自然而然的

In this situation, the books will gradually become the access to and the main way to increase my knowledge, and the library would naturally occupy in people's lives in a certain location, how to scientifically manage the library is not only related to the convenience of the reader to seek knowledge level is also related to library development, therefore, develop a comprehensive library management system will become essential, and this paper describes the environment in the Visual Basic6.0 adoption of the "top-down master plan, bottom-up application of development "strategy of development of the detailed process of this system is proposed to achieve the library information management, the basic objective of sharing resources, thus promoting the pace towards the digital library and described the system architecture design and functional design, from the warehouse of books Registration to the query view, from the library card issued to the lending of books, forming an overall automated management model, from the perspective of software engineering, scientific and rigorous exposition.

在这种形势下，书籍就渐渐地成为人们获取并增长知识的主要途径，而图书馆就自然而然地在人们的生活中占据了一定的位置，如何科学地管理图书馆不但关系到读者求知的方便程度，也关系到图书馆的发展，因此，开发一套完善的图书馆管理系统就成不可少了，本文介绍了在Visual Basic6.0环境下采用"自上而下地总体规划，自下而上地应用开发"的策略开发本系统的详细过程，提出实现图书馆信息管理、资源共享的基本目标，从而推动迈向数字化图书馆的步伐，并阐述系统结构设计和功能设计，从图书的入库登记到查询浏览，从借书证发放到图书的借阅，形成了一个整体自动化管理模式，从软件工程的角度进行了科学而严谨的阐述。

So the water is oriental,solemn and quiet,pure,clear and distinct,wisdom,all figures as same as the traditional Chinese painting's ascthetic value trend.the color is she as a new human in 21th century under the global background of oriental and western civilize culture mix together,she just make the west serve the east,make the past serve the present,imbibe the style of variety natural bright colors in western oil painting and the artistic conception of classical eternity in Chinese traditional painting,meanwhile naturally reach a tacit agreement with her natural personality of seeking green enviormental protection as same as the brilliant sunshine and full of vitality,then forming herself special and unique original artistic conteption style and all the presents would leading the viewer far away from the post-modern mirage full of tattered chaos confussion contaminate,and just take the audience get into her pure spirital homeland of self-perfect and satisfactory.

而水彩的使用也是首先缘自老子的"至善若水"，因此"水"是东方的、静观的、纯粹的、清明的、智慧的，这点与中国传统画的审美价值取向一脉相承，而"彩"则是她作为21世纪的新人类，在全球化东西方文明交融的背景下，西为中用古为今用地吸收了色彩丰富自然鲜明的西方油画风格和古典隽永的国画意境，并与其绿色环保，阳光灿烂，生气勃勃的天性追求自然而然达成了一致默契，从而形成了自己独具匠心的艺术境界呈现，并以此来引领观者远离迷乱破碎污浊的后现代幻境而进入其纯粹自足完善的精神净土家园。

The tutor program is coming from my Uni study, I found I can understand much better if I had discussion with my classmates that time,( as that time, no matter how many times I asked my lecture, I still cannot totally master his points),- This is why I offer previous students to be a tutor as I know there are too many information within the class, this is why I offer my previous students to review the topics with me together in the class - relisten all the topics again through reviewing all the topics with Nicole together in the class and also they can solve the ambiguous through re-listening and also apply what they learn from me to my student's study'.

Firstly， I am here to thank for my tutor's great work，谢谢你们的无私的分享和奉献。我很高兴看到我个人的精神带动了我团队的力量。因为我知道我课的容量大，广度和深度也大，所以我提供给曾花很多功夫的学生重新免费来听一次课，这次是带着问题来听课了，把以前听课的疑问通过第二次听课，这时你自然而然就解决了，而且你理解度和你第一听课完全不一样。学生要真正吃透我的讲课精髓，学生不但通过在家一定要反复地咀嚼以求达到消化，同时通过与TUTOR 讨论来巩固，理清思路。

XIelwou're awesome! And by the way, TAG, you're it. As amazing and awesome as you already are, you can be even more so. Beautiful young people are the whimsey of nature, but beautiful old people are true works of art. But you don't become "beautiful" just by virtue of the aging process.

你 卓越的！没错就你你已经了不起的卓越的你还可以更卓越更了不起美丽的年轻人大自然的奇想而美丽的老人却艺术的杰作但你不会因为年龄的渐长就自然而然地变得&美丽&

He bid me observe it, and I should always find , that the calamities of life were shared among the upper and lower part of mankind; but that the middle station had the fewest disasters, and was not exposed, to so many vicissitudes as the higher or lower part of mankind; nay, they were not subjected to so many distempers and uneasiness either of body or mind, as those were who, by vicious living, luxury and extravagancies on one hand, or hard labour, want of necessaries, and mean or insufficient diet on the other hand, bring distempers upon themselves by the natural consequences of their way of living; that the middle station of life was calculated for all kind of virtues and all kinds of a middle fortune; that temperance, moderation, quietness, health, society, all agreeable diversions, and all desirable pleasures, were the blessing attending the middle station of life; that this way men went silently and smoothly through the world, and comfortably out of it, not embarrassed with the labour of the hands or of the head, not sold to the life of slavery for daily bread, or harassed with perplexed circumstances, which rob the soul of peace, and the body of rest; not enraged with the passion of envy, or secret burning lust of ambition for great things; but in easy circumstances sliding gently through the world, and sensibly tasting the sweets of living, without the bitter, feeling that they are happy, and learning by every day's experience to know it more sensibly.

