色情作品

The bag contains the has artistic value literature of pornographic content, work of art not to count bawdy goods.

包含有色情内容的有艺术价值的文学、艺术作品不视为淫秽物品。

In Deng Jianjin's recent work Why Does The Sunset Make Us So Beautiful, we still can see the violence and the hidden bloodiness, but the romance firstly came out in his screen. This brutal and erotic romance different from Adolescent made Deng Jianjin accomplish his break.

邓箭今最近的作品《夕阳为什么让我们如此美丽》虽然依旧可以看到暴力和隐藏的血腥，但浪漫的情色第一次出现在了他的画面中，这种有别于《青春期》残酷色情的浪漫情色，使邓箭今完成了他的突围。

His chief disciple and friend, Boccaccio (1313-75), was honoured in his lifetime not for his erotic and lewd, though elegant and clever,"Decameron"(by which, however, posterity remembers him), but for his Latin works which helped to spread Humanism.

他的首席弟子和朋友，薄伽丘（ 1313至1375年），很荣幸在他有生之年，他没有色情和淫秽，但优雅和聪明，"十日谈"，但对於他的拉美作品帮助传播人文精神。

His photographs were highly stylised essays in erotica? with the spectator cast as voyeur.

他的摄影作品是高度风格化了的色情创作，观众则扮演了窥淫癖的角色。

Most of his early works relate to eroticism, peep and narcissism.

他的早期作品大多与梦境和色情有关，与偷窥和自恋有关。

Leslie Fiedler,"Isaac Bashevis Singer; or The American-ness of the American Jewish Writer, in Critical Essays on Isaac Bashevis Singer, p.

他指出对犹太文学已有的体系而言……辛格在作品中似乎对神鬼和色情描写得太多，他的作品根本就不能被称作'犹太'文学。

Even though Deng Jianjin's early paintings were related to dreams, love, sex, pornography, peeking, and self-absorption, they provided no entertainment at all. Instead they gave a representation of exaggerated, dead serious, and even overcorrect individual heroism. They bore the historical baggage of China's 5000 years of civilization and all the suffering and oppression of Chinese people in modern Chinese history. They were a diligent and honorable means of salvation.By the end of 1990s, Deng Jianjin's series 'About the Witness's Dreams' continued to carry on his signature style of being 'expressive' and 'intimate', but cynicism and jokes had also started to prevail among his paintings heavy in colors and opened up a way out for 'sentimental youth' and 'heavy-hearted moods'. Ever since then, Deng Jianjin has obtained a sense of uninhibited freedom and been able to let his thoughts flow on this paintings.

邓箭今的早期作品虽然与梦境有关，与情色和色情有关，与偷窥和自恋有关，但却毫无娱乐性，是一种放大了的、极其严肃的、甚至是矫枉过正的个人英雄主义写照，它背负着五千年文明的历史包袱和近现代中国人民的所有压抑和苦难，是一种花大力气的、正派的拯救的方式。90年代末，邓箭今在《有关目击者的梦境》系列中，虽然延续了他一贯的"表现"和"私密"的话语风格，但是调侃和玩笑之风开始盛行于色彩拥挤的画面，并为"感伤的青春"和"忧心重重的情怀"开启了一扇透气的风门，从此，邓箭今游刃有余，思想得以自由穿行。

She is not in the washroom and then stopping, because it is finally his own point of view that he cares about and not hers, and with this firmly in mind, and a light, confident step, such as you might find in the works of Bulwer-Lytton, he enters the space she occupies so prettily and, taking her by the hand, proceeds to tear off the stiff white hospital gown (but no, we cannot have that kind of pornographic merde in this majestic and high-minded sentence, which will probably end up in the Library of Congress)(that was just something that took place inside his consciousness, as he looked at her, and since we know that consciousness is always consciousness of something, she is not entirely without responsibility in the matter) so, then, taking her by the hand, he falls into the stupendous white puree of her abyss, no, I mean rather that he asks her how long it has been since her last visit, and she says a fortnight, and he shudders, and tells her that with a condition like hers (she is an immensely popular soldier, and her troops win all their battles by pretending to be forests, the enemy discovering, at the last moment, that those trees they have eaten their lunch under have eyes and swords)(which reminds me of the performance, in 1845, of Robert-Houdin, called The Fantastic Orange Tree, wherein Robert-Houdin borrowed a lady's handkerchief, rubbed it between his hands and passed it into the center of an egg, after which he passed the egg into the center of a lemon, after which he passed the lemon into the center of an orange, then pressed the orange between his hands, making it smaller and smaller, until only a powder remained, whereupon he asked for a small potted orange tree and sprinkled the powder thereupon, upon which the tree burst into blossom, the blossoms turning into oranges, the oranges turning into butterflies, and the butterflies turning into beautiful young ladies, who then married members of the audience), a condition so damaging to real-time social intercourse of any kind, the best thing she can do is give up, and lay down her arms, and he will lie down in them, and together they will permit themselves a bit of the old slap and tickle, she wearing only her Mr.

然后阻止，因为到最后那是他自己的关心的观点而不是她的，在他的脑子里根深蒂固，他自信地走了一步，这就像你也许会在布尔沃？里顿的作品中看到的一样，他进入兴高采烈地进入她占有的空间，抓住她的手，开始撕开他白色僵直的病号衣（但是我们没有在他冠冕堂皇的充满智慧的语句中发现那种带有色情的废话，那也许会在国会图书馆中绝迹）（在他的意识中有一些东西正在被替代，当他看她的时候，就如我们知道的意识始终是意识，她在这个事情中不是完全没有责任的），所以，然后抓起她的手，他掉进了她深渊的巨大白色水中，不，我想他问她自从她上回来已经多久了，她说有两个星期了，他战栗着告诉她她现在的情况（她是一个非常受欢迎的女兵，她的部队通过埋伏在森林里赢得了所有的战斗，在最后的时刻敌人发现了，那些他们吃掉他们午餐的树有了眼睛和剑）（这使我想起了一八四五年罗伯特？乌丹的演出，叫做《奇幻橘子树》，在其中罗伯特？

All of these factors shaped the thinking of him. In his early works, there were themes and symbols he had put into use continuously, such as the weird figure with an official hat, then big beard Marx who also symbolized academic authority in the duration of his study and pretty woman dressed erotically, and so on.

在早期作品中出现的戴官帽的怪物，以及之后长着大胡子的马克思（同时也是他学艺期间学术权威的形象象征），以及色情装扮的美女，等等，在他很多作品中都作为重复运用的主题和符号而出现。

Mr. Fitzgerald's examples of who could possibly be covered under the bill -- terrorists, child pornographers, gang members and spies -- are far-fetched.

我们不同意 Fitzgerald 先生所列举的牵强附会的例子，包括恐怖主义者、儿童色情作品制作者、黑帮分子以及间谍，这些人应该能够被置于该法案的控制之下。

And Pharaoh spoke to Joseph, saying, Your father and your brothers have come to you.

47：5 法老对约瑟说，你父亲和你弟兄们到你这里来了。

Additionally, the approximate flattening of surface strip using lines linking midpoints on perpendicular lines between geodesic curves and the unconditional extreme value method are discussed.

提出了用测地线方程、曲面上两点间短程线来计算膜结构曲面测地线的方法，同时，采用测地线间垂线的中点连线和用无约束极值法进行空间条状曲面近似展开的分析。