色泽的

It was suggest that the yield of tobacco in unit area was significant increasing and the quality was improved along with the altitude increase in Liuyang tobacco area. The tobacco leaves production at the place where the altitude from 400 meter and 900 meter was propitious to postpone the bearing period and growth and development of tobacco plants. It was the base of maturation endurance and could advance the tobacco leave maturation degree of all parts of tobacco plant. And it could hasten the orange tobacco leave ratio of the whole tobacco plant. It was boosted leaves unwrapping of top tobacco plant and the statuses of tobacco leaves, especially the top leaves, were significantly improved. The tissue structure of all parts leaves on tobacco plant were more loosen and the colour and luster of tobacco leaves was more vivid. The nicotinamide content in top leaves were digressive at a certain extent, on the contrary, the contents of the reductive sugar and kalium were increased at different extent. At the same time, it was benefit to play down the pesticide rudimentai of tobacco leaves and increased security of tobacco leaves.

结果表明：在浏阳烟区随着海拔高度的增加，单位面积烟叶的产量有着明显的增加，烟叶质量也有一定程度的改善；在海拔400—900m的地方进行烟叶生产，有利于延长烟株大田生育期，有效缓解浏阳烟区7、8月份的高温逼熟现象，有利于烟株的生长发育，为养好烟株的耐熟性打下良好的基础、促进各部位烟叶成熟度的提高；同时可以有效的促进烟株各部位橘黄烟叶比例的上升，对上部烟叶的开片也有着明显的促进作用，烟叶身份特别是上部烟叶的身份得到明显的改善，各部位烟叶组织结构更加疏松，烟叶色泽更加鲜亮；上部烟叶烟碱含量在一定程度上有所降低，各部位烟叶还原糖、钾含量有着不同程度的增加烟叶香气特征更加明显；香气量有一定程度的增加，吸位更加醇和、余味舒适；同时也有利于减少烟叶的农药残留量，提高烟叶的安全性。

Through see much of a beautiful girl's son, is busy at the chat, or beat the time of poker at the other people, hope cornfield lonesomely, or devote one's mind ground to looking at those trees of wayside, the shape is each different leaf, having of the color and luster is fresh and bright, having of withered Huang dreary, but is a similar veins and arteries clear, the veins is clear, embellishing full the tree trunk of summer, leaf of cleft, cover up not to live birds twitter, hide not to live a familiar story, acquaint with of person, be like right against the face damp but tiny and cool breeze.

经常看到一个美丽的女孩子，在别人忙着聊天，或者打扑克的时候，寂寂地望着麦田，或者专注地看着路边的那些树，形状各异的的叶，有的色泽鲜亮，有的枯黄黯淡，却是一样的经络分明，纹理清晰，缀满了夏天的树干，叶的间隙，掩不住鸟啼，藏不住熟悉的故事，熟悉的人，像迎面而来潮湿而微凉的风。

My lady's fairy-like embroideries of lace and muslin, rainbow-hued silks, and delicately-tinted wools littered the luxurious apartment; while the looking-glasses, cunningly placed at angles and opposite corners by an artistic upholsterer, multiplied my lady's image, and in that image reflected the most beautiful object in the enchanted chamber.

爵士夫人的绣得极美的镶着花边的轻纱，七彩纷呈的丝绸，色泽文雅的羊毛织物，在奢华的套间里丢得到处都是；而镜子则由懂得艺术的房间装磺者巧妙地以一定的角度安排在相对的角落里，从而增添了爵士夫人的图像，并在图像里反映出这迷人房间里最美丽的倩影。

The skillful application of various materials and the updating of the treatment approaches become a new form of expression as well as one factor enlightening the artist: the painting pigment for Zangzuxiangba adopts the natural ores and plant raw materials which is produced on snow-covered plateau and characterized by pure color, high quality, good light fastness, strong weather resisting property, fast coloring and gorgeous but not ordinary hue; the paper for Zangzuxiangba is Tibetan paper taking radix stellerae chamaejasmes and agilawood produced on snow-covered plateau as raw materials and manually manufactured by scores of procedures, thus having such properties as corrosion protection, mothproof property and dampproof property.

