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The quintessence of natural rights is to follow the principle of nature, with the inclination of natural centrism.

道家自然权利观的核心观念是因循自然,有性任自然的自然中心主义倾向。

To investigate the relationship of the jewellery design and the nature and to research the application of natural element in jewellery design,that is in order to make designers to hobnob with the natural material, focus on natural morphology, and receive natural inspiration so as to create more and more lifelike works.

研究首饰设计与自然的关系,进一步探究自然元素在首饰设计中的运用,启发首饰设计师亲近自然材料、关注自然形态、获得自然的灵感与启示,创作出更多具有生命活力的首饰作品。

As a part of enlightening culture, the enlightening literature is definitely a window that publicizes the logos spirit, however, literature is different from philosophy, literature is the artistic transexpression of the Zeitgeist, but not the direct expression of the rational principles, in the eighteenth century the thought of natural logos brought the production of the free humanity of literature, Faust pursues and explores forward constantly, which stands for the permanent"human"spirit, it means the human's release and rein on the atman, it is the natural situation after breaking the fetters, and it is the revertion of the human natural inbeing; Naive man is the unit that has not been touched by"civilization", it is the origianl nature of human beings, during the conflict and collision of these two different cultures--"nature"and"civilization", it holds the independent free spirit homestead; emotion is natural, when the society made it institutionalized, it is catabolized, Lockersha Na heard the voice of heart under the system of plural marriage, she released the human natural emotion, reverted the natural humanity; under the"civilization", individuality is deprived,"civilization"becomes the contrary of civilization, Rameau's nephew championed the individual existence and freedom in the period of losing"self", it stands for the"self"shaping in the independent pose.

启蒙文学作为启蒙文化的一部分,它自然是张扬自然理性精神的一个窗口,然而,文学又不同于哲学,文学是对时代精神作艺术化的转达,而不是理性原则的直接的传声筒,十八世纪自然理性的思想养料孕育的是文学中自由人性的灿烂之花,浮士德不断地向上求索,代表着永不息止的"人"的精神,"人"的精神是人对于自我本体的一种释放与驾驭,是挣脱枷锁之后的自由状态,是对人之自然本性的还原;天真汉是未曾受过"文明"浸染的个体,代表人类之原本的自然天性,在"自然"与"文明"两种异质文化的冲突与碰撞中,维系着个体独立自由的精神家园;情感本属自然的,在社会将其制度化的同时,也将其异化了,洛克莎娜在一夫多妻制下,聆听的是个体心底之声,释放人之自然感情,复原自然之人性;"文明"下,个体性被剥夺,"文明"已堕入文明的对立面,拉摩的侄儿在"我"丧失的时代,捍卫了个体自我的在场性与自由性,代表了以独立个体之姿存在的"我"。

The unearned increment is resulted not from work of individuals, but from social progress, economic development and team effort.

土地增值税系於土地所有权移转或设定典权时,对土地涨价总数额,以一定之比率,去除土地自然增值之利益,因为增值之利益并非这个人努力工作所获得的相对报酬,属於「不劳而获」利得,是社会进步,经济发展,集体努力所创造出来的成果,并本於此社会之进步,交通设备之改良,自然而生之繁荣汇聚於都市土地上所表现出来的,即为土地之自然增值,为实现社会公平正义,此自然增值之部分,自应以土地增值税除去部分利得,部分归公,部分归私,不能让其归属於少数人所独享,以维护自然的衡平及正义。

Viewing from the angle of the science of law and taking "rights" as the text for analysis,this article discusses the theoretical divergence on "the rights of nature" between the anthropocentrists and non-anthropocentrism.The anthropocentrists criticize the rights of nature from four aspects,its humanity,impracticality, uncontrollability and non-equivalence of its duties.The n...

