自足

The part two is to analyse the three methods that was used to created the artistic conception in the mountain-water and pastoral poetry of Tang Dynasty: the aesthetic excitement got in present ,the building of an independent and complete new world,the method of time to control space and the immanentism of space .

第二部分分析唐代山水田园诗创造"时空合一"的艺术意境的方法，即它的三个时空特点：一、"当下即得"的审美感兴；二、建构自足完满的新世界；三、以时统空和空间内在化。

The Incompleteness Theorem states that any consistent mathematical theory must contain one or more premises that cannot be proved within the theory.

哥德尔不完备定理是说：当一个演绎系统是自足的，总有至少一个或几个前提是在系统内不能证明的。

They wanted to make the study of literature ind...

他们试图赋予文学研究以独立、自足和系统的特性，即是说，建立一门可靠的文学科学。

But at the same time ,there are the rare leisureliness and quietness ,detached feeling and harmony in his personality ,which can be found good exposure in his poem ,such as"bird image"and"wine interest", expose a kind of trans–reality .

文章认为，其途径有三：其一，安时处顺、审美自足信念的思考。陶渊明对人生的苦难，对外界自然和社会环境限制人的事实都坦然地接受，但同时他又从"自然哲学"思辩的高度超越着这种苦难和束缚。

In the transition from modern to postmodern philosophies, there exists a change from mechanical body to etherealized body and finally to materialized body as far as body concerned; a change from transparent mechanical language to semitransparent life language and finally to nontransparent self-efficient language as far as language concerned; a transition from negative otherness to relative otherness and finally to absolute otherness as far as others concerned.

从近代哲学到现代哲学再到后现代哲学的过渡，就身体问题而言，存在着由机械的身体到身心统一的灵化身体再到物质性欲望身体的演化；就语言而言，存在着由透明的理想语言向半透明的生活语言再向完全不透明的自足语言的变迁；而就他者而言，存在的是从否定他性到相对他性再到绝对他性的过渡。

In his imagery world there are his thought for life and universe, beauty and ugly, review for tradition, pursue for modernness .

他的意象世界纷繁复杂又自成系统，是一个完整、自足的意象群落。

"As I said, Royal Mother of the West, nastiness comes unbidden to my mouth."

"正如我所说，西太后，那些不愉快的话是不由自足的从我嘴中说出。"

Some work directly connects to traditional Chinese art. The relationship between the portrayer of the object and the objected being portrayed is fundamentally altered. Therefore, multiple visual layers emerge. By creating a self-content painting world, this type of work reinterprets the literati paintings in the Ming and Qing Dynasties. While addressing ontological issues for painting, the work implies the elegant literati taste the artist is born with. Some works emphasize the interaction between space and traditional art materials, mechanically carrying out a repetition of a traditional scene.

参加"诗意现实：对江南的再解读"展览的近三十位艺术家的作品，我以为，也许大体可以把它们分为下面几种类型：有的直接与中国的艺术精神相续，在媒介和再现对象之间进行图像"转译"，并形成多重的视觉套层，从而建立起一个自足的绘画世界，来实现对明清文人画的重新审看和临写，在对绘画的本体问题进行实验的同时，传达自己与身俱来的优雅的文人意趣。

During the period of the Left Wing, literature psychoanalysis and sexual literature interpenetrated, achieving progress of both sexual concept based on psychoanalysis and psychoanalytical skills, realizing the consciousness of sexual concept and transcendence of skills of psychography, leading the sexual literature on the path of selfsupporting development.

"左翼"时期，精神分析与性爱文学结合渗透，获得了精神分析性爱观和精神分析技巧双重进展，实现了性爱观的自觉和心理描写技巧的超越，将性爱文学带上了自足的发展之道。

These cultural relics refiect an aesthetic tendency on pursuing history, therefore, these community residents shall be the master of their history to obtain spirit comforts psychologically.

这些馆藏文物反映一种追求历史的审美取向，因而也凸显了社区居民就是自己历史的主人，从而于心理层面也达成了精神自足。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。