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Peng Zhao singing with medium bass outstanding, the tamber is more soft and mellow at present, have one special features more mature spontaneousness of the sing on stage of space, He sings to feel attracted place to be thick but not flighty, the enthusiasm make open but not grandiloquent, the singing is always so natural flowing freely, an each songs can give the person the mood which constructs a kind of gentle, appreciate by this kind of mood his to sing in the meantime, or pleased or sad, or grief or joy, voice of usage so freely , use him that the magnetism wonderful voice, go to the in the mind with hid sing,this is Pang's fascination place at present.

曾几何时,赵鹏以其首张个人发烧大碟&男声低音炮&而一炮打响,一炮走红,在 Hifi 乐坛引发巨大轰动,发烧友&粉丝&不计其数。以中低音出色的他,现今音色更为松弛、圆润,独具一格的演唱特色更为成熟自然,他的歌唱动情处沉实而不虚浮,激情处张扬而不造作,歌声总是那么自然流畅,每一首歌都能给人营造出一种平和的心境,同时以这种心境去欣赏他的歌唱,或喜或悲,或哀或乐,声音的运用都那么自如,用他那磁性般美妙的声音,把歌一句句地唱到你的心里去,大概这就是赵鹏现今的魅力了。

The jurists of that period very commonly assert that the power of Testation itself is of Natural Law, that it is a right conferred by the Law of Nature.

当时的法学家很普遍地认为&立遗嘱&权力的本身是来自&自然法&的权力,是由&自然法&所赋与的一种权利。

Nature is suffering – anguishing under a planned project as described in the above lines and signs.

然而,这种折磨被称为计划,绘画上的这些符号,记载的正是现时代的对自然的&计划&,这是被&计划&性地撕裂的自然碎片。

An undulating skylight ceiling boasts complex concavities and hanging panels that distribute daylight, while an extremely efficient natural ventilation system effectively balances the entire structure's disparate climate zones.

其中连绵起伏的天窗布满了复杂的凹陷和挂板使日光得以自然分散,加上极为高效的自然通风系统有效地平衡了整个结构的不同气候区域。

In order to best communicate the particularities of his perception of the market landscape (or the "denaturalized market," in the artists own words), Jin chose the handscroll format similar to that of classical Chinese painting as it allows the most direct and meticulous display of a maximum number of "denaturalized" details.

为了尽力传呈他所体察到的市场特殊景观(他称之为&非自然化市场&),金江波选择了类似中国传统绘画的狭长尺幅,因为这种尺幅可以较为直观而详尽地把众多&非自然化&的细节容纳进来。

The city will not develop at the cost of ecological view components , such as nature , history , and at the basis of expurgating, properly, the distillate of design in the history of the city humanity which would be a design language to stretch the nature, history and humanity view environments.

通过对一个城市历史的系统解读使得城市化的发展过程不再是以自然、历史、人文等生态景观组成部分的破坏为代价,而是合理地提炼城市人文历史中积淀下来的部分,设计成为这个城市未来生态景观规划中的一个设计语汇,从更宽泛的角度延展这个城市的自然、历史和人文的景观环境。

Take Fuzhou , this historical cultural city , as an example: According to the space heterogeneity of different dividing areas in the city and the green corridor structure of city (among them the green corridor passes through the other ring to take green, the Tenneco green land and garden green land of center district), the problems of how to draw the cleanness, wet and cold air around the surround into the center of city through the high green forest community which alleviate the tropical island effect and improve air quality and how to build the ecological view system of the city are discussed to make the city ecological view environment play its social role, the city will not develop at the cost of ecological view components , such as nature , history , and at the basis of expurgating, properly, the distillate of design in the history of the city humanity which would be a design language to stretch the nature, history and humanity view environments.

以福州这座历史文化名城为例:根据城市不同分区的空间异质性,贯通城市内的绿廊结构(其中绿廊穿越外环绿带、楔形绿地和中心区园林绿地)等探讨在城市化不断发展的过程中如何将城市周边清洁冷湿的空气经过高绿量的森林群落引入城市内部,缓解热岛效应,改善空气质量;以及如何通过城市的生态景观系统的营造使得城市的生态景观环境能够作为一个系统而充分发挥它的社会职能。通过对一个城市历史的系统解读使得城市化的发展过程不再是以自然、历史、人文等生态景观组成部分的破坏为代价,而是合理地提炼城市人文历史中积淀下来的部分,设计成为这个城市未来生态景观规划中的一个设计语汇,从更宽泛的角度延展这个城市的自然、历史和人文的景观环境。

Husserl's prominent contributions to psychology and the distinct character of Husserl's philosophical psychology were that he adequately and systematically demonstrated the necessity and importance of ending and criticizing naturalizing consciousness in which prevailed the mainstream psychology.