他嘱咐我，只要用心观察，到处都可发现：生活的灾难是由上层和下层两类人分担，而中间阶层灾难最少，不会像那两类人那样，要经历那么多的荣辱变迁，商海浮沉。中间阶层也绝不会像阔佬那样，因骄奢淫逸、挥霍无度而狂躁不安、身心俱损；也不会像穷人那样，因劳累辛苦、缺吃少穿，以及这种穷苦生活自然而然带来的种种后果而焦急不安、忧心忡忡。他说，中等生活最能保持各种美德和一切正常而适中的享受，中等人的生活经常是安定富足的。他说，和睦和富裕是中产阶层的随身伴侣。他说，和善、谦虚、宁静、健康、社交、各种正当的娱乐、各种有益的消遣，都是降临到中等人头上的福份。他们就这样默默地、但又是顺利地、当然也是舒服地走过人生的旅途，不受劳力和劳心之苦，也不必为每天的面包而卖身为奴，或被困境搞得身心疲惫；也不会因心怀嫉妒和好大喜功而野心勃勃、贪婪无度，而是在轻松的环境下平静地度过一生，有意识地品尝着生活的甜美，没有痛苦，只感到幸福，并且通过日益增多的经验，越来越有意识地去学会品尝和感受幸福。

In such a way a series of vivid characters were produced during this period of timeIn the later half of 1940,movie literature scripts complied with the historical process of the Chinese modem literature,and echoed the turbulent tide of the times.Either emphasized on the consciousness of social criticism,or inclined to the consciousness of humanism,its ideological nature and the direction for creation was very explicit.But this "directional" expression and the demand were not conceptual,or stiffly inbreathed. It is the "concrete image",the "metaphor" of the text,revealed naturally in accordance with the development of the plot and the molding of characters.It can be said as "the wind rippled the surface of the water naturally" and presented excellent artistic technique and high standard.The film scripts writers of the society group undertook the Chinese movie tradition of moving with the history,on an unusual level achieved a new altitude of ideology,and obtained a new artistic achievements.

由于电影文学剧本独特的语言表达方式，其在人物塑造上具有不同于小说、戏剧的特点。1940年代后半期电影剧作者高度重视电影文学剧本中人物形象的塑造，运用电影化的思维方式来刻画人物，依托人物性格的发展来展开故事，使得这时期电影文学剧本在引人入胜的故事书写中，绘就出了一长串内涵丰富、形象生动、有血有肉的人物群。1940年代后半期电影文学剧本既顺应着中国现代文学的历史进程，又呼应着动荡巨变的时代大潮，无论是侧重社会批判意识的，还是倾向人文关怀意识的，其思想性或方向性是非常明确的，但这种&方向性&的表达和诉求既不是概念性的，也不是生硬的灌输，而是&具体形象&的，是&隐寓&文本之中，在故事情节发展和人物性格塑造之中自然而然地流露出来的，可以说是&风行水上，自然成纹&，呈现出高超的艺术技艺和水准。

They seized each other by the shoulders, hugged mightily, squeezing the breath out of each other, saying, son of a *****, son of a *****, then, and easily as the right key turns the lock tumblers, their mouths came together, and hard, Jack's big teeth bringing blood, his hat falling to the floor, stubble rasping, wet saliva welling, and the door opening and Alma looking out for a few seconds at Ennis's straining shoulders and shutting the door again and still they clinched, pressing chest and groin and thigh and leg together, treading on each other's toes until they pulled apart to breathe and Ennis, not big on endearments, said what he said to his horses and daughters, little darlin.

他们紧紧抓住彼此的臂膀，狠狠地抱在一起，这一抱几乎令对方窒息。他们嘴里念叨着，混蛋，你这混蛋。然后，自然而然地，就象钥匙找对了锁孔，他们的嘴唇猛地合在了一处。杰克的虎牙出血了，帽子掉在了地上。他们的胡茬儿扎着彼此的脸，到处都是湿湿的唾液。这时，门开了。阿尔玛向外瞥了一眼，盯着埃尼斯扭曲的臂膀看了几秒，就又关上了门。他俩还在拥吻，胸膛，小腹和大腿紧贴在一起，互相踩着对方的脚趾，直到不能呼吸才放开。埃尼斯轻声地，柔情无限地叫着&小宝贝&——这是他对女儿们和马匹才会用到的称呼。

They seized each other by the shoulders, hugged mightily, squeezing the breath out of each other, saying, son of a bitch, son of a bitch, then, and easily as the right key turns the lock tumblers, their mouths came together, and hard, Jack's big teeth bringing blood, his hat falling to the floor, stubble rasping, wet saliva welling, and the door opening and Alma looking out for a few seconds at Ennis's straining shoulders and shutting the door again and still they clinched, pressing chest and groin and thigh and leg together, treading on each other's toes until they pulled apart to breathe and Ennis, not big on endearments, said what he said to his horses and daughters, little darlin.

他们紧紧抓住彼此的臂膀，狠狠地抱在一起，这一抱几乎令对方窒息。他们嘴里念叨着，混蛋，你这混蛋。然后，自然而然地，就象钥匙找对了锁孔，他们的嘴唇猛地合在了一处。杰克的虎牙出血了，帽子掉在了地上。他们的胡茬儿扎着彼此的脸，到处都是湿湿的唾液。这时，门开了。阿尔玛向外瞥了一眼，盯着埃尼斯扭曲的臂膀看了几秒，就又关上了门。他俩还在拥吻，胸膛，小腹和大腿紧贴在一起，互相踩着对方的脚趾，直到不能呼吸才放开。埃尼斯轻声地，柔情无限地叫着&小宝贝&——这是他对女儿们和马匹才会用到的称呼。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。