自由思想的

Even though Deng Jianjin's early paintings were related to dreams, love, sex, pornography, peeking, and self-absorption, they provided no entertainment at all. Instead they gave a representation of exaggerated, dead serious, and even overcorrect individual heroism. They bore the historical baggage of China's 5000 years of civilization and all the suffering and oppression of Chinese people in modern Chinese history. They were a diligent and honorable means of salvation.By the end of 1990s, Deng Jianjin's series 'About the Witness's Dreams' continued to carry on his signature style of being 'expressive' and 'intimate', but cynicism and jokes had also started to prevail among his paintings heavy in colors and opened up a way out for 'sentimental youth' and 'heavy-hearted moods'. Ever since then, Deng Jianjin has obtained a sense of uninhibited freedom and been able to let his thoughts flow on this paintings.

邓箭今的早期作品虽然与梦境有关，与情色和色情有关，与偷窥和自恋有关，但却毫无娱乐性，是一种放大了的、极其严肃的、甚至是矫枉过正的个人英雄主义写照，它背负着五千年文明的历史包袱和近现代中国人民的所有压抑和苦难，是一种花大力气的、正派的拯救的方式。90年代末，邓箭今在《有关目击者的梦境》系列中，虽然延续了他一贯的"表现"和"私密"的话语风格，但是调侃和玩笑之风开始盛行于色彩拥挤的画面，并为"感伤的青春"和"忧心重重的情怀"开启了一扇透气的风门，从此，邓箭今游刃有余，思想得以自由穿行。

Accepting the aesthetic thought of Kant and Schiller, and Heidegger\'s artistic truth view, Marcuse points out in sensibility and morals, i.e. during people\'s the two poles present," the aesthetic dimension " is occupying the status of centre, as the soul ability of person practicing, imagine strength having function mediated and liberated to perception and reason; Aesthetic form, self-containment and truth are identical, art not merely has a function of ideology, have political latent energy criticized , denied even more, it strives for the individual\'s freedom and happiness; Aestheticsis the people\'s life style, therefore has proposed the theory of "not constraining life style", it make up one\'s mind bad smell look at latitude of "remember" emphatically really.

接受康德和席勒的美学思想，以及海德格尔的艺术真理观，马尔库塞指出在感性和道德性，即人的存在的两极之间，"审美之维"占据着中心地位，作为实践的人的心灵能力，想像力对感性和理性有着调和与解放的功能；审美的形式、自律和真理是一致的，艺术不仅具有意识形态的功能，更具有批判、否定的政治潜能，它争取个体的自由与幸福；美学是人的生存方式，"非压抑性生存方式"理论的确立意味着重视"回忆"的纬度。

And sometimes even purposedly repressed. Therefore, in this period Xinmin was more expressed in the nature of nationalism than the modern nature of individulism of nationality transformation.From Xinhe Revolution (1911) to the eve of MayFourth Movement, with the mitigation of national crisis, rapid development of the country's capital economy and intelligentsia's deeper understanding of western culture, thought about nationality transformation developed into a brandnew stage -that of Liren.

这一时期的国民性改造思想在个人与国家、民族的关系上，实现了手段与目的的根本转换，人自身，即人的生命、尊严、价值、需求成为资产阶级思想家关注的重心，他们呼吁突显&自我&，在价值观上要求以资本主义的个人本位主义取代封建的家族本位主义，在道德观念上以独立、自由、平等的资产阶级近代规范取代三纲五常的封建道德规范

University students on the one hand suffer the influence of traditional China sex debars from holding office thought, they are ignorant to sex physiology and causing perplexity of the mentality. They don't know how to protect themselves. On the other hand, they long for the freedom of Western sex liberation thought, they do as one likes and ignorant the sex moral principle.

大学生一方面受到中国传统性文化的性禁锢思想影响，由性禁锢引起的性无知表现在对性生理的无知而引起的性心理困惑及不懂得自我保护；另一方面又渴望西方性解放思潮的自由，由性解放引起的性无知表现在对性道德原则的漠视。

In the process of reprobating the formation background of Zhong Xing's literature idea and finding out the law in history, he finally found the eternal "truth" in the spiritual world, which also shows from the respective of literature and art criticism, his unique perseverance and achievement, namely, balancing the relation between the free "heart" and bound "body" in mortals.

