艺文

Although Wang Mo-Lin has concerned little theatre, body culture, performing art, and avant-garde art for a long time, he is concerned as well as a sign of troublesomeness, heresy, rabidity, and clamor.

摘要王墨林长期对小剧场、体文化、演艺术、卫艺术等议题的关注，但当艺文界人士谈论起王氏时，总以「搞的」「端的」「激的」「声的」「呼的」其刻板印象化、签符号化。

This system does design, calculating, selection, producing section graph and outputing the file of technology according to the different structures of V_belt pulleys.

该系统根据普通V 带轮的不同结构形式进行设计、计算、优化选取、生成零件图并输出工艺文档。

After 1998, council for cultural affairs further the reuse of deserted space and investigation project and propaganda, but reuse project in Taiwan are always as art exhibit or single function, and the management strategies cannot continuity . Reuse as commercial function is a new kind of strategies, there are many successful example in occident. Commercial function not only can fit in people's life but also reduce the burden of government, compassable continuity.

由於台湾的再利用多由文建会主导，机能局限於艺文使用，未能积极开发工业遗产的特色与选择适当的营运单位，以至於成效不彰，再利用为商场是一种新的考量，国外已经有许多成功的案例，不但能拉近工业遗产与民众的距离，因其自给自足的经营机制也能减少政府的支出，达成工业遗产的永续经营，更能让工业遗产适切地保存在新的都市涵构中。

As the leader and the main actor of "Critical Point Theater Phenomenon", the almost most longevous little, avant-garde, experimental theater group, Hueiling has continually experience about theater manufacture and the performance near 20 years.

作为几乎是台湾历史最悠久的小剧场团体&临界点剧象录&的团长及主要演员，有将近二十年的持续剧场制作及演出经历。在巅峰时期于剧团经营的&生活剧场&与&白水艺文空间&曾经有一年推出超过15 个全新作品，上演近乎100 场次的演出纪录。

The recognition of unredeemable mistakes in life combined with the sense of beauty produces tragedy literature.

艺文赏析当他们认识到世界存在著无可挽救的错误时，这样的真相再结合美，便出现了悲剧。

The latest statistics on industry growth and trends. By chronicling and profiling the cultural activities of the local

艺术生态发展的参考基础，预算每年透过同样的调查计划收集艺文界的资料，以便公众、政策制

Group Exhibitions: in 2006, Process and Expression, The Scale of Picture Determines Attitude: the 1st 5x7 Photo Biennale, Direction, Mixture of Clear and Obscure: Chinese Contemporary Arts Exhibition; in 2005, Fan Shou Wei Yun Fu Shou Wei Yu: the 1st Exhibition of Beijing TS1 Contemporary Art Center, Skin of City—Research on the Possibility of Contemporary City Image (Tap Seac Gallery of Macao, Shenzhen Art Museum), Transparent Box, Untitled—Self-Project:'05 China Pingyao International Photograph Exhibition, Ten Points and Ten Colors (Soka Contemporary Space, Beijing), Tian An Men (Amsterdam Photo Museum, Holland), The 2nd Chengdu Biennale, Tomorrow without Glancing Back: Chinese Contemporary Art Exhibition (Kuandu Museum of Fine Arts, Taipei); in 2004, Meet by Chance, One to One: Their Sight (Chambers Fine Arts, New York, USA), Chinese Photo and Image Fine Arts, Times of Imitating Images; in 2003, Distance—Contemporary Art Invitational Exhibition of Guangdong Museum of Art (Guangdong Museum of Art, Guangdong), Left Hand and Right Hand: China and Germany Contemporary Art United Exhibition (Beijing 798 Space), Expression and Condition, Chinese Photo and Image Fine Arts (Art Museum of Beijing Normal University), Blue Sky without Defense; in 2002, Speak to Oneself, Chinese New Photo and Image Exhibition, Bridge: Contemporary Art Invitational Exhibition, Legend-Fabrication-Copy, Phenomenon, Chuang Ku Exhibition (Shanghai Dongdaming Chuang Ku Exhibition); in 2001, Knowledge is Power; in 1999, Contemporary Chinese Art Exhibition; in 1998, Surprise to Existence, In the City: Opening Oneself; in 1997, Chinese Art General Exhibition: Contemporary Oil Painting Exhibition.

联 展：2006年Process And Expression。&画幅决定态度&首届5x7照相双年展方向、虚虚实实—中国当代艺术展；2005年&翻手为云，覆手为雨&—北京 TS1当代艺术中心第一回展、城市的皮肤—当代都市影像的可能性研究（澳门塔石艺文馆、深圳美术馆）、透明的盒子北京SOHOU现代城）无题—自我投射2005中国平遥国际摄影大展、士点十色、天安门（荷兰阿姆斯特丹摄影博物馆）、第二届成都双年展、明日，不回眸—中国当代艺术展；2004年邂逅、&一对一&他们的目光、中国影像绘画、拟像时代；2003年&左手与右手&中、德当代艺术联展、表情与状态、中国影像绘画展、距离·广东美术馆当代艺术邀请展、蓝天不设防；2002年自言自语、中国新影像展、桥·当代艺术邀请展、演义·捏造·复制、现象、创库展；2001年知识就是力量；1999年当代中国艺术展；1998年对于存在的惊奇、在城市中—开放的自我；1997年中国艺术大展·当代油画艺术展·当代油画艺术展。

The ceramics culture of Chinese traditional arts and crafts enabled those ceramists from all over the world to conquer the language barrier and racial difference. In that way, the telepathy has been seen among them.

三十三位陶艺家尽管语言不通、肤色不同，但是中国传统工艺美术的壶艺文化让&五大洲&的陶艺朋友们之间&心有灵犀一点通&。

Shushu, fangji, a main academic field in the Pre-Han period, therefore stands on a prominent status in the ancient culture of China.

在《汉书·艺文志》中，数术、方技略与六艺、诸子、诗赋、兵书略并列，是汉以前学术大宗，在中国古代文化领域占有突出的地位。

Shushu, fangji, a main academic field in the Pre-Han period, therefore stands on a prominent status in the ancient culture of Chin...

在《汉书·艺文志》中，数术、方技略与六艺、诸子、诗赋、兵书略并列，是汉以前学术大宗，在中国古代文化领域占有突出的地位。

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。