自然地

The luxuriously rich are not simply kept comfortably warm,but unnaturally hot; as I implied before, they are cooked, of course a la mode.

奢侈的人不单舒适了温暖了，而且热得不自然；我已经在前面说过，他们是被烘烤的，自然是很时髦地被

A lot of consumer are alive house of life of kitchen of type of fine ambry experience " the experience is consumed " when discovery, the room of each kitchen example in the exhibition hall, resembling is each vogue arena, maintain his composure to people in natural freehand brushwork in traditional Chinese painting the ground shows the kitchen popularity new trend 2006: Teak color reflects the rich sense that gives ambry, its dignified and dignified of showily nature, of primitive simplicity, easy characteristic is shown without involuntary discharge of urine.

很多消费者在世嘉橱柜体验式厨房生活馆"体验消费"时发现，展厅里的一个个厨房样板房，像是一个个时尚舞台，在自然写意中向人们不动声色地展示2006年的厨房流行新趋势：柚木色体现出橱柜的珍贵感，其华贵自然、古朴凝重、端庄大方的特点展露无遗。

3 His mechanical philosophy of nature was a sharp break with the prevailing conception as represented by Renaissance natural philosophy, and scarcely less of a break with Aristotelianism; and in his sensation of making a fresh start he spoke for 17th century science as a whole.

他的机械自然哲学截然地对立由文艺复兴自然哲学所代表的优势概念，但比较不像是和亚里斯多德主义之间的裂痕。而且在他做为全新起点的轰动人物(sensation的特别用法)之中。他成为十七世纪整体科学的代言人。

FENG Kang, YU De-hao and some other scholars of our country are the first ones to create the natural boundary element method, and they have successfully studied the natural boundary reduction method for the boundary value problems of harmonic equation and biharmonic equation.

我国学者冯康、余德浩等首创自然边界元法，并已成功地研究了调和方程及双调和方程边值问题的自然边界归化方法。

Virtual reality is an immersed interactive environment based on the calculable information.

中文摘要：虚拟现实(Virtual Reality，简称VR)是一种基于可计算信息的沉浸式交互环境，最大特点就是参与者能用人类自然的技能与感知能力与计算机生成的虚拟环境进行自然的交互，因此，要求系统能实时地对各种输入做出反应。

There is an original relationship between traditional hakka residential architecture and the social histories and the regional natural environments at that time. The traditional hakka residential architecture in Meizhou is established on Nature worship, and keep in harmony with natural environments. For examples, the locations of bildings are in line with local conditions; the layouts and styles are usually based on the rule of south exposure and central axis symmetry; the structures lay stress on functions and comfort and harmony with local environments. Unreasonable artificial alteration, for example, cutting slope and building house under the slope are usually triggers landslides, collapses and other geological disasters, and it has become the most dangerous and latent factor to the geological disasters. The ecological environment idea of the traditional hakka residential architecture in Meizhou region has still certain referential significance for modern residential architecture.

实证应用分析研究表明，梅州客家传统民居建筑与当时的社会历史背景、区域自然环境因素之间存在着密切关系；客家民居建筑渗透出尊重自然，与自然环境融为一体的生态环境理念，具体表现为选址上做到因地取舍与回归自然相统一，布局上讲究座北朝南与中轴对称相结合，建筑上注重实用舒适与环境氛围相融合；不合理削坡建房常常诱发崩塌、滑坡等地质灾害，成为地质灾害发生的最大潜在因子；梅州传统客家民居建筑的生态环境理念对现代民居建筑仍然具有借鉴与启示作用。

As F. J. Harvey Darton, an early scholar of children's literature, explains, they "have the same ideal, in one aspect held by Rousseau, in another wholly rejected by him : the belief that a child should steadily contemplate Nature, and the conviction that by so doing he will be led to contemplate the traditional God".

这两本颂歌也是写给查尔斯的。一位研究儿童文学的早期学者 F.J。哈维。达顿这样解释，"这两本书主旨相同，部分和卢梭的观点相合，部分则与他的观点完全相反：它们确信儿童应该持之以恒地仔细思考自然，从思考自然过渡到思考传统意义上的上帝。"

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的"到来"，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种"图解的危险"，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

In another word, the status does not exist that a painter should learn from nature "purely" without any "prejudice" and paint realistically by facing an object to paint out what he or she has perceived. To obtain such capability, painting learners or students shall use their eyes (teachers ask students in the painting class "where are your eyes and your perceptions") to observe objects and things at the beginning of study and then paint the models faithfully by means of "facade-subdivision"(or "preferring to square not round" as described by Xu Beihong, or decomposing the object into many petty facades as described in the line drawing textbook by P.P. Chistjakov so as to turn around the object bit by bit).

也就是说，不存在这样一种状态，画家为了画出自己的感觉，他们应该"纯洁"地不带"偏见"地去向自然学习，去面对物体直截了当地写生，而为了获得这种能力，在学习绘画的初始阶段，就必须训练学生们用自己的眼睛(在绘画课室里，老师总是质问学生，你的眼睛在哪里，你的感觉在哪里)去观察对象，然后用一种"分面"的方法(也就是徐悲鸿所说的"宁方勿圆"，或者按照据说是契斯恰科夫的素描教程的要求把对象分解成许多小面，以便使物体能够一点一点地转过去的方法)把眼前的模特如实地画下来。

Traveling in Ganzi is a trip into the mysterious.Tibet highlands, You will experience pure snow mountains, and transparently clear, jade-coloured lakes, simple and delightful national customs, and lush grasslands. Humans , nature ,and animals are united in peaceful coexistence, just like themythological shambala.

甘孜之旅是康藏高原地秘境之旅，香格里拉地净土之旅：纯净地阳光，金字塔似地雪峰，郁郁葱葱地森林，清澈的江河，草场丰富，河谷气候怡人，原始、古朴、净洁，人与人、人与自然、人与动物和谐相处，祥和永恒，象梦幻中的香巴拉。。。。。。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。