艺术

Art should be non moralistic, it should be free and so should the interpretation so the person who is looking at the art should learn how to interpret the ethic and moral side of it, otherwise art becomes propaganda.

艺术应该不是说教的，它应该是自由的，在艺术的阐释上也是这样，看艺术的人们应该学习如何去阐释艺术的道德和规范的边界，另外，艺术已经变成一种信仰的宣称。

Part I :the definition of officialdom novels ,the insightful discussion of the development of them ,and the primary analysis of the reasons of their flourishing ;Part II :the construction of subject matters of officialdom novels by probing analysis into official corruption ,official and social psychologies ;Part III: the of artistic features of characters and narrative (i.e. narrative perspective constructions ,discourse and ironical narration ),which are illustrated by the positive characters with personalities ,negative ones with complex characteristics ,more importantly ,the vulgar existence ofgray characters ,the discovery of features of narrative methods with the contract of two types of novels ; Part IV: the positive comment on the realistic rules of officialdom novels and the surpassing of the previous ones ,the shortcomings from the artistic perspective : the adoption to the reality seriously fetters artistic imagination of literature works ,it also reads to the lacking of insightful thinking ,the simple characters fail to reveal artistic glamour ,the routinized narrative methods also degrades the artistic savor of works .

第一部分，界定官场小说的内涵，并对它的历史发展，对其在当下繁荣的原因做初步的探析；第二部分，从官场小说对官场腐败、官员内心世界和社会文化心理等方面的揭示考察其主题构成；第三部分，从人物形象、叙事方式(叙事视角、叙事结构、反讽叙事、叙事话语)等分析官场小说的艺术表现特征，指出官场小说不仅塑造了性格鲜明的正面人物，也真实刻画了具有复杂人性的反面角色，更重要的是展现了官场灰色人物的庸俗生存，并通过两类不同类型小说的对比，揭示其各自不同的叙事特征；第四部分，充分肯定官场小说的现实主义价值，及其对前期官场小说的超越，并从小说艺术角度指出其存在的严重不足：小说对现实的屈从束缚了作品的艺术想象力，使小说缺乏深厚的思想内蕴；人物形象也显得单薄，无法产生感人的艺术魅力；叙事的模式化也大大降低了作品的艺术品位。

Secondly, the thesis tries to find out aspects on the works of art that are on the surface of impersonal existence, associated with art and people, and most likely to draw people's attention other than their reality. These aspects are images and forms, especially the using of lines, which is the most living form in my study of Chinese painting. The topic extends from the using and exhibition of lines in the sketching and art creation, further to the intuition, which is the way and measure of obtaining the form of the works of art. Intuition is a nonfigurative emotional activity that melting the sensibility and logos of human being. The thesis discloses that emotion is the momentum of art intuition.

然后试图找到艺术作品这一客观实物上最为表层的、与艺术、与人相关的，除了它的实在以外最容易被关注的部分---形式，尤其是我所学习的中国画中，线这一最具生命感的形式，在花鸟写生和创作中的运用和体现，进而深入到艺术作品的形式获得的途径和方法---直觉，这种人类感性和理性相融合的情感的复杂抽象活动，并揭示出艺术直觉的动因是情感，人们为了满足某种心灵的需要而进行艺术的直觉和积累。

This exhibition is a reflection of that commitment. Through this exhibition, and other initiatives such as the Art Initiative Programme, a pilot programme to introduce art workshops in pre-school curriculums currently being developed, Osage Art Foundation aims to foster the link between education and the arts, nurture creativity and critical thinking, promote and develop innovative practice in research, teaching and learning.

通过举办艺术展览及其它活动，包括提倡将艺术工作坊融入学前教育课程的「艺术倡议计划」，奥沙艺术基金旨在促进艺术与教育之间的桥梁，鼓励创意和批判思维，发展及推广创新研究、教学及学习模式。

The consciousness of space in the contemporary era is an energy field created by pure vision and perceptivity. It is also a key element in the making of abstract works of art. As viewed from the traditional art approach it is quite hard to apprehend the consciousness of space of the time. With the individuality and having various emotional attachments, consequentially artists' consciousness of space are not the same.

当代艺术的空间意识，是以其纯粹的视知觉创作出的能量场，也是抽象艺术创作的主要元素，以传统艺术表现来理解当代艺术空间意识是很困难的一件事，在艺术家不同的艺术个性和不同的情感世界里，在无意识的生命状态中必然有着不同的空间意识感受。

This self-formed art group tries to build China contemporary art image in the world by using their unique language to express and explain their understanding of the reality and life. They wish to drive China contemporary art forward by their art experiments and to live on art.

这个自发的艺术群体试图通过依靠一种集体的力量来打造中国当代艺术的世界形象，他们试图用独特的艺术语言表达来诠释他们对社会现实及生活的理解，并且希望通过各自的艺术实验来推进中国的当代艺术，同时能够以此养家糊口。

Viewing the supersession of the old by the new in cultural morphology from the development of calligraphy art s;2. Calligraphy are valued for its true qualities——analysis of beauty of the true qualities of calligraphy art ;3. The calligraphy art as China traditional essence and the traditional garden art as a unique style in the architecture history of the world, both of them are synthetic arts and tend to be closely combined with other category of arts.

该论文分析了两者之间的亲缘关系；研究论证了中国园林艺术与书法艺术的文化渊源、创作思想，并对各自所表现出来的艺术风格和文化内涵进行了类比，寻找出二者的共同规律，挖掘其深层次的文化内涵，揭示中国园林艺术与书法艺术之间的关联，以期对传统园林文化的继承与发展起一定的启发作用。

From the angles of the exhibition arts emergence, development and designing, the article discusses the relations among exhibition art, designing culture and the aesthetic culture, as well as the affection that the symbols of exhibition plastic arts posed on the pop visitant, thus confirms that, form the theme plot to the scheme design, to the material manufacture and finally the art modeling, the aesthetic and its information play an important role on gene rating and applying the exhibition design symbols.

本文从展示艺术发生、发展、和设计的角度，论述了展示艺术与设讨文化、审美文化的关系以及展示艺术造型语言对大众参观者的审美作用和影响，从而证实了，从展示艺术活动主题策划、方案设计、材料制作到艺术造型展现，审美文化和审美信息在展示设计语言的显现和运用的重要性。

From the very beginning, primitive witchery made art the decisive factor of the fate of their tribes. In the long pre-modern society from then on, art is always the important tool of the various political systems. Hence, religious art and ethical art were the forms of ancient arts that took on the social responsibility of art.

原始巫术自始即将原始艺术置于攸关族群兴衰生死的重大责任位置上，此后漫长的古代文明社会中，艺术始终是不同的政治社会的重要工具，因而，宗教艺术、伦理艺术是古代艺术的社会责任承担形态。

Over the years, Zuni has been invited to over 30 cities in Europe, Asia, and America for exchange and performances. Zuni was given a exchange and performance. Zuni was given a 3-year grant by Hong Kong Arts Development Council to facilitate its creative operation since 1999, and now is financially supported by the Government of the Hong Kong Special Administrative Region.

二十多年间，一直致力拓展香港文化艺术新领域，积极推动国际文化交流，主催艺术评论及文化政策研究等工作，并活跃於艺术教育和发展电子媒体及跨媒体等新类型的艺术模式。1999年起或香港艺术发展局「三年资助」，线为香港特别行政区政府资助团体，也是香港最具代表性的国际实验剧团。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。