从法学视角切入,以&权利&作为分析文本,论述了人类中心主义与非人类中心主义在&自然权利&上的理论分歧,人类中心主义者从权利的属人性、权利义务的不对等性、主张自然权利的非现实性以及自然权利的不可操作性四个方面对自然的权利提出了批判,而非人类中心主义者指出权利概念的在不断地扩展,人类中心主义不可能完全解决好人与自然的关系,自然权利存在着转化为在法律上具有可操作性的可能,并且自然权利理论已在法律实践领域拓展,对自然的权利进行了辩护,由此提出了&非人类中心主义&、&自然的权利&的环境伦理定位。

As a part of enlightening culture, the enlightening literature is definitely a window that publicizes the logos spirit, however, literature is different from philosophy, literature is the artistic transexpression of the Zeitgeist, but not the direct expression of the rational principles, in the eighteenth century the thought of natural logos brought the production of the free humanity of literature, Faust pursues and explores forward constantly, which stands for the permanent"human"spirit, it means the human's release and rein on the atman, it is the natural situation after breaking the fetters, and it is the revertion of the human natural inbeing; Naive man is the unit that has not been touched by"civilization", it is the origianl nature of human beings, during the conflict and collision of these two different cultures--"nature"and"civilization", it holds the independent free spirit homestead; emotion is natural, when the society made it institutionalized, it is catabolized, Lockersha Na heard the voice of heart under the system of plural marriage, she released the human natural emotion, reverted the natural humanity; under the"civilization", individuality is deprived,"civilization"becomes the contrary of civilization, Rameau's nephew championed the individual existence and freedom in the period of losing"self", it stands for the"self"shaping in the independent pose.

启蒙文学作为启蒙文化的一部分,它自然是张扬自然理性精神的一个窗口,然而,文学又不同于哲学,文学是对时代精神作艺术化的转达,而不是理性原则的直接的传声筒,十八世纪自然理性的思想养料孕育的是文学中自由人性的灿烂之花,浮士德不断地向上求索,代表着永不息止的&人&的精神,&人&的精神是人对于自我本体的一种释放与驾驭,是挣脱枷锁之后的自由状态,是对人之自然本性的还原;天真汉是未曾受过&文明&浸染的个体,代表人类之原本的自然天性,在&自然&与&文明&两种异质文化的冲突与碰撞中,维系着个体独立自由的精神家园;情感本属自然的,在社会将其制度化的同时,也将其异化了,洛克莎娜在一夫多妻制下,聆听的是个体心底之声,释放人之自然感情,复原自然之人性;&文明&下,个体性被剥夺,&文明&已堕入文明的对立面,拉摩的侄儿在&我&丧失的时代,捍卫了个体自我的在场性与自由性,代表了以独立个体之姿存在的&我&。

And Marx insisted on using "human"s thinking method" to understand the relation between human being and nature from beginning to end. He proceeded from natura instincts of human life to study human being and nature alternately. He also went further into the real relation between human being and nature in the human"s practice. From his points, nature is the humans nature, the relation between human being and nature is the social relation of people.

而且,马克思在理解人与自然关系的过程始终坚持&人的思维方式&,他从人的生命本性出发来看待交互中的人与自然,在人的实践活动中探讨人与自然的真实关系;在他看来,自然是人的自然,人与自然的关系即人与人的社会关系。

But it conquers the natural view with thewest to have the very big difference, it thought the person is at theassistance position in the nature, the person should transformnaturally also should adapt the nature, humanity's goal rules thenature, but adjusts the nature, causes it to conform to humanity'sneed.

但它与西方征服自然的说法有着很大的差异,它认为人在自然界中处于辅助地位,人应该改造自然也应该适应自然,人类的目标不是统治自然,而是调整自然,使之符合人类的需要。

History has always been conceived as the movement of a resumption of history, a diversion between two presences.

像卢梭那样,他永远得在灾难模式上——即自然中的自然灾难、自然环节中的自然中断、自然的距离去思考新结构的来源。

Balance of Nature 自然的均衡 128K Classic New Age meets Native American flute. Dulin's keyboard work propels the music with lush undercurrents of sound, over which Offutt's haunting Native American flute soars. Healing, soothing music. Ancient wisdom for a modern world.

译:新世纪音乐里最优秀的印地安人长笛,达林的钢琴高亢悠远,而其中他的合作者Offutt's 的长笛令人难以忘怀,充满了对人的心灵治疗和精神安慰,完全是现代和古老智慧的艺术结合。

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In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是,在否定句或疑问句里,这种带有"do"的方法表达的效果却没有什么强调的意思。

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