色彩的

The color research range is concluded from the viewpoint of vision art, including the color of paint or sketch from nature, decorative color, and color composing, which make different chromatics of three emphases.

从视觉艺术的角度对色彩研究范围进行归纳，将色彩学归纳为：写生色彩、装饰色彩、色彩构成三种侧重角度不同的色彩学。

On the way, By giving the example as the names of the thing (such as silk silks etc.) with color and the basic colorific phrase associated with it, this text demonstrated a fact that the basic colorific phrases were evolved from the names of the thing that include the color, under the function of the come from the method that is borrowing the thing assumes the color, and expatiated the condition of the basic colorific phrase in Chinese language. Take the synthesize colorific phrase implied compliment or dispraiser as an example, explained the imagism of Chinese thought method how to influence the synthesize the colorific phrase, and do it by taking the food, metals and nature scenery makes the ratio at other Chinese thought method that is take shape to analogy as too. It expatiated the influence that the Han ethnologic culture result in the acceptation of the colorific phrase, pass on analyze the diverse the diverse metaphor meanings of colorific phrase and the opposite phenomenon of acceptation among them of, and the colorific etyma metaphor of "yellow","vermilion","purple","blue","green" and "white", under the premise that distinct the different between themetaphor meanings of colorific phrase and colorific etyma metaphor.

由此本文通过例举有色彩含义的事物专有名称及相应的基本色彩词，分析了基本色彩词是在"借物呈色"思维方式的影响下，由有色彩含义的事物专有名称演变而来的事实，并阐述了汉语基本色彩词的状况；以含有褒扬、贬抑语义的合成色彩词为例说明了汉民族"意向性"思维方式对合成色彩词的影响，以取食物、金属、自然界景物作比的合成色彩词为例说明了汉民族"取象类比"思维方式对合成色彩词的影响；在区分色彩词隐喻意义与色彩语素隐喻意义的基础上，通过分析色彩词的多元隐喻意义及其中的语义对立现象，并分析"黄"、"朱"、"紫"、"青"、"绿"、"白"等色彩语素的隐喻意义，阐述了汉民族文化对色彩词语义的影响。

Color difference research is important for industrial applications such as tolerance control, assessment of metamerism and color constancy, color fidelity evaluation of different color reproduction systems and a uniform color space for industrial design.

色差研究在工业界应用是非常重要的，诸如色彩容许误差控制、色彩恒常及条件等色评价、不同色彩复制系统之色彩逼真性评估及提供工业设计界一个均匀色彩空间。

This subject try to search after the use of color art in the field of modern landscape design from the standpoint of color psychology, color physiology, color geography , vision feeling , environmental psychology , bionomic, landscape engineering ,etcetera correlative study , so as to find out how to make use of color art to enhance peoples' heath , how to improve the efficiency of life and job , and how to promote the city's character and quality ; and try to bring forward some idea and suggestion for the principle and method in the design of modern color landscape , and also refer to how to enhance the own designer's ability of color design in landscape field.

该文力求在环境景观设计中探索色彩应用艺术，从色彩心理学、色彩生理学、色彩地理学、视知觉、环境心理学、生态学、园林工程学等方面探讨在新时期如何合理地利用色彩来创造有利于人向身心健康、有利于提高人们工作生活效率、有利于提升城市特色和品质的现代生态性景观色彩环境；并对当代环境景观彩色设计的原则和方法以及景观设计师如何提高自身的色彩设计水平提出了一些想法和建议。

We demonstrate that basic discriminating color words have some semantic changes at word-formation level and have two basic expressive functions (the discrimination of color and the description of color) at syntactic level; they also can designate color in certain contexts, but have some syntactic restrictions and markings. We also demonstrate that designative color words have two basic expressive functions at syntactic level: the designation of color and the discrimination of color, and they can also describe color in certain contexts; and that descriptive color words only have expressive function of describing color at syntactic level.

