色彩

Firstly,puts both a reference image and a target image to an orthogonal color space,computes their color distributions.Then imposes color characteristics of reference image on target image to generate novel image.

先将图像变换到正交的色彩空间，然后根据图像的色彩信息统计值，将参考图像的色彩迁移至目标图像中，使生成的新图像具有参考图像的整体色彩特征。

Main contents of the second chapter "art words methods" are introduction of art words, basic writing skills and originality design of chinese and western characters, etc. Main contents of the third chapter "basic components of plane" are spot, strokes and spaces, etc. Main contents of the fourth chapter "format and rules of plane" are symmetry and balance, repitition and group tendency, rhythm and cadence, comparision and change, consonance and unification, breakthrough and variance, etc. Main contents of the fifth chapter "basic design of space of a whole page" are gridding system, visual process of space design, word editing, graph space design, etc. Main contents of the sixth chapter "color planning" are color introduction, surface color system, color and visual psychology, color planning, etc. Main contents of the seventh chapter "plane advertisment design" are newspaper and magazine advertisment design, outdoor and POP advertisment design, etc.

第二章"美术字技法"的主要内容有美术字概说、中外文字体的基本写法、中/外文字体的创意设计等；第三章"平面构成的基本要素"的主要内容有造型基本要素如点、线、面等；第四章"平面构成的形式法则"的主要内容有对称与平衡、重复与群化、节奏与韵律、对比与变化、调和与统一、破规与变异等；第五章"基础版面设计"的主要内容有网格系统、版面设计的视觉流程、文字编排、图形的版面设计等；第六章"色彩计划"的主要内容有色彩概论、表色体系、色彩与视觉心理、色彩设计等；第七章"平面广告设计"的主要内容有报刊广告设计、户外广告设计、 POP 广告设计等。

It describes the color characteristic of device accurately through constructing the geometric model and builds gamut mapping model in the section plane of gamut by dissecting. The improvement of image characteristic obtaining at real time satisfies the application and supports the adaptive gamut mapping. The sampling and visualization of sample set in different color space show the optic difference and give the error analysis of the color conversion between them. Based on the study of the color relation among the color spaces, the visualizing color can be created automatically with conversion formulas.

该工具在获取彩色输入／输出设备彩色特性的基础上，通过构建几何模型对设备色域进行了精确描述；利用对色域的剖分操作，构造基于剖面的色域匹配模型；通过改善图象彩色特性获取的实时性，使其能有效获取图象源的特征并满足色彩管理的应用需求，支持了自适应色域匹配；对不同色彩空间样本的采集和对比显示有效体现了色彩的视觉差别，并提供了它们之间转换的误差分析；在探究不同色彩空间的颜色对应关系的基础上，实现了可视化的真彩颜色的自动生成，使可视化颜色更加逼真。

In pen and ink color on stress: 1, abundant technique, intensity, or infiltration solemn, or Kuse fast disease, or center, or the inverse front, side or front, or drag pen, or casual T. 2, multi-level Mexican law changes (5 6 ink color - Coke, thick, heavy, light, the color-plus paper), or plot Mexico, Mexico or broken, or Pomo. 3, with the color categories to give emotional color, such as color, and stress Mexican gas, calmly (ink color to the main bone and exercise Dancai) and Meticulous re-Cai.

在笔墨色彩上讲究：1、笔法丰富、有力度，或浸润凝重、或枯涩快疾；或中锋、或逆锋、或侧锋、或拖笔、或散笔。2、墨法多层次的变化（五墨六彩——焦、浓、重、淡、清加上纸的颜色），或积墨、或破墨、或泼墨。3、色彩为随类赋彩等感性色彩，讲求墨气、沉着（色彩以墨骨为主，施以淡彩）并有工笔重彩。

The second part is the key of this paper. The author focuses on making an induction of expressive skills, cognitive process and beauty appreciation changes on color language in western painting in different periods, from primitive society to the ancient Greece, from Middle Ages to Renaissance, from the 17~ and 19~ century to the 20~ century. At the same time, the author makes a comparison between the typical works of typical artists and analyses the typical color language and its expressive approach. In addition, the author brushes the evolution relationship contained in color, such as symbolism, decoration, mitation, abstract and expressiveness of language, with the purpose of displaying the main features of color language in different periods and discovering the evolution relationship , its necessity and sequence.

其次，本文重点归纳总结了西方美术史各阶段，包括原始社会、古希腊到中世纪、文艺复兴、十七至十九世纪直至二十世纪绘画色彩语言的表现技巧和认知过程及审美嬗变，在此基础上纵向比较了以上各阶段典型画家的典型作品中的色彩语言和表现方法，并对西方绘画中具有象征性、装饰性、模仿性、抽象性和表现性的色彩语言及其演进关系也进行了纵向逻辑梳理，从而归纳出各个时期绘画色彩语言的基本特点及其历史演进的必然性和秩序性。

Color design includes color pages from the main color, secondary color such as color selection and color contrast to reconcile processing means.

色彩的设计包括从页面色彩的主色、辅色等色彩的选用及对各种色彩间处理的对比调和手段。

The third part is conclusion. Through the above-mentioned exploration and study as well as the reality of color language shunt in the situation of multi-culture, the author utters his own voice towards Chinese artists" individual choice and developing space. That is to say, how do they understand the spontaneousness, consciousness and freedom of color language evolution from the perspective of artist"s subjectivity--possessing and employing his own feelings, affections and imagination.

最后，根据以上探索和研究，结合中国当代色彩画家在多元文化语境下所面临的色彩语言的现代转型问题，从作为主体人的感觉、情感和想象等人文立场上来认识色彩语言演进的自发性、自觉性与自由性，从而提出当代中国色彩画家的个性化选择与精神关照的发展空间。

At present , the digital color management has been adopted in printing to describe the color characteristic for each step of the whole workflow. It's the best choice to realize the color rendering veritably , and the precondition and base is to make sure that the color data is exact and has high precision.

目前采用数字化的色彩管理，对生产流程中各生产环节进行色彩特性的描述，是实现色彩准确再现的最好方法，而其前提与基础是色彩测量数据的准确性。

Under the influence of all these techniques and forms mentioned above, Syncretic painting depicts realistic, exquisite, complanate and flamboyant particularity.

中国绘画的装饰性色彩与西洋绘画的写实性色彩相结合，在描绘物象固有色彩的基础上，淡化了中国绘画色彩类型化的特征，效果更加丰富、浓郁。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是：立足于色彩绘画，分别从&色彩&、&水墨&两个角度出发，先对它们在中国古代画史论著中作一考证；分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路；着重分析色彩绘画中心&失落&亦即&水墨之变&的原由；及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。

The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

采用不同浓度K2CrO4(0，0.4，0.8和1.2 mmol/L)的Hoagland营养液处理黑麦幼苗，测定铬在黑麦体内的亚细胞分布、铬化学形态及不同部位的积累。

By analyzing theory foundation of mathematical morphology in the digital image processing, researching morphology arithmetic of the binary Image, discussing two basic forms for the least structure element: dilation and erosion.

通过分析数学形态学在图像中的理论基础，研究二值图像的形态分析算法，探讨最小结构元素的两种基本形态：膨胀和腐蚀；分析了数学形态学复杂算法的基本原理，把数学形态学的部分并行处理理念引入到家实际应用中。