自然语言

The use of rich, natural, gentle transition of color to express the screen language.

运用丰富，自然、柔和的过渡色来表达画面语言。

Her use of dialect features such as the completive tense, and her deletion of the conjunctive "s", are natural, accepted, even appreciated elements of a linguistic convention that has sustained the soul.

她的个人用语特徵的使用像是完成式，还有删除了连接词的""s，都是很自然的、可接受的、甚至是一个支持精神很久的语言传统的赞赏元素。

The most important factor in musical diction on the piano is the nature of the sound of the piano itself.

钢琴音乐语言最重要的因素就是钢琴它自身发出的自然声音。

In fact, what the artist establishes is a supplementary relationship of endless play. Liu's practice discursively oscillates between the referent (i.e. the social frame or world of nature) and that which eludes language i.e.

实际上，艺术家演示出在不同主题之间无序的切换和摇摆，这种摇摆是言外之意，处于所指事物（如社会框架、世界或自然）和语言之外的范畴之间。

Based on the analyzing of finite field multiply operation, Matlab was used to simplify the sections which were complex and resource-consumed. As a result, a simple form of combinational logic was obtained. And bit-parallel multipliers under nature or dual basis were designed separately in finite-field with VHDL language.

在分析有限域乘法运算法则的基础上，用Matlab简化其复杂而消耗资源的部分，得到形式简单的组合逻辑，并用VHDL语言分别设计了有限域GF(2m)中自然基和对偶基下比特并行乘法器。

When audience face these images, it is natural to invoke the memory of source images, and it is such basic memory or source images intention that produce the reaction and confrontation to Xu's works, spur his works to enter audience's habitual recognition of images, and combine thinking with image cognition to form new interpretation of images, as to highlight the dubiety of source images and to increase the possible reinterpretation of source images, but the artist's conceptual interference is not close-ended but discloses the mechanism of contemporary image reading: i.e. the interaction between image and audience, as result such works are the presence of artistic conception but the absence of artist and that artist doesn't stress the input of personal experience into the work, but looks for the methodology of image-construction and the combination of thinking methods for creating the entity of joint between image and language.

当观众面对这些图像时，很自然地唤起对原有图像的记忆，正是这种基本记忆或原图像意图的捕捉对许昌昌的作品产生了反作用和对抗，促使作品图像进入到观众的图像识别习惯中，将思考与图像认知结合，形成新的图像阐释，既是突出原图像的可疑性，又增加了对原图像的重新解释的可能性，但艺术家的观念介入并不是封闭的，而是敞开了当代图像阅读的机制：即图像与观众的互动性，这样的作品是艺术观念在场而艺术家缺席，艺术家不强调个人生活经验进入作品，而是寻求图像构成的方法论和思维方法论的结合，创造图像与语言切合的实体。

When audience face these images, it is natural to invoke the memory of source images, and it is such basic memory or source images intention that produce the reaction and confrontation to Xus works, spur his works to enter audiences habitual recognition of images, and combine thinking with image cognition to form new interpretation of images, as to highlight the dubiety of source images and to increase the possible reinterpretation of source images, but the artists conceptual interference is not close-ended but discloses the mechanism of contemporary image reading: i.e. the interaction between image and audience, as result such works are the presence of artistic conception but the absence of artist and that artist doesnt stress the input of personal experience into the work, but looks for the methodology of image-construction and the combination of thinking methods for creating the entity of joint between image and language.

当观众面对这些图像时，很自然地唤起对原有图像的记忆，正是这种基本记忆或原图像意图的捕捉对许昌昌的作品产生了反作用和对抗，促使作品图像进入到观众的图像识别习惯中，将思考与图像认知结合，形成新的图像阐释，既是突出原图像的可疑性，又增加了对原图像的重新解释的可能性，但艺术家的观念介入并不是封闭的，而是敞开了当代图像阅读的机制：即图像与观众的互动性，这样的作品是艺术观念在场而艺术家缺席，艺术家不强调个人生活经验进入作品，而是寻求图像构成的方法论和思维方法论的结合，创造图像与语言切合的实体。

If in study phrase "brash my teeth" time, I induct the activity by the dumb show form, the movement which the performance cleans the teeth ask the baby to guess, through the body language's utilization, the nature silent stimulates baby's active interest, attracts baby's attention.

如在学习短语"brash my teeth"时，我以哑剧的形式导入活动，表演刷牙的动作请幼儿猜，通过肢体语言的运用，自然无声地激发起幼儿的活动兴趣，吸引幼儿的注意力。

English, as a natural language used by many people in the world, is different from Esperanto that is an artificial international language.

英语，作为一种被人们广泛使用的自然生成的语言与世界语有着不同之处。

Such as the beverage trademark Coca Cola, there is no meaning of its own, translated as "Coca-Cola", the method is based on a transliteration-based, but the transliteration of Chinese characters when they are not taken according to the rules of the selected sound and meaning, but to use the Chinese language in a special language phenomena - euphony, see at a glance the catering commodities for consumers need to purchase food is naturally meaningful.

就像如饮料商标Coca Cola，其本身并无含义，译为"可口可乐"，所用方法以音译为主，但音译时所取地汉字并不是按音义地规则选取地，而是利用了汉语中地一种特殊语言现象——谐音，一看便知是饮食类商品，对于需要购买预购饮食地消费者来说自然是意味深长句号。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。