色彩的

Main contents of the second chapter "art words methods" are introduction of art words, basic writing skills and originality design of chinese and western characters, etc. Main contents of the third chapter "basic components of plane" are spot, strokes and spaces, etc. Main contents of the fourth chapter "format and rules of plane" are symmetry and balance, repitition and group tendency, rhythm and cadence, comparision and change, consonance and unification, breakthrough and variance, etc. Main contents of the fifth chapter "basic design of space of a whole page" are gridding system, visual process of space design, word editing, graph space design, etc. Main contents of the sixth chapter "color planning" are color introduction, surface color system, color and visual psychology, color planning, etc. Main contents of the seventh chapter "plane advertisment design" are newspaper and magazine advertisment design, outdoor and POP advertisment design, etc.

第二章"美术字技法"的主要内容有美术字概说、中外文字体的基本写法、中/外文字体的创意设计等；第三章"平面构成的基本要素"的主要内容有造型基本要素如点、线、面等；第四章"平面构成的形式法则"的主要内容有对称与平衡、重复与群化、节奏与韵律、对比与变化、调和与统一、破规与变异等；第五章"基础版面设计"的主要内容有网格系统、版面设计的视觉流程、文字编排、图形的版面设计等；第六章"色彩计划"的主要内容有色彩概论、表色体系、色彩与视觉心理、色彩设计等；第七章"平面广告设计"的主要内容有报刊广告设计、户外广告设计、 POP 广告设计等。

Colour wants downy: The colour both neither of the study wants too boast eye, should not be too dim again, and ought to take downy and tonal polychromy.

色彩要柔和：书房的色彩既不要过于耀目，又不宜过于昏暗，而应当取柔和色调的色彩装饰。

The second part is the key of this paper. The author focuses on making an induction of expressive skills, cognitive process and beauty appreciation changes on color language in western painting in different periods, from primitive society to the ancient Greece, from Middle Ages to Renaissance, from the 17~ and 19~ century to the 20~ century. At the same time, the author makes a comparison between the typical works of typical artists and analyses the typical color language and its expressive approach. In addition, the author brushes the evolution relationship contained in color, such as symbolism, decoration, mitation, abstract and expressiveness of language, with the purpose of displaying the main features of color language in different periods and discovering the evolution relationship , its necessity and sequence.

其次，本文重点归纳总结了西方美术史各阶段，包括原始社会、古希腊到中世纪、文艺复兴、十七至十九世纪直至二十世纪绘画色彩语言的表现技巧和认知过程及审美嬗变，在此基础上纵向比较了以上各阶段典型画家的典型作品中的色彩语言和表现方法，并对西方绘画中具有象征性、装饰性、模仿性、抽象性和表现性的色彩语言及其演进关系也进行了纵向逻辑梳理，从而归纳出各个时期绘画色彩语言的基本特点及其历史演进的必然性和秩序性。

The sea nettle,, for example, often has an orange or light brown coloring, octopus jellyfish have a blue or gray tint,, and the lion's mane jellyfish has a golden tint to it is like its namesake.

例如，海荨麻常常具有橙色或浅褐色色彩，章鱼海蜇具有蓝灰色色彩，狮于鬃海蜇就像它的名字一样具有金黄色的色彩。

The third part is conclusion. Through the above-mentioned exploration and study as well as the reality of color language shunt in the situation of multi-culture, the author utters his own voice towards Chinese artists" individual choice and developing space. That is to say, how do they understand the spontaneousness, consciousness and freedom of color language evolution from the perspective of artist"s subjectivity--possessing and employing his own feelings, affections and imagination.

最后，根据以上探索和研究，结合中国当代色彩画家在多元文化语境下所面临的色彩语言的现代转型问题，从作为主体人的感觉、情感和想象等人文立场上来认识色彩语言演进的自发性、自觉性与自由性，从而提出当代中国色彩画家的个性化选择与精神关照的发展空间。

Through traditional Chinese painting study in the period of University and oil painting art study in the period of graduate student for 3 years, I seriously compared and studied the colouration between traditional Chinese painting and oil painting, I think, no matter what tradition Chinese painting is or oil painting, colouration as an art form in Chinese-the West culture systems has many difference in different history stages, their painting concept is different.

通过在大学时的中国画学习和三年研究生阶段对油画技法及创作艺术的研习，对中西绘画的色彩观进行了认真的比较研究，我认为在色彩上无论是中国画还是油画，作为中西两种不同文化体系中的艺术形式，其色彩观念上有许多不同之处，在不同的绘画历史阶段，他们的绘画色彩观念也并不一样。

City flower, the rhododendron, as the logo carrier, circumrotates its leaves and unites, that expresses the young, energy, change, international atmosphere, and displays the harmonious characters of multi-cultures and international information union.

同时以新颖、活跃的色彩与个性的表现手法来体现&新媒体&这一行业特征。绿色将作为公司对外形象的主导色彩，而其他色彩则作为网络栏目的色彩应用于网站的建设中。

In the early research, HSV color space is considered to be uniform with human's vision model. Along with the analysis of HSV space, we find the uniform is limited and propose a new quantization method, which is more reasonable to human's vision model. Without decreasing the retrieval performance, the scheme non-uniformly quantizes the color space into 36 bins. Because the quantization result has only 36 bins, the computational complexity is decreased effectively while the performance increases. Relevance feedback is an interactive technique in the process of CBIR.

在以前的研究中，一直认为HSV色彩空间与人的视觉感知是一致的，本文通过对HSV色彩空间非等间隔量化的研究，发现这种一致是有限的，通过对HSV色彩空间的分析，本文对相似色区域的划分提出了从视觉上更合理的不等间隔的量化方法，使其更符合人的主观视觉模型，并且在不降低检索性能的前提下，使色彩量化为36种颜色，有效地降低了算法复杂度，提高了检索效率。

With the characteristics of being unified and distinguished, traditional Chinese color has formed the auspicious connotation and bright-colored appearance.

根据时代的不同，中国传统色彩可分为原始社会的宗教图腾色彩、封建社会的政治伦理色彩和近代的民俗吉祥色彩。

Indoor colour is divided outside producing an effect to visual environment, return the mood that can affect people directly, mentation, scientific use colour is helpful for happy job, conduce to the health of body and mind, if colour designs a success, so interior atmosphere is perfect, if colour designs failure, so also cover interior integral design to stay to this have many regrets.

室内的色彩除对视觉环境产生影响外，还会直接影响到人们的情绪、心理状态，科学的使用色彩有利于愉快的工作，有助于身心的健康，假如色彩设计成功，那么室内的气氛就完美了，假如色彩设计失败，那么也就给这套室内的整体设计留有不少遗憾。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。