过很多次,整个地下中世纪的艺术作品,现在存在的,这个较大的部分制作,在车间的修道院(见结构;教会艺术;国画;照明; reliquary ;靖国神社;雕塑)。

Thomas Menlo has built up practical aesthetics bycriticising the abstractness of speculative aesthetics andthe rigidness of experimental aesthetice.

它从研究艺术作品的角度切入美学,把艺术作为美学的核心和生长点,在一定程度上超越了传统美学。

Poems about paintings and painters, in particular, let Hass set his ruminative temperament, his wish to consider art as an open-ended process, against our wish to see works of art as finished things.

诗歌的绘画和画家,特别是让哈斯将他ruminative的气质,他愿意考虑艺术作为一个不限成员名额的过程中,对我们希望看到的艺术作品作为完成的事情。

It was the manner of expression_r_r_r_r, the satiric method that made them interesting and entertaining.

人们读讽刺作品是因为在美感上它们是令人满意的艺术作品,而不是因为道德的完美和伦理的说教。

In his Das Kunstwerk im Zeitalter seiner Technischen Reproduzierbarkeit , Benjamin pointed out that people's sensual capacity could be changed with the development of modern technology, and he made further research on the meaning of sensual change in technical area.

本雅明在《技术复制时代的艺术作品》一文中,指出:人类感官能力会随着当代技术的发展而转变,同时他也进一步研究在技术时代中感官转变对于艺术创作的意义。

I think theconnection between a writers personality and his works is tacit, because in asense every piece of art is a self-revelation.

笔者认为:作家的人格和他的作品之间的关系是不言而喻的,因为每一件艺术作品在某种意义上都是自我泄露。

On probing into the art works of classical literature, we can find a special art experience: deep feeling of grief is outpouring from a lot of potrey and ancient prose, which is about inquilinousness of life, about nothingness of prosperity and splendidness, about interior flux of sadness. At the same time, this outflow is continuous, and manifests a great characteristic of aesthetic experience in Chinese ancient Aesthetics.

直面中国古典文学艺术作品的现实,可以发现一种特殊的艺术经验:即大量诗词和古文中流露出来的人生如寄、韶华不在、"悲从中来"的沉痛之感,并且此一经验脉脉相续,构成了中国古典美学审美经验的一大特色。

This is no place to try to sum up its main conclusions. But it is characteristic of the classical view that Aristotle lays his greatest stress, first, on the need for Unity in the work of art, the need that each part should subserve the whole, while irrelevancies, however brilliant in themselves, should be cast away; and next, on the demand that great art must have for its subject the great way of living.

这里不适合把《诗学》的主要结论做一总结,但可以对亚里士多德最为强调的古典主义视角的特征略做归纳:首先,艺术作品必须统一,每一部分应该服从整体,任何游离的部分,不管单独看如何杰出,坚决删除;第二,伟大的艺术必须以高尚的生活方式为主题。

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Finally, according to market conditions and market products this article paper analyzes the trends in the development of camera technology, and designs a color night vision camera.

最后根据市场情况和市面上产品的情况分析了摄像机技术的发展趋势,并设计了一款彩色夜视摄像机。

Only person height weeds and the fierce looks stone idles were there.

只有半人深的荒草和龇牙咧嘴的神像。

This dramatic range, steeper than the Himalayas, is the upturned rim of the eastern edge of Tibet, a plateau that has risen to 5 km in response to the slow but un stoppable collision of India with Asia that began about 55 million years ago and which continues unabated today.

这一引人注目的地域范围,比喜马拉雅山更加陡峭,是处于西藏东部边缘的朝上翻的边框地带。响应启始于约5500万年前的、缓慢的但却不可阻挡的印度与亚洲地壳板块碰撞,高原已上升至五千米,这种碰撞持续至今,毫无衰退。