在重新审视钟惺文学观点形成的背景并寻找其历史规律的过程中，站在文艺评论的角度突显出钟惺美学思想中与众不同的执着与超越所在，即在俗世中平衡不自由的&身&与自由的&心&之间的关系最终寻求到精神世界中不变的&真&。

Marx抯 above-mentioned thoughts were succeeded, developed and applied by Mao Ze Dong, Deng Xiao Ping etc later, who studied and analyzed man抯 essence, freedom, living and development etc under the concrete circumstances and conditions, with a combination of man抯 all-round development and china抯 objective reality and construction and considered man抯 political makings as a major point of man抯 all- round development and also advocated to cultivate generations and generations of people with all-round development of morality, intelligence and physique and with socialist consciousness in order to realize Communism, which deepens and richens the theory of man抯 all-round development.

他们在社会主义革命和建设的实践中，把人的全面发展理论同中国的具体实际和时代特征结合起来，在具体的环境和条件下研究和分析人的本质、自由、生存与发展等问题，把思想政治素质作为人的全面发展的主要内容，并提出，为了实现共产主义，必须培养一代又一代的具有社会主义觉悟的德智体全面发展的新人，从而深化和丰富了人的全面发展理论。

Did you see some of your countrymates who were supporting Tibet, they are cheated by you media and scarified by your injustice news, i hope you can understand the lie can not cover the truth, the truth eventually will come out, be shame on youself.

可笑那些所谓要自由，要 JUSTICE 的无知的人，憎恶西方 MEDIA 对中国过于 BIAS 的报告，掩盖的真相是西藏以前是，现在是，将来也一定是中国的一部分，我们没有所谓的人权问题，只是那些思想狭窄的人才会认为我们有强制压迫，政治话奥运的想法。

Everything is portrayed in the light of instinctive emotions, and the free association which takes root in memory is serving this pure language of traces as it develops.

痕迹感与联想是截然不同的两种事物，而作品中的痕迹感，又于当时的时空中凸显了儿童想象力的无限延伸，看似无厘头的堆砌，其实质是一种原生状态的自由驰骋，没有被过多地教化，没有被&文明&思想所侵蚀，一切都以一种本能的情绪去涵盖，这种孕于痕迹感中的联想情结，在其产生的过程中就服务于那种单纯以至真的痕迹语言。

If you will try to form a notion of yourself, of the sort of a something that you suspect to inhabit and partially to control your flesh and blood body, you will encounter a walking bundle of superfluities: and when you mentally have put aside the extraneous things-your garments and your members and your body, and your acquired habits and your appetites and your inherited traits and your prejudices, and all other appurtenances which considered separately you recognize to be no integral part of you,-there seems to remain in those pearl-colored brain-cells, wherein is your ultimate lair, very little save a faculty for receiving sensations, of which you know the larger portion to be illusory.

如果仅仅为了生存或单纯地为了换取身体的自由而给自己下一个连自己都无法信服的定义，这简直是画蛇添足毫无裨益。当你在思想上将一切身外之物，如衣着、亲友、肉体和后天形成的习惯、口味以及与生俱来的特质、偏见等等在你看来并非是自身必不可少的一部分而需额外费力劳心的东西，统统抛诸脑后，那么在你最后的精神家园----珍珠色的脑细胞中用来接纳感觉的空间就微乎其微了，因为你会发现所谓的感觉在很大程度上来讲只是一种幻想。

For Shen Jianhua, photograph is not restricted in its yoke of space-time reference marks, of images of a private diary, it takes at his place very an other dimension: It is a true setting in scene of its dreams, its phantasms, and its desires, suggesting at the same time the sensuality, the strange one, the unknown of the subconscious.

沈见华用摄影实现绘画的表达和艺术的愿望，给摄影一个另外的生机，使它可以不再是记录的，而和绘画一样，是思想、心灵、感情及性情的自由表现。脱出了普通摄影的类型化框框，而使日光下的事物都可以是抽象绘画的感觉，并用非常空静的画面，洗练地表达事物的本性，获得了个性化的风格。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。