指出基本辨色词在构词层面存在着语义变异，在句法层面的基本表达功能是分辨色彩和描绘色彩，指称色彩时有句法限制和形式标记；指色词的基本表达功能是指称色彩和分辨色彩，描绘色彩时有句法限制和形式标记；描色词的基本表达功能是描绘色彩，不能指称色彩，一般也不用作分辨色彩。

The theories of the quantified representation of color vision, the color space, the color reproduction and the color vision model, all of which are the foundations of color management, are studied. The dimension of color space and the problem of current uniform color space are discussed. A survey of the techniques related to print color reproduction is given.

本文研究了色彩管理的基础理论，包括颜色视觉的量化表示、色彩空间、色彩再现、颜色视觉模型，讨论了目前均匀色彩空间的问题和色彩空间的维数，对现有的打印色彩再现算法进行了综述。

On the way, By giving the example as the names of the thing (such as silk silks etc.) with color and the basic colorific phrase associated with it, this text demonstrated a fact that the basic colorific phrases were evolved from the names of the thing that include the color, under the function of the come from the method that is borrowing the thing assumes the color, and expatiated the condition of the basic colorific phrase in Chinese language. Take the synthesize colorific phrase implied compliment or dispraiser as an example, explained the imagism of Chinese thought method how to influence the synthesize the colorific phrase, and do it by taking the food, metals and nature scenery makes the ratio at other Chinese thought method that is take shape to analogy as too. It expatiated the influence that the Han ethnologic culture result in the acceptation of the colorific phrase, pass on analyze the diverse the diverse metaphor meanings of colorific phrase and the opposite phenomenon of acceptation among them of, and the colorific etyma metaphor of "yellow","vermilion","purple","blue","green" and "white", under the premise that distinct the different between themetaphor meanings of colorific phrase and colorific etyma metaphor.

由此本文通过例举有色彩含义的事物专有名称及相应的基本色彩词，分析了基本色彩词是在&借物呈色&思维方式的影响下，由有色彩含义的事物专有名称演变而来的事实，并阐述了汉语基本色彩词的状况；以含有褒扬、贬抑语义的合成色彩词为例说明了汉民族&意向性&思维方式对合成色彩词的影响，以取食物、金属、自然界景物作比的合成色彩词为例说明了汉民族&取象类比&思维方式对合成色彩词的影响；在区分色彩词隐喻意义与色彩语素隐喻意义的基础上，通过分析色彩词的多元隐喻意义及其中的语义对立现象，并分析&黄&、&朱&、&紫&、&青&、&绿&、&白&等色彩语素的隐喻意义，阐述了汉民族文化对色彩词语义的影响。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

Product color intelligent design and optimization techniques based on genetic andimmunity theory This paper introduces genetic and immunity theory into PCID study, establishes a genecoding principle based on product subassembly, constructs a fitness function of colorschemes according to SCCA model, applies genetic and immunity algorithm to simulate theradiation and convergence process of MT, at last it builds a product color design model.Experiments prove that this method can design and optimize color schemes on its own.

5基于遗传与免疫理论的产品色彩方案生成与优化技术把基因遗传和生物免疫理论引入产品色彩智能设计中，提出以产品组件为基本进化单元的基因编码方法，根据形色耦合美度模型构造了色彩方案适应度函数，综合应用遗传算法与免疫算法模拟色彩设计复合思维的发散和聚敛过程并构建了色彩创新模型，算例表明该模型能解决产品色彩方案的自动生成与优化问题。

Structure from the color film color tone, the characters dress clothing color, color characteristics of the space environment, space scenes color composition, the special atmosphere of landscape color, lens color screen and docking between the conversion and so on with the research and exploration.

从色彩结构、影片色彩基调、人物化装服装色彩、空间环境色调特征、场景空间色彩构成、特殊景观色彩气氛、镜头画面之间的色彩对接与转换等多方面进行研究与探索。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。