自然的力量
- 与 自然的力量 相关的网络例句 [注:此内容来源于网络,仅供参考]
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In the iron band of terror, which destroys the plurality of men, and makes out of many the One who unfailingly will act as though he himself were part of the course of history and nature, a device hase been found not only to liberate the historal and natural force, but to accelerate them eto a speed they never world reach if left to themselves.
恐怖摧毁人的多元性,从多中选一,使它那永不失败的意志产生作用,似乎他自己就是自然进程或自然进程的一个组成部分,一种被发现来解放历史力量和自然力量的手段,而且加快那由他们自己永远不可能达到的速度。
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But when our ignoring or exceeding the power of the nature, the hugger the achievement we get, the hugger the threat of the nature. We have saw the cost paying for ignoring the enlistment from the discipline of the nature.
超出或忽视自然力量的征服,成就越大,自然力量的威胁也越大:我们不无遗憾地看到,人类为忽视自然秩序和自然规律付出了巨大代价。
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From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".
从"五四"到20世纪20年代,中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放,其所表现出来的特点,一是正面赋予性欲望以合理性,这种合理性是在人性解放和爱情前提下获得的;二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注,其焦点主要在体格方面;三是树立起新的性伦理道德观念,表现为强调在性爱问题上的个人选择自由,性爱成为个人自我实现的重要方式,从而赋予人在性爱问题上的独立性,同时还扩大了性爱表现的领域;四,这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓,首先是把性还原为欲望本身来探索,沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用,突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容;其次在叙事中表现出对欲望化了的身体的描绘与关注;第三是解构了性的伦理道德,无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德,或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军,其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱;第四,出现了由女性作家表现的女性性意识,在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在,而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙,其主要特征一是性爱在人道主义前提下获得合法性,但要求性爱不超出伦理规定的范围;再就是将性爱叙事同国家观念和民族神话相融合;此外还有对身体的描写审美化诗意化等。80年代中后期,小说性爱叙事进入了多元化探索的阶段,作家通过还原性欲望来还原人性、还原人类的本真状态,不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱,写出其具有的创造性力量和毁灭性特征;将性爱与暴力相联系并通过其来表现人性的黑暗;强调性爱的创造性作用,尤其在民族"血性"的传承方面。
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If naturalism is true, then human reason must be the result of natural forces.
如果自然是真的话,那么人类理性的,必须的结果自然力量。
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These natural forces, are not, on the naturalistic view, rational themselves, nor can they be the result of a rational cause.
这些自然力量,都没有,就自然认为,理性的自己,也不能得到的结果,一个理性的事业。
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Man has been aware of nature\'s alien characteristic, has realized the latter\'s threat, the comparison between both\'spowers makes man feel his own negligibi lity,hence man appeals to god in order to surpass his negligibility and achieve a sublime state, so it forms the primitive sublimity.
在神话的悲剧原型中,原始先民的实践力量还不足以征服自然,人类的主观愿望与客观力量之间是不协调的,人们的实际力量不能(来源:ABC4b论文5d网www.abclunwen.com)够帮助其实现自己的愿望,这就造成了理想同现实之间的矛盾冲突。
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Phusis {foo'-sis} from 5453; TDNT - 9:251,1283; n f AV - nature 10, natural + 2596 2, kind 1, mankind + 442 1; 14 1 nature 1a the nature of things, the force, laws, order of nature 1a as opposed to what is monstrous, abnormal, perverse 1b as opposed what has been produced by the art of man: the natural branches, i.e. branches by the operation of nature 1b birth, physical origin 1c a mode of feeling and acting which by long habit has become nature 1d the sum of innate properties and powers by which one person differs from others, distinctive native peculiarities, natural characteristics: the natural strength, ferocity, and intractability of beasts
相关经文回前一页 5449 phusis {foo'-sis}源自 5453; TDNT - 9:251,1283;阴性名词 AV - nature 10, natural + 2596 2, kind 1, mankind + 442 1; 14 1 大自然 1a 自然之事物,自然力,自然律,自然次序 1a 相反於怪异的,不正常的,邪恶的 1b 相反於人类艺术之产物:自然分支,亦即自然运行而得的分支 1b 天生,实体原型 1c 长期习惯形成的天性而得感受及行为之样式 1d 与他人不同天生的特质及能力之总体,有别於人的天赋与众不同,天然的特质:天然力量,多产,和难驾驭的兽性
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Comparing withHayek's theory on society method, I believe constitution litigationmechanism must considering the following conclusion in modelingconstitutional method: first, the acquiring of constitutional method isusually effects system vicissitudes. Although constitutional arbitramentcan form definite constitutional method, it can't achieve perduringsubstantial results level of method; secondly, constitutional method isformed virtually by the mixture of two kind of potence, and one is socialpotence, the other is governmental potence. The constitutional method'srationality in logic structure rests directly with the wrestling process ofconstitutional logic and social process. Constitutional method is more akind of simulative conformation of natural logic and social logic, itforms by the wrestling of government, public, legislature andconstitution judging organ. Fourthly, the maintenance of constitutionalmethod depends on the inner power sustained by faith and exteriorpower coming from the background of compulsion. Fifthly,constitutional method itself is a dynamic structure, and it's realizingquomodo and vindicating means is being in vicissitude, however, it canonly provide condition and inspiritment.