同时，藏族祥巴在颜料和用纸应用上也不断探索和创新，其对各种材料的巧妙应用和处理手法的更新，不仅成为一种新的表现形式，也成为启迪艺术家创作灵感的因素之一：藏族祥巴的绘画颜料采用产于雪域高原的天然矿、植物原料，色泽纯正、品质优异，耐光极佳，耐候性极强，具有色彩历久不褪、色相艳而不俗的特点；藏族祥巴的用纸是用产生高原雪域的瑞香狼毒、沉香等为主要原料，经数十道工序手工制作而成的藏纸，具有防腐、防蛀、防潮的特性。

When those days elapsed, adidas classic's theme is based on Playground. Adida Classic is known for its cloth's color and chidren's clothes. Its main color is infused with 1993 Old Millfun. When rotating Trojans, slides and clover ice cream inadvertently arouse childhood memories, playful avant-garde artists such as Delaware, Bob Foundatio, MEWE, Markus Hofko and Gaston Caba also attended the exhibition. Markus Hofko and Gaston Caba are taking photos and clipping video slips for the exhibition while artists expressed their creative ideas through the design of adidas Originals by Diesel. Adidas fully completely neglected the atmosphere of the current mainstream fashion enabling the guests to play to the core.

就在童年的一切在步履匆乱的时代似乎将要被掩埋，adidas三叶草经典系列以『游乐场』为主题，凭借五彩斑斓的色泽及童趣十足的线条为1933 老场坊原本冷色调的空间注入了一派生机盎然而又童趣十足的玩乐意味――当旋转木马、滑梯与三叶草冰淇淋不经意间唤起童年的记忆，更有童心未泯的前卫艺术家Delaware、Bob Foundation、MEWE设计联盟、Markus Hofko和Gaston Caba等为今次派对所特别拍摄的视频短片及摄影作品点缀其间，而艺术家们亦在adidas Originals by Diesel牛仔裤的设计中表现出了个性张扬的创意思考……adidas完全抛却了时下主流时尚派对过于凝重的气氛，令嘉宾们忘情而轻盈地玩耍其间。

Therefore, I selected when high-quality real estate such as Red Sorghum grain with five Cynomorium, Chinese wolfberry, red dates and Stephen Son Bay underground springs, thebrewed wine, especially wine Cynomorium series, with its pure taste; superior efficacy; bright color; overflowing aroma; unique effect by consumers.

因此，我公司选用当地产的优质红高粱等五种粮食配以锁阳、枸杞、红枣和泉子湾的地下泉水，酿制的纯粮原酒，特别是锁阳系列酒，以其纯正的口感；上乘的功效；清亮的色泽；四溢的香气；独特的疗效，受到了消费者的青睐。

Sweet rose,whose hue angry and brave,Bids the rash gazer wipe his eye,Thy root is ever in its grave,And thou must die,Sweet spring,full of sweet days and roses,A box where sweets compacted lie,My music shows ye have your closes, And all must die,Only a sweet and virtuous soul,Like season''''d timber,never gives;But though the whole world turn to coal.

美丽的玫瑰，色泽红润艳丽，令匆匆而过的人拭目而视，你的根永远扎在坟墓里，而你必须消逝。美妙的春天，充满了美好的日子和芳香的玫瑰，如一支芬芳满溢的盒子，我的音乐表明你们也有终止，万物都得消逝。唯有美好而正直的心灵，犹如干燥备用的木料，永不走样。

Our eyes evolved to tease aprat not the monotonous grays of city scapes but subtle gold, olive, and burgundy hues that signaled ripe fruit and tender leaves, and our brains to reward our sensory efforts with feelings of deep pleasure.

我们的眼睛是为了区分微妙的代表成熟的果实与柔软的树叶的金，橄榄，葡萄酒的色泽而进化，而非为了城市中单调灰暗的立柱。而我们的大脑则以发自内心的愉悦回报我们感官的努力

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。