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Yigal Ozeri has exhibited extensively throughout Israel, Europe and the United States, and his work can be found in many prominent collections, including Albertina Museum, Vienna; Hudson Valley Center for Contemporary Art, Westchester; Kennedy Center for the Arts, Washington DC; McNay Art Museum, San Antonio; Nerman Museum, Kansas City; Scheringa Museum of Realist Art, Netherlands; Tel Aviv Museum of Art, Israel; and The Jewish Museum, New York.

伊加勒厄泽里显示出了整个以色列,欧洲和美国,广泛他的作品中可以找到许多知名的集合,包括阿尔贝蒂娜博物馆,维也纳,哈得孙河谷当代艺术中心,威,肯尼迪的艺术中心,华盛顿特区; McNay艺术博物馆,圣安东尼奥; Nerman博物馆,堪萨斯城,Scheringa博物馆现实主义艺术,荷兰;特拉维夫艺术博物馆,以色列和犹太博物馆,纽约。

Solo Show: 2004 Hong Hao Base Gallery, Tokyo Japan. Hong Hao's Reading Room Chambers Fine Art, New York U.S.A 2003 Hong Hao at Rencontres d 'Arles 2003 Arles, France. 2000 Scenes from the Metropolis The CourtYard Gallery, Beijing China. Suspended Disbelief Art Beatus Gallery, Vancouver Canada. Selected Group Show: 2006 One Work: the Taikang Project of Hong Hao+Yan Lei Taikang Top Space, Beijing China. 2005-2006 Noly One Wall Beijing Commune, Beijing China Art Space Sydney, Australia. 2005 FAIRY TALES FOREVER, AROS Arhus Kunstmuseum, Arhus, Danmark. Mahjong Kunstmuseum Bern, Bern, Switzerland. CHINA: CONTEMPORARY, ART PERSPECTIVES Art Museum, Milan, Italy.

参加2000年以来的版画艺术美国,纽约现代美术馆;参加拾贰 2006中国当代艺术奖中国,上海证大现代艺术馆;参加今日中国——中国当代艺术的转世魅影奥地利,维也纳, ESSL博物馆;参加H+Y 一件作品之泰康计划泰康顶层空间中国,北京;参加第五届亚太当代艺术三年展澳大利亚,昆士兰昆士兰美术馆2005-2006年;参加麻将-希克中国当代艺术收藏展瑞士,伯尔尼美术馆德国,汉堡当代美术馆

Art trends in the 20th Century have changed bewilderingly quickly. One of the pursuits of new arts is to breach the line between art and life, allowing them to infiltrate each other so that their real nature may be explored.

二十世纪艺术潮流遽速衍化替换,令人目不暇给,新艺术的主要诉求之一,便是要打破艺术与生活的界线,让艺术和生活经验参揉,以探讨其间的真实本质,行为艺术便是其中之一。

So it is wiser for us to come back to the Chinese art context and start discussion with the simple question "What is art?" and what kind of contemporary art is of contemporariness , rather than being entangled with the concepts of western art and fighting for a justifiable name for the so called "contemporary art".

其实,与其纠缠西方艺术谱系中的概念,为所谓&当代艺术&正身,还不如回到中国艺术自我语境,从&艺术是什么&这样一个简单问题入手,讨论怎样的当下艺术才具有当代性。

Chapter 3 Western Hubei Tujia traditional graphic arts are analyzed as four groups : animal graphic arts, plants Graphic Arts, manufacturing and living graphic arts and graphic arts which shows favonian.

第3章将鄂西土家族传统图形艺术分成四类来展开分析:动物类图形艺术、植物类图形艺术、生产生活类图形艺术及意象吉祥类图形艺术

Tubo period sculpture and painting at the absorption of foreign art nutrition, integrated Tibetan folk arts development stage, showing the diversity of artistic styles, with a typical artistic style of Gandhara, with a clear Dunhuang in the Tang Dynasty style, there are the Central Plains sculpture style , a Nepalese style of ancient art, but also a Tibetan folk art combined with the new forms, in a sense it can be said that the development of the arts in the history of Tibet during the opening.

吐蕃时期的雕塑和绘画处于吸收外来艺术营养、融汇藏族民间艺术的发展阶段,表现出艺术风格的多样性,有典型的犍陀罗艺术风格,有明显的敦煌唐代风格,有中原雕刻风格,有尼泊尔古代艺术风格,同时也出现了同藏族民间艺术结合产生的新形式,在某种意义上可以说是西藏艺术发展史上的开放时期。

There is only the artist pinpoints that the subject consciousness of an individual should look into the numerous complicated social cultural problems to seek, in a certain survival and cultural context, for a recreative method to the individuality in an art language as well as other coexisting yet different individual speeches.

没有艺术&,是对艺术创作的风格、样式而言,没有原创性,没有建立在现代主义存在主义理论观念之上的乌托邦式的群体主体意识,艺术本体已不再能承担哲学观念化的具体社会意识化的重托;&只有艺术家,强调的是以个体的主体意识切入色彩纷呈、复杂多变的社会文化问题,在具体的生存与文化情境中寻找对艺术语言个性化再创造的途径,寻找与共存并置的其他艺术话语保持着差异的个性化话语。

"There is no art", referring to the artistic style and pattern, tends to say that there is no originality or the Utopian massive subject consciousness based on the modernist and existentialist theories. and, that tThe art subject itself can no longer carry the heavy burden of the philosophical ideation and a certain specific social ideation."There is only the artist" pinpoints that the subject consciousness of an individual should look into the numerous complicated social cultural problems to seek, in a certain survival and cultural context, for a recreative method to the individuality in an art language as well as other coexisting yet different individual speeches.

没有艺术&,是对艺术创作的风格、样式而言,没有原创性,没有建立在现代主义存在主义理论观念之上的乌托邦式的群体主体意识,艺术本体已不再能承担哲学观念化的具体社会意识化的重托;&只有艺术家,强调的是以个体的主体意识切入色彩纷呈、复杂多变的社会文化问题,在具体的生存与文化情境中寻找对艺术语言个性化再创造的途径,寻找与共存并置的其他艺术话语保持着差异的个性化话语。

Webpage design art, a combination of creation and technology, includes visual and audio touch as well as model design with five characteristics of continuance, multi-polar, comprehensiveness, uncontrollability as well as combination of art and technology, and the article concludes that beautifulness and function are both subject to the webpage them upon clear statement on the relationship of webpage design and website theme.

可以认为网页艺术设计是艺术与技术的高度统一,网页艺术设计包括视听元素与版式设计两项内容:以主题鲜明、形式与内容统一、强调整体为设计原则;具有交互性与持续性、多唯性、综合性、版式的不可控性、艺术与技术结合的紧密性等五个特点。在明确了网页艺术设计与网站主题的关系基础上,提出了&美&和&功能&都是为了更好地表达网站主题这一观点。

Waling straight about 300 meters in the NO.2 gate of 798, there is high parking ground which some art galleries around: the Red star gallery which dedicated to the modern art of China, T space which interested in the new medium,----and .authoritative art network and Century Online Art Space are standing beside the parking ground.

从798二号门进去直走300米,是一个离地一米的高台停车场,周边环绕着一圈艺术画廊:致力于中国当代艺术的红星画廊、成立不久对新媒体艺术颇有兴趣的T空间——而权威艺术网媒世艺网以及幽然天成的世纪在线艺术空间,就在停车场旁中一街上庄雅挺立。

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With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务,乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐,因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。

Closes the eye, the deep breathing, all no longer are the dreams as if......

关闭眼睛,深呼吸,一切不再是梦想,犹如。。。。。。