对照哈耶克的社会秩序理论,笔者认为,宪法诉讼机制在型构宪政秩序时必然要照顾到以下结论:其一,宪政秩序的取得,往往是一个制度自然变迁的结果,宪法裁决虽然也可能在短期内形成一定的宪法秩序,不过却无法强行地达到一个较大范围内持久的秩序实效水准;其二,宪政秩序实际上是由两种力量交合而成的,一是社会力量,一是政府力量,宪政秩序的逻辑结构的合理性直接取决于宪法逻辑和社会逻辑之间的博弈过程;其三,宪政秩序更多的是一种对自然逻辑和社会逻辑的模拟形态,是经由政府、公众、立法机关与宪法裁判机构的合作博弈而形成的,宪法诉讼的功用至多在于提供博弈规则,以实现纳什均衡;其四,宪政秩序的维护主要依靠来自信念支持的内部力量与来自强制背景的外部力量;其五,宪政秩序本身是一个动态的、常新的结构,其实现方式与维护手段也处于不断变迁之中,但无论如何,宪法诉讼机制所能提供的只是制约与激励两种。
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In the iron band of terror, which destroys the plurality of men, and makes out of many the One who unfailingly will act as though he himself were part of the course of history and nature, a device hase been found not only to liberate the historal and natural force, but to accelerate them eto a speed they never world reach if left to themselves.
中译本:恐怖摧毁人的多元性,从多中选一,使它那永不失败的意志产生作用,似乎他自己就是自然进程或自然进程的一个组成部分,一种被发现来解放历史力量和自然力量的手段,而且加快那由他们自己永远不可能达到的速度。
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From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".
从&五四&到20世纪20年代,中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放,其所表现出来的特点,一是正面赋予性欲望以合理性,这种合理性是在人性解放和爱情前提下获得的;二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注,其焦点主要在体格方面;三是树立起新的性伦理道德观念,表现为强调在性爱问题上的个人选择自由,性爱成为个人自我实现的重要方式,从而赋予人在性爱问题上的独立性,同时还扩大了性爱表现的领域;四,这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓,首先是把性还原为欲望本身来探索,沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用,突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容;其次在叙事中表现出对欲望化了的身体的描绘与关注;第三是解构了性的伦理道德,无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德,或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军,其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱;第四,出现了由女性作家表现的女性性意识,在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在,而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙,其主要特征一是性爱在人道主义前提下获得合法性,但要求性爱不超出伦理规定的范围;再就是将性爱叙事同国家观念和民族神话相融合;此外还有对身体的描写审美化诗意化等。80年代中后期,小说性爱叙事进入了多元化探索的阶段,作家通过还原性欲望来还原人性、还原人类的本真状态,不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱,写出其具有的创造性力量和毁灭性特征;将性爱与暴力相联系并通过其来表现人性的黑暗;强调性爱的创造性作用,尤其在民族&血性&的传承方面。
- 推荐网络例句
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On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.
另一方面,更重要的是由于城市住房是一种异质性产品。
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Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.
气候直方图是将所收集的降水量测定值,分为几个相等的区间作为横轴,并将各区间内所测定值依所出现的次数累积而成的面积,用柱子排起来的图形,也叫做柱状图。
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You rap, you know we are not so good at rapping, huh?
你唱吧,你也知道我们并不那么擅长说唱,对吧?