至高

And they remembered that God was their rock, And the Most High God, their Redeemer.

78：35 他们也追念神是他们的磐石，至高的神是他们的救赎主。

Some are stripped because of declining popularity – few today are skilled roque players but it was a 1904 Olympic event.

若非查经据典的一番考证，陡然让人难以将之与奥运这一至高国际赛事联系在一起。

I have no other refuge, the Sangha is my foremost refuge

我别无依止，僧伽是我的至高依止

The obesity of Qu's figures is also suggestive. Overweight figures with stereotypic Chinese facial characteristics have expressively represented the insignificant multitude, and their intolerable mediocrity is an irony of the divinity they believe in. Such a sardonicism has existed in both the eastern and western worlds for a long time, but the artist did not merely appropriate it, instead, he transforms it .

另一方面，臃肿造型在瞿广慈作品中起了极大作用，臃肿且具有中国五官特色的人物是一种象征，是一中国人的标签，是将凡俗领域中的平庸推到极致的表现，是嘲笑神性领域至高性的无情揶揄；隐藏在这些丰厚人体后的尖锐讽刺，奠基于东西方历史中以存有的文本，但却不是单纯的印象复制，而是艺术家经过省思后的形式再造。

It seems to be the utmost happiness to live in seclusion by traditional thoughts.

隐逸的生活似乎在传统意识中一直被认为是幸福的至高境界。

In the Seleucid era (331 - 125 BCE) Anu is identified with the Greek supreme god Zeus.

在创世的史诗里面，恩利勒被告智安努如何把他的力量传给马杜克，后者在巴比伦城的繁荣日子里，逐渐成为新的至高神。

His knowledge is of the sevenfold highest ground.

与驾驶的知识是通过七个至高步骤得到的。

We know that seniority, especially in finance, is a long, hard, unglamorous slog.

我们知道，晋升至高管职位——尤其是在金融业——是漫长、艰难而乏味的旅途。

Bad man never fret the war, tell'em come general we have the stock, the mad fire burn I-ya, I against I, flesh of my flesh, and mind of my mind, two of a kind but one won't survive, my images reflect in the enemies eye, and his images reflect in mine the same time, I-ya, I-ya, I against I, flesh of my flesh, and mind of my mind, two of a kind but one won't survive, survive (x16) Reign supreme in your U-N-I, V-E-R-S-E with the sharpness, narrow row building no space for partners, no space for drivers, no space for walkers, no space regardless, your on my path then get off it, hardheaded and unresponsive, get they lives put on target with harshness, come with the canons sparkin' they darken, who am i?

坏男人从不烦恼战争， tell'em 来一般的我们有存货，疯狂的火燃烧我-ya，我反对我，我的肉肉，而且我的思想思想，类型中的二个除了一之外将不生还，我的图像在敌人眼睛中反映，而且他的图像在我的相同时间中反映，我-ya，我-ya，我反对我，我的肉肉，而且我的思想思想，类型中的二个除了一之外将不生还，生还(x16)当政你的 U-N 的至高-我，和锐利的 V-电子 R-S- E，狭窄部份排建筑提供合伙人的没有空间，提供驾驶者的没有空间，提供徒步者的没有空间，没有空间不管，你的然后在我的路径上离开它，冷静的和反应迟钝的，拿生命给他们用粗糙的事物穿上目标，带教会法规 sparkin 来'他们弄暗， i 是谁？

This desire of man to alter a 'supreme being' did not receive the approval of God.

人想改变至高存在的欲望并没有得到神的认可。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。