胡塞尔对心理学的最突出贡献,也可以说胡塞尔哲学心理学最鲜明的理论特色是,对当时主流心理学中流行的意识自然化的做法,胡塞尔从理论上充分、系统地进行了批判,并论证了对意识自然化予以终结的必要性与重要性。

This paper mainly includes two parts The first part falls into three main sections. First, it analyses the formative causes of the Chinese traditional house interior display art through five aspects, including the structure and forms of Chinese traditional architecture, the productive mode of Chinese traditional society, Chinese traditional philosophy, the idea of ethics and grading and custom of Chinese traditional society. Second, it briefly introduces the history of Chinese traditional house interior display art's development. Finally, it focuses on the analysis of Chinese traditional house interior display art's design ideas and concludes that its design ideas embodies the five sides as follows: respect for nature and imitate artfully nature, practical-oriented and function incorporated into form, images of space of what the theory and practice forms, balanced natural pattern of the display, artifacts with the thoughts and respect for poetic imagery. Another part of the article further researches on the application of Chinese traditional house interior display ideas to the contemporary home display, and leads to the author's view, that is that each era should has its own character when it inherits the traditional culture. What's more, the contemporary Chinese-style home display design not only have to take over the spirit of the tradition but also have to give full consideration of the contemporary aesthetic concepts, principles and methods. In the 21st century, humanistic care is greatly proponed in the interior design. The interior display art should develop towards the ecological, personalized and comfortable direction and the cultural dimensions. It should absorb the traditional cultural elements to decorate contemporary living space. In order to upgrade the simple and primary "appearance likeness" to a higher level of "spirit likeness", it must effectively grasp the poetic imagery of space, which can reach the artistic effect of "both appearance and spirits".

本文的重点内容有两部分:一部分是从中国传统建筑的结构形式、中国传统社会的生产方式、中国传统的哲学观念、中国传统的伦理等级观念、中国传统社会的风俗习惯等五个方面简单分析了中国传统民居室内陈设艺术形成的原因;简要介绍了中国传统民居室内陈设艺术的发展过程;着重对中国传统民居室内陈设艺术设计理念的具体内涵进行了深入的分析,总结出其设计理念集中体现在五个方面,即崇尚自然与巧法造化、实用为本与文质彬彬、虚实相生的空间意象、均衡自然的陈设格局、器以载道与以境为尚;另一部分是对中国传统民居室内陈设设计理念在当代居室陈设设计中的应用作了较深层次的探讨,并提出了自己的见解,即每个时代对传统文化的继承都应该呈现出自己的特色,当代中式风格的居室陈设设计既要秉承传统民居室内陈设艺术的设计精髓,又要充分考虑当代审美观念、原则和方法的融入。21世纪,室内设计大力提倡人文关怀,具体到室内陈设艺术设计上,应该向生态化、个性化、舒适化和文化层面发展;吸收传统文化元素装饰当代居室空间,要有效地把握空间意境,使当代中式风格的居室陈设设计从简单、初级的&形似&上升到较高层次的&神似&,进而追求&形神兼备&的艺术效果。

The thesis is organized into three parts: in the first part, through analysis of the ideal of habitat environment in the traditional culture, the central issues of the study -natural ecology and morphological ecology - are proposed; in the second part, through the theory of sustainable development and ecology, the typical cased in traditional habitat are evaluated from different standpoints, and sustainable development strategies of the traditional habitat environment in the aspects of natural ecology and morphological ecology are recapitulated; in the third part, with cases of the experimental practices nowadays in habitat environment, the possibility of the representation and development of the spirit in the traditional ideal habitat environment are finally presented.

本文的研究框架分为三个部分:第一部分通过对传统文化中反映的人居环境理想的分析,提出传统理想人居环境的研究核心——自然生态与形态生态;第二部分运用当今的可持续发展理论、生态学观点,多角度地评析了传统人居环境的典型案例,概括出传统人居环境在实现自然生态与形态生态两个方面所遵循的可持续发展的原则;第三部分从目前人居环境领域内的实验性探索切入,探索了传统的理想人居环境精华在当代再现并发展的可能性。

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