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与 艺术 相关的网络例句 [注:此内容来源于网络,仅供参考]

The controversy over the purpose or function of art,i.e.,whether art for society's sake or art for art's sake,often occurs in the field of world literature.

在文学领域里,关于艺术的目的和功能这一问题,如"为社会而艺术"与"为艺术艺术"两种观点的论争时有发生。

If the final cause of an artwork is simply the artwork itself,"art for art's sake", and not a means to another end, then that artwork could appropriately be called fine.

如果最终的原因仅仅是一个艺术作品的艺术作品本身,"艺术艺术的缘故",而不是一种手段,另一个目的,则该作品可适当地称为罚款。

Through their translation and their deliberate imitation both in life and art, the aestheticism and the decadent movement:"Art for Art's Sake"and"Art for Life's Sake"spread widely in Shanghai, which together with hedonistic trend of mass culture engendered a aestheticism and decadent social and cultural atmosphere.

通过他们的翻译介绍,以及在生活和艺术上的刻意模仿,使唯美-颓废运动的两翼:"为艺术艺术"和"为生活而艺术"全面流传到上海,与享乐主义的大众文化潮流一起造成了唯美-颓废的社会文化氛围。

Myth and art are interknit from their birth. The first, myth and art all are fictions. The second, myth has double structures of conception and sensibility, theory and art. The third, be related to the characters of mythical thought, myth had unified intuitive images and feelings, but feelings of myth is different from that of art. The forth, feelings of art have a character of associability.

神话和艺术从生成始就是有着密切的联系的:首先,神话和艺术一样都是一种虚构;其次,神话具有概念和感性、理论和艺术的双重结构;再次,与神话思维的特征相关,神话具有直感性与情感的统一性,但是神话中的情感不同与艺术中的情感;第四,神话情感有交感性的特点。

Malcolm's work on Post-Katrina New Orleans has been exhibited at the Colorado Springs Fine Arts Center, the Mobile Museum of Art, the New Orleans Museum of Art, the Warehouse Gallery, Washington DC, B-Complex, Atlanta and Barrister's Gallery, New Orleans with solo exhibitions at Tigh Fili Cultural Centre in Cork, Ireland, the Balor Arts Centre, Donegal, Ireland, the University of New Orleans' Fine Arts Gallery and the Thomas Hunter Gallery, New York.

马尔科姆关于飓风后的新奥尔良的作品曾在科泉市精良艺术中心,移动艺术博物馆,新奥尔良艺术博物馆,Warehouse画廊,华盛顿特区,B- Complex,亚特兰大和Barrister画廊展出。关于新奥尔良的个人画展曾在爱尔兰考克的Tigh Fili文化中心,爱尔兰多尼格尔的巴勒艺术中心,新奥尔良大学艺术馆和纽约的托马斯亨特美术馆展出。

The contemporary meaning of"art"is designated by its American notion as it has been developed and globally disseminated since the seventies and eighties of the Twentieth Century, rather than being predominated by that of the German"Kunst"or of the system of the"beaux-arts."

当今所谓的艺术,主要是受20世纪七八十年代以来发展并在全球范围内扩散的美国式"艺术"观念所支配,而再也不受德语的"艺术"或法语的"美的艺术"体系所支配。

ORGANIZER: THINKING HANDS CO IN COLLABORATION WITH: STAR GROUP, 1 ART BASE, YONGHE MUSEUM, ART BEIJINGART DIRECTORS: SUN NING, XU WEI, YUN CHEAGAB, DONG MENGYANG, HUANG RUI, HONG JINQIAO, SONG YAN YANG EXECUTIVE DIRECTOR: BERENICE ANGREMYCONSULTANTS: FAN DI AN, WANG HUANGSHEN, ZHANG QING, WU WENGUANG, CUI JIAN, SHAO ZHONG, SHULIN ZHAO, ZHAO WEIDONG

主办单位:思想手文化有限公司承办单位:星际元国际会展集团,一号地国际艺术区,雍和美术馆,"艺术北京2007"当代艺术博览会艺术总监:孙宁,徐伟,尹在甲,董梦阳,黄锐,洪金桥,杨松岩执行总监:黎静

A few art collectors James Bowdoin III of Boston, William Byrd of Virginia, and the Aliens and Hamiltons of Philadelphia introduced European art traditions to those colonists privileged to visit their galleries, especially aspiring artists, and established in their respective communities the idea of the value of art and the need for institutions devoted to its encouragement.

一些艺术收藏家,如波士顿的James Bowdoin III、弗吉尼亚的William Byrd和凤凰城的Aliens and Hamiltons家族,介绍欧洲的艺术给那些有特权去参观他们画廊,尤其是那些有抱负的艺术家们的画廊的殖民者,并且建立了基于他们各自团体的艺术价值的观点和基于投入了他们资金的艺术机构的需求。

A few art collectors James Bowdoin III of Boston, WilliamByrd of Virginia, and the Aliens and Hamiltons of Philadelphiaintroduced European art traditions to those colonists privileged tovisit their galleries, especially aspiring artists, and established intheir respective communities the idea of the value of art and the needfor institutions devoted to its encouragement.

一些艺术收藏家,如波士顿的JamesBowdoin III、弗吉尼亚的William Byrd和凤凰城的Aliens andHamiltons家族,介绍欧洲的艺术给那些有特权去参观他们画廊,尤其是那些有抱负的艺术家们的画廊的殖民者,并且建立了基于他们各自团体的艺术价值的观点和基于投入了他们资金的艺术机构的需求。

Last year I came to teach in modern art institute of Tianjin academy of Fine Arts. First year I was nearly absorbed in teaching appraisal and teaching research, and at the end of the year I had made three handy finished-product installment plans."Scrip Traded Brick", mainly aims at the following topics: the real value of artware that rise rapidly in the Chinese prosperous art market, risk index contained in flourish and huge existing space about the flowing market froth, chance which flowing social fund pours into the artistic market, and art investments becoming one kind of ways of investments. In addition, I tell a monologue of individual experience in manners of watching and taunting with choosing one kind of enjoying the flower in the brume for oneself. Moreover, I undertake selective ponder of the social question.

去年到天津美院现代艺术学院教书,第一年几乎将精力都放在教学评估与教学研究上,年底作了三个现成品装置方案,《纸片子换砖头》,主要是对当下中国红红火火的艺术市场中狂飙的艺术品真正含金量的价格、流动的市场泡沫极其巨大生存空间与火爆中蕴含的风险指数、社会流动资金注入艺术市场的契机与艺术投资成为一种新型投资方式诸话题,为自己挑选一种异质而多样"雾里看花"非投入观看与嘲讽调侃态度,讲述作为个人经验批判独白,承担对当下社会问题清理性思考。

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